Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Key C major – A minor Chords Dm, Gm, A7, F Easy key G (capo 5)
Dm
İşte bir sabah uyandığımda
F
Çav bella, çav bella, çav bella, çav, çav, çav
Gm Dm
Elleri bağlanmış bulduğum yurdumun
A7 Dm
Her yanı işgal altında
Dm
Una mattina mi son svegliato
O bella, ciao, Bella, ciao
Bella, ciao, ciao, ciao
Gm Dm
Una mattina mi son svegliato
A7 Dm
e ho trovato l'invasor
Dm
Sen ey partizan beni de götür
F
Çav bella, çav bella, çav bella, çav, çav, çav
Gm Dm
Beni de götür dağlarınıza
A7 Dm
Dayanamam tutsaklığa
Dm
O partigiano, portami via
O bella, ciao, Bella, ciao
Bella, ciao, ciao, ciao
Gm Dm
O partigiano, portami via
A7 Dm
ché mi sento di morir
Dm
Eğer ölürsem ben partizanca
F
Çav bella, çav bella, çav bella, çav, çav, çav
Gm Dm
Sen gömmelisin ellerinle beni
A7 Dm
Ellerinle toprağına
Dm
E se io muoio da partigiano
O bella, ciao, Bella, ciao
Bella, ciao, ciao, ciao
Gm Dm
E se io muoio da partigiano
A7 Dm
tu mi devi seppellir
Dm
Güneş doğacak açacak çiçek
F
Çav bella, çav bella, çav bella, çav, çav, çav
Gm Dm
Gelip geçenler diyecek merhaba
A7 Dm
Merhaba ey güzel çiçek
Dm
E le genti che passeranno
O bella, ciao,Bella, ciao
Bella, ciao, ciao, ciao
Gm Dm
E le genti che passeranno
A7 Dm
Ti diranno Che bel fior
End of song Play again?
Harmony analysis
The song opens on Dm and ends on Dm. Its chords belong to both C major and Am, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between C major and A minor. Try reading the chords both ways and see which feels more like home to you.
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 24× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | 4× |
| V | G | Dominant — strongest pull home | G · B · D | — |
| v | Gm | Chromatic colour chordoutside the key | G · Bb · D | 8× |
| vi | Am | Relative minor — the melancholy side | A · C · E | — |
| V7/ii | A7 | Secondary dominant V/ii — leads to Dmsecondary dominant | A · C# · E · G | 8× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | — |
| V7/iv | A7 | Secondary dominant V/iv — leads to Dmsecondary dominant | A · C# · E · G | 8× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | 24× |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | 4× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | — |
| vii | Gm | Chromatic colour chordoutside the key | G · Bb · D | 8× |
The key pair is C major and its relative A minor (no sharps or flats). 4 different chords appear 44 times in total; 2 of them sit naturally inside the shared scale. A7 acts as a secondary dominant, briefly pointing at another chord of the key.
The move to watch is A7 → Dm, heard 8 times. From the C side it reads V7/ii → ii (secondary resolution: A7 resolves a fourth up to Dm); from the Am side it is V7/iv → iv. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The first chord is Dm; the ear learns where home is within a second. The chords that keep coming back are Dm, Gm, A7, F; read them as ii–v–V7/ii–IV in C or iv–vii–V7/iv–VI in Am. A7 adds a moment of surprise: secondary dominant V/ii — leads to Dm. Keep an ear on A7 → Dm (V7/ii → ii in C, V7/iv → iv in Am): secondary resolution — A7 resolves a fourth up to Dm. Ending on Dm, the song seals C as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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