Gökhan Türkmen - Yorgun - Chord

Key C major – A minor Chords Em, Dm, C, G, F, Am Difficulty already in its easiest key

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Capo 0

Em               Dm     Em
Bir gece bitti düşüm aniden
Em               Dm     Em
Aniden sahiden bir sahilden
Em               Dm     Em
Bir gece daha bitti ömrümden
Em               Dm       Em
Ömrümden gönlümden her günümden  

C                      G
Sen miydin ben artık yokum diyen
F                   C    G
Der miydim böylesine hiç sen
C                          G
Sevmiştin hani çok da mutluydun
F                         C
Umutluydun hani sen bu sevgiden  

Em         Dm       Em
Sevgini bir başka sanırdım
Em          Dm       Em
Sanırdım sarıldım yanıldım
Em           Dm      Em
Bu rüya hiç bitmez sanırdım
Em           Dm        Em
Sanırdım yanıldım kırıldım  

C                      G
Yalanmış tüm gerçek bildiğim
F                      C    G
Bir damlaymış dünyalar dediğin
C                      G
Denizler götürse gözyaşımı
F                  C
Anlar mı sevgilim dediğin

Em                Dm
Durunca dünya durunca
          Em            Dm
Hayat durunca anlar durunca
               C                  G
Ve ben bir karınca, sevdim kararınca
              C              G
Düştüm rüyalardan düşler kararınca
             Am                 Em
Ah bendim bebeğin, hani essiz çiçeğin
                Dm              C                
Şimdi yalnızlığımda nerelere gideyim

Em               Dm
Sorunca kader sorunca
           Em           Dm
Dostum sorunca kendime sorunca
              C                      G
Ve canım ben bir yonca, ama öldüm solunca
                 C               G
Bile bile yüreğin yaprağımı yolunca
               Am                 Em
Ah bendim her şeyin, hani sonsuz emelin
              Dm                 C
Şimdi yalnızlığınla nerelere gideyim

               Em                 Dm
Kaç kez geçmiştim senin için canımdan
             Em                  Dm
Gözümü kırpmazdım kan gitse yanımdan
             C                    G
Ve kimler gitmişti, ah neler yanımdan,
              C                  G
Sen hep yanımdaydın, daha başlamadan
              Am                  Em
Ah sendin dünyalar, ne gökler ne diyarlar
            Dm               C
Şimdi yokluğunda büyüyor yalnızlıklar

Em             Dm      Em   
Bir gece bitti düşüm aniden

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Gökhan Türkmen - Yorgun Tabs

NotesX

Harmony analysis

Gökhan Türkmen – Yorgun: key and chord analysis

The song opens on Em and ends on Em. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the C major side because C is heard 17 times against 3 for Am. That is an interpretation, not a rule — hearing the same chords from A minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	17×
ii	Dm	Supertonic — prepares the dominant	D · F · A	18×
iii	Em	Mediant — a tonic-family shade	E · G · B	27×
V/vi	E	Secondary dominant V/vi — leads to Amsecondary dominant	E · G# · B	—
IV	F	Subdominant — moves away from home	F · A · C	4×
V	G	Dominant — strongest pull home	G · B · D	12×
vi	Am	Relative minor — the melancholy side	A · C · E	3×
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i	Am	Tonic — home	A · C · E	3×
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	17×
iv	Dm	Subdominant — moves away from home	D · F · A	18×
v	Em	Minor dominant — soft pull	E · G · B	27×
V	E	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B	—
VI	F	Submediant — warm colour	F · A · C	4×
VII	G	Subtonic — steps back to the tonic	G · B · D	12×

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 6 different chords appear 81 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

G C CV → Iauthentic cadence AmVII → III ×5
F C CIV → Iplagal cadence AmVI → III ×4
G Am CV → videceptive cadence AmVII → iAeolian arrival ×3

The move to watch is G → C, heard 5 times. From the C side it reads V → I (authentic cadence: the strongest arrival home); from the Am side it is VII → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The opening Em lays a solid floor for everything that follows. The backbone is Em, Dm, C, G — iii–ii–I–V from the C side, v–iv–III–VII from the Am side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on G → C (V → I in C, VII → III in Am): authentic cadence — the strongest arrival home. The final chord is Em; the ear comes to rest in C.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.