Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Teoman - Aşk Kırıntıları - Chord
Key Ab major – F minor Chords Fm, Eb, Bbm, Cm, Ab, C7, Db Easy key C
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Key: Ab | Fm
Capo: 0
Fm Fm Bbm Bbm Eb Eb Ab C7
Fm Bbm
Yaklaştırsana yavaş yavaş kendini bana
Eb Cm Fm Eb Fm
Al içine tekrar derinine sakla, kat kasırgana
Bbm
Yalan söyleme bak gözlerime bitmiş olamaz
Eb Cm Fm Eb Fm Eb Db Cm Bbm
Yokla ceplerini aşk kırıntıları, kalmış olmalı biraz
Fm Bbm
Aşk kırıntısıyla doymaktansa
Eb Ab C7
Tek başıma aç kalırım bu hayatta
Fm Bbm
Paylaşacak bir şey artık yoksa
Eb Ab C7
Bir erkekle bir kadın arasında
Fm Bbm
Yürürüm ipte, ağım yokken hemde, kopkoyu içim
Eb Cm Fm Eb Fm
İnan çok çalıştım bu kalpsiz dünyayı sevebilmek için
Bbm
Neyim var ki sanki senden başka hadi son birkez
Eb Cm Fm Eb Fm Eb Db Cm Bbm
Ceplerini yokla aşk kırıntıları, kalmış olmalı biraz
End of song Play again?
Teoman - Aşk Kırıntıları Tabs
/videos/teoman-ask-kirintilari-tab.mp4
NotesX
Harmony analysis
Teoman – Aşk Kırıntıları: key and chord analysis
The song opens on Fm and ends on Bbm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
- #7 = E (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it opens on Fm, Fm is heard 14 times against 3 for Ab and the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 3× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 10× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 6× |
| V7/vi | C7 | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G · Bb | 3× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 2× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 14× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 14× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 14× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 3× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 10× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 6× |
| V7 | C7 | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G · Bb | 3× |
| VI | Db | Submediant — warm colour | Db · F · Ab | 2× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 14× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 52 times in total; 6 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Ab, the same C7 is V7/vi, a secondary dominant heading for Fm.
Chord movement
- Bbm Eb Abii → Vii → V Fmiv → VII ×7
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×4
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×4
- Eb Ab AbV → Iauthentic cadence FmVII → III ×3
- C7 Fm AbV7/vi → visecondary resolution FmV7 → iharmonic-minor cadence ×3
- Bbm Fm Abii → vi Fmiv → iminor plagal ×1
The move to watch is Bbm → Eb, heard 7 times. From the Fm side it is iv → VII; from the Ab side it reads ii → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- When C7 comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
Starting on Fm, the song gives away its key from the very first bar. The chords that keep coming back are Fm, Eb, Bbm, Cm; read them as vi–V–ii–iii in Ab or i–VII–iv–v in Fm. C7 is the interesting twist: in Ab it is a chromatic chord (V7/vi), while in Fm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on Bbm → Eb (ii → V in Ab, iv → VII in Fm): ii → V — the classic preparation of the dominant. The final chord is Bbm; the ear comes to rest in Ab.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Teoman - Aşk Kırıntıları Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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