Major view
E major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D# (leading tone, pulls home)
- 4 = A (the note that leans on the 3rd)
İsmail YK - Duydum ki Çok Mutsuzsun - Chord
Key E major – C# minor Chords G#m, F#m, B, C#m, A Easy key C (capo 4)
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Key: E | Dbm | C#m
Capo: 0
G#m C#m B F#m C#m B F#m G#m
F#m G#m F#m B
Sevemedin çekip gittin
C#m B F#m G#m
Ardınnda yaralı bir can
F#m G#m F#m B
Söylediğin sözler nerde
C#m B F#m G#m
Kan kusturdun bana kan
G#m A G#m
Seni attım dilimden
A F#m G#m
Ama kalbimden atamadım
A G#m
Seni attım dilimden
A F#m G#m
Onun için sana son sözüm
G#m C#m
Gittin de neler buldun
B F#m
Onlarla mutlu mu oldun
C#m B
Duydum ki çok mutsuzsun
F#m G#m
Ben yokum dönme sakın
G#m C#m B C#m
Seni benden çaldılar
B F#m B
Canımdan kopardılar
F#m G#m A
Beni sana yalvarttılar
C#m G#m A G#m
Dinlemedin gittin yar
A
Kim bilir nerdersin, şimdi ne haldesin
B F#m G#m
Kim bilir hangi yaban eldesin
A
Ben başka yerlerde, sen başka yerlerde
B F#m G#m
İstesen de geri dönemezsin
G#m C#m
Gittin de neler buldun
B F#m
Onlarla mutlu mu oldun
C#m B
Duydum ki çok mutsuzsun
F#m G#m
Ben yokum dönme sakın
Duydum ki beni hiç sevmemişsin
Ya ben, ben seni inanarak sevdim
Duydum ki başka biriyle olmuşsun
Ya ben, ben senden vazgeçer miydim
Senin için o artık çok mutsuz ve pişman dediler
Ya ben, ardından bıraktığın o yaralı can yok mu
Senin için hayata veda edip öldü dediler
Ya ben senin için her gün öldüm yar
Sen bir kere ölmüşsün çok mu
End of song Play again?
İsmail YK - Duydum ki Çok Mutsuzsun Tabs
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Harmony analysis
İsmail YK – Duydum ki Çok Mutsuzsun: key and chord analysis
The song opens on G#m and ends on G#m. Its chords belong to both E major and C#m, so every chord below is read both ways.
Minor view
C# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = A (the minor's melancholy)
- b7 = B (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the C# minor side because C#m is heard 11 times while E never appears. That is an interpretation, not a rule — the same chords are just as valid seen from E major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | E | Tonic — home | E · G# · B | — |
| ii | F#m | Supertonic — prepares the dominant | F# · A · C# | 18× |
| iii | G#m | Mediant — a tonic-family shade | G# · B · D# | 21× |
| V/vi | G# | Secondary dominant V/vi — leads to C#msecondary dominant | G# · B# · D# | — |
| IV | A | Subdominant — moves away from home | A · C# · E | 8× |
| V | B | Dominant — strongest pull home | B · D# · F# | 15× |
| vi | C#m | Relative minor — the melancholy side | C# · E · G# | 11× |
| vii° | D#dim | Leading-tone chord — tension | D# · F# · A | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | C#m | Tonic — home | C# · E · G# | 11× |
| ii° | D#dim | Supertonic — prepares the dominant | D# · F# · A | — |
| III | E | Relative major — the bright side | E · G# · B | — |
| iv | F#m | Subdominant — moves away from home | F# · A · C# | 18× |
| v | G#m | Minor dominant — soft pull | G# · B · D# | 21× |
| V | G# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G# · B# · D# | — |
| VI | A | Submediant — warm colour | A · C# · E | 8× |
| VII | B | Subtonic — steps back to the tonic | B · D# · F# | 15× |
Analysis
The key pair is E major and its relative C# minor (4 sharps). 5 different chords appear 73 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- G#m C#m Eiii → vi C#mv → inatural-minor cadence ×4
- F#m C#m Eii → vi C#miv → iminor plagal ×3
- B C#m EV → videceptive cadence C#mVII → iAeolian arrival ×3
- F#m B Eii → Vii → V C#miv → VII ×3
- A B EIV → VIV → V C#mVI → VIIVI → VII ×2
- A C#m EIV → vi C#mVI → iVI → i ×1
The move to watch is G#m → C#m, heard 4 times. From the C#m side it is v → i (natural-minor cadence: gentle, modal arrival); from the E side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
- Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
- Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
- Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With E major shapes
- No capo — open E shapes
- Capo 2 + D shapes
- Capo 4 + C shapes
With C# minor shapes
- Capo 4 + Am shapes
Easiest keys on guitar
- 4 semitones down · capo 4 keeps the original pitch
- 3 semitones up
The song's harmonic story
The first chord is G#m; the ear learns where home is within a second. The backbone is G#m, F#m, B, C#m — iii–ii–V–vi from the E side, v–iv–VII–i from the C#m side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on G#m → C#m (iii → vi in E, v → i in C#m): natural-minor cadence — gentle, modal arrival. The final chord is G#m; the ear comes to rest in E.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
İsmail YK - Duydum ki Çok Mutsuzsun Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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