Çağatay Ulusoy - Mutlu Sonsuz - Chord

Key Ab major – F minor Chords Db, Cm, Fm, Eb, Ab, Bbm Easy key G (capo 1)

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Capo 0

Fm  Cm  Db  Ab  Eb
Fm  Cm  Db  Eb

    Fm          Cm
Uyu aşkım koynumda
     Db          Ab
Kaygısız mışıl mışıl
     Fm         Cm
Bana emanet gül yüzünde
Db           Eb
Gülümseyen huzur

     Fm              Cm
Hani gitmiştik ya ikimiz birden
    Db           Eb
Ama bitmiştik harbiden
     Ab         Cm      Db          Eb
Yine bastırırsa kapkara bulutlar aniden

Fm         Cm    Db         Eb
Ne olur bu evden kimse gitmesin
     Fm         Cm       Db           Eb
Bu hikayede hiç kimse kimseyi terketmesin
   Fm         Cm     Db          Eb
Mutlu son olmasın mutlu sonsuz olsun
  Fm        Cm          Db        Eb
Dualarım örtsün bizi hasret üşütmesin

Ab        Bbm
Ah ölüm yalan
Db      Ab
Ayrılık aman

Eğer incitirse bedelini
Db        Ab
Ödesin bu adam

End of song Play again?

Çağatay Ulusoy - Mutlu Sonsuz Tabs

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Harmony analysis

Çağatay Ulusoy – Mutlu Sonsuz: key and chord analysis

The song opens on Fm and ends on Ab. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor because it comes to rest on Ab, it opens on Fm and Fm is heard 9 times against 6 for Ab. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	6×
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	1×
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	10×
V/vi	C	Secondary dominant V/vi — leads to Fmsecondary dominant	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	12×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	9×
vi	Fm	Relative minor — the melancholy side	F · Ab · C	9×
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	9×
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	6×
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	1×
v	Cm	Minor dominant — soft pull	C · Eb · G	10×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	12×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	9×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 6 different chords appear 47 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×8
Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×7
Db Ab AbIV → Iplagal cadence FmVI → III ×4
Eb Ab AbV → Iauthentic cadence FmVII → III ×2

The move to watch is Db → Eb, heard 8 times. From the Ab side it reads IV → V (IV → V: the lift that builds tension before home); from the Fm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
4 semitones up

The song's harmonic story

The first chord is Fm; the ear learns where home is within a second. The backbone is Db, Cm, Fm, Eb — IV–iii–vi–V from the Ab side, VI–v–i–VII from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Db → Eb (IV → V in Ab, VI → VII in Fm): IV → V — the lift that builds tension before home. Ending on Ab, the song seals Ab as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Çağatay Ulusoy - Mutlu Sonsuz Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Sezen Aksu

Music: Sezen Aksu
Ozan Bayraşa

Arrangement: Ozan Bayraşa

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