Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Bilal Hancı - Sebep Oldun (Özgün Uğur) - Chord
Key Bb major – G minor Chords Cm7, Gm, F, Bbmaj7, Ebmaj7, Dm7, Eb, Cm … Easy key C
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Key: Bb | Gm
Capo: 0
Gm Cm7 Sen yanımda durmadun F Bbmaj7 Bir halumi sormadun Ebmaj7 Cm7 Gittuğun günden beri Eb Dm7 Hayal bile kurmadum Gm Cm7 Şimdi sevinsun eller F Bbmaj7 Yaşiyamam bilsunler Ebmaj7 Cm7 Yari gören olursa Eb Dm7 Sebep oldun desinler Gm Cm7 F Bbmaj7 Ebmaj7 Cm Eb Dm Gm Cm7 Gözlerum seni arar F Bbmaj7 Yüreğum sana yanar Ebmaj7 Dm7 Doktor fayda etmez ki Cm7 Dm7 Şu gönlüme yar yarar Gm Cm7 Sen yanımda durmadun F Bbmaj7 Bir halumi sormadun Ebmaj7 Cm7 Gittuğun günden beri Eb Dm7 Hayal bile kurmadum Gm Cm7 Şimdi sevinsun eller F Bbmaj7 Yaşiyamam bilsunler Ebmaj7 Cm7 Yari gören olursa Eb Dm7 Sebep oldun desinler
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Bilal Hancı - Sebep Oldun (Özgün Uğur) Tabs
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Harmony analysis
Bilal Hancı – Sebep Oldun (Özgün Uğur): key and chord analysis
The song opens on Gm and ends on Dm7. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it opens on Gm. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| Imaj7 | Bbmaj7 | Tonic — home | Bb · D · F · A | 6× |
| ii7 | Cm7 | Supertonic — prepares the dominant | C · Eb · G · Bb | 11× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 1× |
| iii7 | Dm7 | Mediant — a tonic-family shade | D · F · A · C | 6× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | 1× |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IVmaj7 | Ebmaj7 | Subdominant — moves away from home | Eb · G · Bb · D | 6× |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | 5× |
| V | F | Dominant — strongest pull home | F · A · C | 6× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 6× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 6× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| IIImaj7 | Bbmaj7 | Relative major — the bright side | Bb · D · F · A | 6× |
| iv7 | Cm7 | Subdominant — moves away from home | C · Eb · G · Bb | 11× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 1× |
| v7 | Dm7 | Minor dominant — soft pull | D · F · A · C | 6× |
| v | Dm | Minor dominant — soft pull | D · F · A | 1× |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VImaj7 | Ebmaj7 | Submediant — warm colour | Eb · G · Bb · D | 6× |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | 5× |
| VII | F | Subtonic — steps back to the tonic | F · A · C | 6× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 9 different chords appear 48 times in total; 9 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- F Bbmaj7 BbV → Imaj7authentic cadence GmVII → IIImaj7 ×6
- Cm7 F Bbii7 → Vii → V Gmiv7 → VII ×6
- Dm7 Gm Bbiii7 → vi Gmv7 → inatural-minor cadence ×4
- Dm Gm Bbiii → vi Gmv → inatural-minor cadence ×1
The move to watch is F → Bbmaj7, heard 6 times. From the Gm side it is VII → IIImaj7; from the Bb side it reads V → Imaj7 (authentic cadence: the strongest arrival home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
Starting on Gm, the song gives away its key from the very first bar. Cm7, Gm, F, Bbmaj7 carry the song: ii7–vi–V–Imaj7 relative to Bb, iv7–i–VII–IIImaj7 relative to Gm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F → Bbmaj7 (V → Imaj7 in Bb, VII → IIImaj7 in Gm): authentic cadence — the strongest arrival home. Ending on Dm7, the song seals Bb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Bilal Hancı - Sebep Oldun (Özgün Uğur) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Yiğit MahzuniMusic: Yiğit MahzuniArrangement: Yiğit Mahzuni
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