Elvin Mirzezade - Hasret Öldürer - Chord

Key Eb major – C minor Chords Gm, Fm, Ab, Eb, Cm, Bb Easy key C (capo 3)

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Capo 0

Gm
Mən elə bilirdim bu sevgi baldı
Fm                   Gm
Alışdırdı, öyrətdi bizi

Bəs nə oldu, indi ayrı saldı
Fm                  Gm
Vurdu şirinlik ürəyimizi

       Fm        Gm
Sevgi ilə biz doyduq
         Ab    Gm
Bəs indi neyləyək
       Fm         Eb 
Birbirimizden soyuduq
        Fm         Gm
Necə sevmirəm söyləyək

Gm
Səndən ayrı qalsam
    Cm
Öldürər məni
Fm         Bb
Həsrət öldürər məni
Eb         Fm
Zillət öldürər məni

Cm                  Gm
Özgəsinin olsan öldürər məni
Bb          Fm
Bu dərd öldürər məni
Ab         Eb
Nifrət öldürər məni

Cm                  Gm
Özgəsinin olsan öldürər məni
Bb          Fm
Bu dərd öldürər məni
Ab         Gm
Nifrət öldürər məni

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Elvin Mirzezade - Hasret Öldürer Tabs

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Harmony analysis

Elvin Mirzezade – Hasret Öldürer: key and chord analysis

The song opens on Gm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	3×
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	9×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	10×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	3×
V	Bb	Dominant — strongest pull home	Bb · D · F	3×
vi	Cm	Relative minor — the melancholy side	C · Eb · G	3×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	3×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	3×
iv	Fm	Subdominant — moves away from home	F · Ab · C	9×
v	Gm	Minor dominant — soft pull	G · Bb · D	10×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	3×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	3×

Analysis

The key pair is Eb major and its relative C minor (3 flats). 6 different chords appear 31 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Bb Eb EbV → Iauthentic cadence CmVII → III ×1
Fm Cm Ebii → vi Cmiv → iminor plagal ×1
Ab Eb EbIV → Iplagal cadence CmVI → III ×1
Gm Cm Ebiii → vi Cmv → inatural-minor cadence ×1
Fm Bb Ebii → Vii → V Cmiv → VII ×1

The move to watch is Bb → Eb, heard once. From the Eb side it reads V → I (authentic cadence: the strongest arrival home); from the Cm side it is VII → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

Starting on Gm, the song gives away its key from the very first bar. The chords that keep coming back are Gm, Fm, Ab, Eb; read them as iii–ii–IV–I in Eb or v–iv–VI–III in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bb → Eb (V → I in Eb, VII → III in Cm): authentic cadence — the strongest arrival home. The final chord is Gm; the ear comes to rest in Eb.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Elvin Mirzezade - Hasret Öldürer Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Ferid Fetullayev

Music: Ferid Fetullayev

Arrangement: Rübail Azimov

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