Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Cengiz İmren - Kolay mı - Chord
Key F major – D minor Chords A, Dm, Bb, Gm Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Dm A A Dm Bb A Dm A
A Dm Bb A A Bb A Dm A
A Bb Gm
Çok sevmiştim aslındaaa
A
Değerimi bilmedin
Bb Gm
Bir kerecik olsa daaa
A
Gelip bir şey demedin
A Dm A
Nasıl gittin ey zalim geri dön
A
Bilsen nasıl sevmiştim oy
Dm Bb
Nasıl da güvenmiştim oooy
A Dm A Gm A
İnsan gibi yüzüme gülmedin, gülmediiin
Dm Bb
Senden sonra kimseyi oooy
A
Sevmedim, sevemedim oy
Bb A
Çekip gitmek kolay mı, kolay mı
Dm A
Kolay mı ayrılmak
A Bb Gm
Sana kırgın değilim canım
A
Gücenmişim aslında
Bb Gm
Göğe bakan başımııı
A
Yere eğdin sonunda
A Dm A
Nasıl gittin ey zalim geri dön
A
Yarınları düşleyip oy
Dm Bb
Nasıl mutlu olmuştuk oooy
A
Murad yüzü görmeden
Dm A Gm A
Kahretti ayrılmaaan
Dm Bb
Senden sonra kimseyi oooy
A
Sevmedim, sevemedim oy
Bb A
Çekip gitmek kolay mı, kolay mı
Dm A
Kolay mı ayrılmak
Yeter artık, dön nolursun
Rezil ettin beni elaleme
Zaten durmadan seni soruyorlar
Bildik bilmedik konuşuyorlar
Başımı dara sokacaklar sonunda
Sen varsın ya işin içinde
Beni en iyi sen tanırsın
Tek korkum seni kaybetmek olur ancak
End of song Play again?
Cengiz İmren - Kolay mı Tabs
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Harmony analysis
Cengiz İmren – Kolay mı: key and chord analysis
The song opens on Dm and ends on A. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
- #7 = C# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it opens on Dm, Dm is heard 15 times while F never appears and the major V chord points straight at Dm. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 6× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | 33× |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 13× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 15× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 15× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 6× |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | 33× |
| VI | Bb | Submediant — warm colour | Bb · D · F | 13× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 4 different chords appear 67 times in total; 3 of them sit naturally inside the shared scale. The major V of Dm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from F, the same A is V/vi, a secondary dominant heading for Dm.
Chord movement
- A Dm FV/vi → vi DmV → iharmonic-minor cadence ×14
- Gm A Fii → V/vi Dmiv → Viv → V ×6
The move to watch is A → Dm, heard 14 times. From the Dm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the F side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- When A comes, swap the scale's C for C#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
The first chord is Dm; the ear learns where home is within a second. The backbone is A, Dm, Bb, Gm — V/vi–vi–IV–ii from the F side, V–i–VI–iv from the Dm side. A is the interesting twist: in F it is a chromatic chord (V/vi), while in Dm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on A → Dm (V/vi → vi in F, V → i in Dm): harmonic-minor cadence — the major V resolves dramatically. It closes on A, letting the F side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Cengiz İmren - Kolay mı Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Cengiz İmrenMusic: Cengiz İmren
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