Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Son Feci Bisiklet - Bikinisinde Astronomi - Chord
Key F major – D minor Chords C, F, Bb, Dm, E, A, Gm Easy key G
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Key: F | Dm
Capo: 0
F C
Onu bir görseniz sanırsınız
F C Bb
O bir deniz yanılırsınız, o benim
C
Güneş sistemim
F C
Alacalı bikinisinde saklı
F C Bb
Deniz yıldızları
C F
Uzay taşları, arkadaşları
Bb Dm E
Ölü denizciler, kayıp galaksiler
A Bb
Buldum gözlerindeler
Dm E
Senden tek istediğim geçmişin geleceğin
A
Benim olsun
F C F C Bb C
F C F
Yaz gelirken karışır böyle şeyler
C Bb C F
Neşeyle endişeler ayak bastığı her yerdeler
C F
Üzerimden gemiler geçer
C Bb
Kaldırma kuvvetimdekiler
C F
Burası benim krallığım
Bb Dm E
Sıkılırsan güneşten gece oluruz erkenden
A
Sen istersen,
Bb Dm E
Karşılığında istediğim, geçmişin geleceğin
A
Benim olsun,
F Gm
denizler cinayet işlemezler
C F
aslında kimseyi istemezler
F Gm
değiştirdi beni
C
bu garip astronomi
Bb Dm E
Suçluyum belki ben, sen sularımda ölürken
A Bb
Güldüm keyfimden
Dm E
Her zaman istediğimle, geçmişin, geleceğinle
A Dm
Benimsin artık, derinlerde, derinlerde
End of song Play again?
Son Feci Bisiklet - Bikinisinde Astronomi Tabs
NotesX
Harmony analysis
Son Feci Bisiklet – Bikinisinde Astronomi: key and chord analysis
The song opens on F and ends on Dm. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
- #7 = C# (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor because it comes to rest on Dm, it opens on F, F is heard 15 times against 7 for Dm and the major V chord points straight at Dm. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | 15× |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | 2× |
| iii | Am | Mediant — a tonic-family shade | A · C · E | — |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | 6× |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 11× |
| V | C | Dominant — strongest pull home | C · E · G | 17× |
| vi | Dm | Relative minor — the melancholy side | D · F · A | 7× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| V/iii | E | Secondary dominant V/iii — leads to Amsecondary dominant | E · G# · B | 6× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | 7× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| V/v | E | Secondary dominant V/v — leads to Amsecondary dominant | E · G# · B | 6× |
| III | F | Relative major — the bright side | F · A · C | 15× |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | 2× |
| v | Am | Minor dominant — soft pull | A · C · E | — |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | 6× |
| VI | Bb | Submediant — warm colour | Bb · D · F | 11× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 17× |
Analysis
The key pair is F major and its relative D minor (1 flat). 7 different chords appear 64 times in total; 5 of them sit naturally inside the shared scale. The major V of Dm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from F, the same A is V/vi, a secondary dominant heading for Dm. E acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- C F FV → Iauthentic cadence DmVII → III ×11
- Bb Dm FIV → vi DmVI → iVI → i ×6
- Bb C FIV → VIV → V DmVI → VIIVI → VII ×5
- Gm C Fii → Vii → V Dmiv → VII ×2
- A Dm FV/vi → vi DmV → iharmonic-minor cadence ×1
The move to watch is C → F, heard 11 times. From the F side it reads V → I (authentic cadence: the strongest arrival home); from the Dm side it is VII → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over F, land on F, A, C — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- When A comes, swap the scale's C for C#: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
Starting on F, the song gives away its key from the very first bar. The chords that keep coming back are C, F, Bb, Dm; read them as V–I–IV–vi in F or VII–III–VI–i in Dm. E is the interesting twist: in F it is a chromatic chord (V/iii), while in Dm it becomes the dominant (V/v) that makes the minor side sound so determined. Keep an ear on C → F (V → I in F, VII → III in Dm): authentic cadence — the strongest arrival home. The final chord is Dm; the ear comes to rest in Dm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Son Feci Bisiklet - Bikinisinde Astronomi Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Arda KemirgentMusic: Arda Kemirgent
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