Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Semicenk - Üzülmedim ki - Chord
Key Db major – Bb minor Chords Fm, Bbm, Gb, Ab, Db, Ebm, C, Eb Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
Fm Gb Bbm C Fm
Fm Db Fm Db Bbm Ab Gb Fm
x2
Fm Gb
Sanma sen gidince ben hep ağladım
Ab Gb Fm
Ne yas tuttum ne de kara bağladım
x2
Fm Bbm Ab
Bir gerçeği geç de olsa anladım
Fm Bbm
Kaderimdir dedim üzülmedim ki
Fm Bbm Ab Gb Fm
Üzülmedim ki kaderimdir dedim üzülmedim ki
Fm Bbm Fm Bbm
Üzülmedim ki, üzülmedim ki
Ab Gb Fm
Kaderimdir dedim üzülmedim ki
Fm Db Fm Db Bbm Ab Gb Fm
Fm Ebm Bbm
Aşk gülümü sulamadan kuruttun
Ebm Db Ebm Fm
Ben gönlümü sazım ile avuttum
Fm Ebm Bbm
Aşk gülümü sulamadan kuruttun
Ebm Db Eb Fm
Ben gönlümü sazım ile avuttum
Bbm Ab
İnan ki ismini bile unuttum
Fm Bbm
Kaderimdir dedim üzülmedim ki
Fm Bbm Ab Gb Fm
Üzülmedim ki kaderimdir dedim üzülmedim ki
Fm Bbm Fm Bbm
Üzülmedim ki, üzülmedim ki
Ab Gb Fm
Kaderimdir dedim üzülmedim ki
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Semicenk - Üzülmedim ki Tabs
NotesX
Harmony analysis
Semicenk – Üzülmedim ki: key and chord analysis
The song opens on Fm and ends on Fm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because Bbm is heard 15 times against 6 for Db. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 6× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 5× |
| V/V | Eb | Secondary dominant V/V — leads to Absecondary dominant | Eb · G · Bb | 1× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 27× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 9× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 9× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 15× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| V/iii | C | Secondary dominant V/iii — leads to Fmsecondary dominant | C · E · G | 1× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 15× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| V/v | C | Secondary dominant V/v — leads to Fmsecondary dominant | C · E · G | 1× |
| III | Db | Relative major — the bright side | Db · F · Ab | 6× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 5× |
| IV | Eb | Major IV — Dorian / melodic-minor colourmodal colour | Eb · G · Bb | 1× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 27× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 9× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 9× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 8 different chords appear 73 times in total; 6 of them sit naturally inside the shared scale. C, Eb act as secondary dominants, briefly pointing at another chord of the key.
Chord movement
- Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×10
- Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×2
- Gb Bbm DbIV → vi BbmVI → iVI → i ×1
- Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×1
The move to watch is Fm → Bbm, heard 10 times. From the Bbm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Db side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The opening Fm lays a solid floor for everything that follows. The chords that keep coming back are Fm, Bbm, Gb, Ab; read them as iii–vi–IV–V in Db or v–i–VI–VII in Bbm. C adds a moment of surprise: secondary dominant V/iii — leads to Fm. Keep an ear on Fm → Bbm (iii → vi in Db, v → i in Bbm): natural-minor cadence — gentle, modal arrival. It closes on Fm, letting the Db side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Semicenk - Üzülmedim ki Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Kudret AkpınarMusic: Naci ErayArrangement: Berk Arda Büken
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