Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Samil Memmedli - Dunyani Gezim (Seymur) - Chord
Key F major – D minor Chords Am, Bb, Gm, Dm, C Easy key C (capo 5)
No ratings yet
or your user informations
Make it yours
Text size
Key: F | Dm
Capo: 0
Am Bb
Sen menim esqile bax gozlerime
Gm Am
Men o gozlerde ki sevdani gezim
Bb
Bagla mohkem qara tellerine meni
Gm Am
Dusun arxanca bu dunyani gezim
Dm Bb Am
Geceler otagim olur derd otagi
Dm Bb Am
Tek sen idin bu gozumun ciragi
C Dm Bb
Ne olar yuxularumun ol qonagi
Gm Am
Tutum ellerinden her yani gezim
Dm Bb Am
Sen menim nagillarimin ag ciceyi
Dm Bb Am
Sen demekdir ciceyin her leceyi
C Dm Bb
Bacarmiram sene bir soz demeyi
Gm Am
Gerek her misrada menani gezim
Am Bb
Sen menim esqile bax gozlerime
Gm Am
Men o gozlerde ki sevdani gezim
Bb
Bagla mohkem qara tellerine meni
Gm Am
Dusun arxanca bu dunyani gezim
Baxim o gozlere xow negme yazim
Yazilan sozlere bir beste yazim
Dusunum, fikirlewim men ne yazim
Sene en deyerli misrani gezim
Mene senden bawqasi haram haram
Ne qeder sen varsan mende varam
Ne olar hezin hezin aram aram
Izin ver her gece royani gezim
Men xosdur senin ugrunda zulum
Seni yasiyim,seni dusunum men olum
Sen sen ol benzeme Leylaya gulum
Niye mecnun kimi sehrani gezim?
Baxisin sema wirinliyini dadib
Bu yatan qelbim sevgin oyadib
Yaradan seni noqsansiz yaradib
Men kimem ki sende noqsani gezim
End of song Play again?
Samil Memmedli - Dunyani Gezim (Seymur) Tabs
NotesX
Harmony analysis
Samil Memmedli – Dunyani Gezim (Seymur): key and chord analysis
The song opens on Am and ends on Am. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because Dm is heard 6 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 6× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 12× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 10× |
| V | C | Dominant — strongest pull home | C · E · G | 2× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 6× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 6× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 6× |
| v | Am | Minor dominant — soft pull | A · C · E | 12× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 10× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 2× |
Analysis
The key pair is F major and its relative D minor (1 flat). 5 different chords appear 36 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Am Dm Fiii → vi Dmv → inatural-minor cadence ×4
- C Dm FV → videceptive cadence DmVII → iAeolian arrival ×2
The move to watch is Am → Dm, heard 4 times. From the Dm side it is v → i (natural-minor cadence: gentle, modal arrival); from the F side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
Starting on Am, the song gives away its key from the very first bar. The chords that keep coming back are Am, Bb, Gm, Dm; read them as iii–IV–ii–vi in F or v–VI–iv–i in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am → Dm (iii → vi in F, v → i in Dm): natural-minor cadence — gentle, modal arrival. Ending on Am, the song seals F as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Samil Memmedli - Dunyani Gezim (Seymur) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Elnur ValehMusic: Elnur ValehArrangement: Logman Yusub
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.