Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Mebrure - Değilim - Chord
Key Ab major – F minor Chords G, Cm, Fm, Ab Easy key F (capo 3)
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Key: Ab | Fm
Capo: 0
Cm G Cm G Cm Fm G G
Cm G Cm
Ben sen değilim, senin gibi de değilim
G
Eski ben gibi bile değilim
Cm Fm
Boşuna arama, yorulma canım
G
Bıraktığın yerde de değilim
Cm Fm
Beyaz olamadım ama kara da değilim
G Cm
Deva olamadım ama yara da değilim
Ab Fm
Bu alemde bir hayırsız ben de değilim
G
Sonum ne olacak bilmiyorum
Cm Fm
Sefa olamadım ama zulüm de değilim
G Cm
Şifa olamadım ama zehir de değilim
Ab Fm
Bu alemde bir günahkâr ben de değilim
G
Kaderin düğümünü çözemiyorum
Cm G Cm G Cm Fm G G
Cm Fm
Kuytu olamadım ama ayaz da değilim
G Cm
Kanat olamadım ama kafes de değilim
Ab Fm
Bu alemde bir fütursuz ben de değilim
G
Sonum ne olacak bilmiyorum
Cm Fm
Gündüz olamadım ama gece de değilim
G Cm
Şiir olamadım ama hece de değilim
Ab Fm
Bu alemde bir günahkâr ben de değilim
G
Yolumu kaybettim, bulamıyorum
Cm G Cm G Cm Fm G G
Cm Fm
Umut olamadım ama hüzün de değilim
G Cm
Vefa olamadım ama cefa da değilim
Ab Fm
Bu alemde bir akılsız ben de değilim
G
Sonum ne olacak bilmiyorum
Cm Fm
Altın olamadım ama bakır da değilim
G Cm
İpek olamadım ama çul da değilim
Ab Fm
Bu alemde bir günahkâr ben de değilim
G
Sesimin yankısını duyamıyorum
Ab Fm G Cm
Yardım et Rabb'im, nefes alamıyorum
Cm G Cm G Cm Fm G G
End of song Play again?
Mebrure - Değilim Tabs
NotesX
Harmony analysis
Mebrure – Değilim: key and chord analysis
The song opens on Cm and ends on G. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because Fm is heard 18 times against 7 for Ab. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 7× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | — |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 28× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | — |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | — |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 18× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| V/iii | G | Secondary dominant V/iii — leads to Cmsecondary dominant | G · B · D | 32× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 18× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| V/v | G | Secondary dominant V/v — leads to Cmsecondary dominant | G · B · D | 32× |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 7× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | — |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 28× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | — |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | — |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 4 different chords appear 85 times in total; 3 of them sit naturally inside the shared scale. G acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×11
The move to watch is Cm → Fm, heard 11 times. From the Fm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Ab side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
The first chord is Cm; the ear learns where home is within a second. The chords that keep coming back are G, Cm, Fm, Ab; read them as V/iii–iii–vi–I in Ab or V/v–v–i–III in Fm. G adds a moment of surprise: secondary dominant V/iii — leads to Cm. Keep an ear on Cm → Fm (iii → vi in Ab, v → i in Fm): natural-minor cadence — gentle, modal arrival. Ending on G, the song seals Ab as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mebrure - Değilim Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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