Kaan Boşnak - Şapkamı Geri İstiyorum - Chord

Key Bb major – G minor Chords G, C, Bb, Ab Easy key G (capo 3)

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Capo 0

G  G  G  G

G             Bb         G           Bb
Kozyatağı'nda hayat hep evin içinden ibaret
C         Bb     G             Bb
Kafamdaki kötüyü yendim mi ben nihayet
           C          Bb         C
Gösterip isteyemedim, üzüldüm gizleyemedim
Bb           C          Bb           C
Hoş bir dizi bulmuştum, zil çaldı izleyemedim

G  G  G  G

G         Bb       C         Bb
Geçmesini bekledim başımın ağrısının
G           Bb         C          Bb
En büyük düşmanıyım sütyeninin kopçasının
             C           Bb         C
Sanki dibine düşmüştüm cehennemin kapısının
Bb        C         Bb          C
Enkazında saklandım şehrin kalıntısının

G  G  G  G

G  Ab  C  G   Ab  C  G  Ab  C  G  Ab  C
Bulamaaaazlar benii  bulamaaaazlar
G  Ab  C   G  Ab  C  G  Ab  C  G  Ab  C
Onnlaaaaar zaateeeen aramaaaaazlar

G          Bb        C             Bb
Benim kırmızı kalbim senden hiç vazgeçer mi
G           Bb       C              Bb
İstanbul'da sıcaktan terlemeden yaz geçer mi
           C        Bb           C
Geçer elbette geçer günlük süt ömrü gibi
Bb              C         Bb              C
Ne zaman uyanıp süt içsem tekrar uykum gelmişti 

G              Bb       C          Bb
Çingene çocuğa verdiğim şapkanın aynısını
G             Bb        C          Bb
Alıcam tekrar bulursam, çok gördüm faydasını
           C           Bb            C
Kızmaya da hakkım yok, sarhoştum hediye ettim
Bb           C          Bb               C
Hiçkimse de 'oğlum dur, manyak mısın?' demedi

G  Ab  C  G   Ab  C  G  Ab  C  G  Ab  C
Bulamaaaazlar benii  bulamaaaazlar
G  Ab  C   G  Ab  C  G  Ab  C  G  Ab  C
Onnlaaaaar zaateeeen aramaaaaazlar

G  G  G  G

End of song Play again?

Kaan Boşnak - Şapkamı Geri İstiyorum Tabs

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Harmony analysis

Kaan Boşnak – Şapkamı Geri İstiyorum: key and chord analysis

The song opens on G and ends on G. Its chords belong to both Bb major and Gm, so every chord below is read both ways.

Major view

Bb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = A (leading tone, pulls home)
4 = Eb (the note that leans on the 3rd)

Minor view

G minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Eb (the minor's melancholy)
b7 = F (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb major side because Bb is heard 28 times while Gm never appears. That is an interpretation, not a rule — hearing the same chords from G minor is just as valid and teaches you something different.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Bb major
Degree	Chord	Role	Notes	In song
I	Bb	Tonic — home	Bb · D · F	28×
ii	Cm	Supertonic — prepares the dominant	C · Eb · G	—
II	C	Chromatic colour chordoutside the key	C · E · G	39×
iii	Dm	Mediant — a tonic-family shade	D · F · A	—
V/vi	D	Secondary dominant V/vi — leads to Gmsecondary dominant	D · F# · A	—
IV	Eb	Subdominant — moves away from home	Eb · G · Bb	—
V	F	Dominant — strongest pull home	F · A · C	—
vi	Gm	Relative minor — the melancholy side	G · Bb · D	—
V/ii	G	Secondary dominant V/ii — leads to Cmsecondary dominant	G · B · D	41×
bVII	Ab	bVII — borrowed (Mixolydian / parallel minor)borrowed chord	Ab · C · Eb	16×
vii°	Adim	Leading-tone chord — tension	A · C · Eb	—

Seen from G minor
Degree	Chord	Role	Notes	In song
i	Gm	Tonic — home	G · Bb · D	—
V/iv	G	Secondary dominant V/iv — leads to Cmsecondary dominant	G · B · D	41×
bII	Ab	Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord	Ab · C · Eb	16×
ii°	Adim	Supertonic — prepares the dominant	A · C · Eb	—
III	Bb	Relative major — the bright side	Bb · D · F	28×
iv	Cm	Subdominant — moves away from home	C · Eb · G	—
IV	C	Major IV — Dorian / melodic-minor colourmodal colour	C · E · G	39×
v	Dm	Minor dominant — soft pull	D · F · A	—
V	D	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	D · F# · A	—
VI	Eb	Submediant — warm colour	Eb · G · Bb	—
VII	F	Subtonic — steps back to the tonic	F · A · C	—

Analysis

The key pair is Bb major and its relative G minor (2 flats). 4 different chords appear 124 times in total; 1 of them sit naturally inside the shared scale. G acts as a secondary dominant, briefly pointing at another chord of the key. Ab is borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
On Ab, follow the chord's notes (Ab · C · Eb) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Bb major shapes

Capo 1 + A shapes
Capo 3 + G shapes
Capo 6 + E shapes

With G minor shapes

Capo 3 + Em shapes
Capo 5 + Dm shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
2 semitones up

The song's harmonic story

The first chord is G; the ear learns where home is within a second. The backbone is G, C, Bb, Ab — V/ii–II–I–bVII from the Bb side, V/iv–IV–III–bII from the Gm side. G adds a moment of surprise: secondary dominant V/ii — leads to Cm. The final chord is G; the ear comes to rest in Bb.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Kaan Boşnak - Şapkamı Geri İstiyorum Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Kaan Boşnak

Music: Kaan Boşnak

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