Mabel Matiz - Dağılıyorum Olaysız - Chord

Key Eb major – C minor Chords Gm, Ab, Fm Easy key C (capo 3)

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Capo 0

Gm  Fm  Ab  Fm  Gm

Gm  Gm  Fm  Ab  Gm
x4

Gm                Ab         Gm
Camdan kalbim kırılınca ta derinden
Ab      Fm           Gm
Sürgün olan o, ben neyim?
                 Ab         Gm
Geçiyo' kara bir kurşun canevimden
Ab     Fm        Gm
Gözlerine bedelliyim

Gm
Bayram olsun bana, gel bana, gel, gülüm
Ab                Fm         Gm
Hayra yordum düşü, ver bana, ver

Boynuma sürmeli ellerinin tuzunu
Ab                Fm         Gm   Fm       Gm
Fikrim olmuş firar, gel bir umut, sen beni tut

Gm
Ara sıra gel bize, gel de bi' kal
Fm                Ab      Gm
Aralı bu pencere, gökte şimal

Ne gecesi var bunun, ah, ne sabahı
Fm          Ab       Gm
Deliriyorum sensiz, inan

Gm
Ara sıra gel bize, gel de bi' kal
Fm                Ab      Gm
Aralı bu pencere, gökte şimal

Ne gecesi var bunun, ah, ne sabahı
Fm          Ab       Gm
Deliriyorum sensiz, inan

Fm             Ab     Gm
Deliriyorum sessizce inan

Gm  Gm  Fm  Ab  Gm
x2

Gm                Ab           Gm
Senden bir an ayrılınca ne yapayım ben?
Ab    Fm        Gm
Dağılıyorum olaysız
               Ab            Gm
İnan olsun çıkışım yok iki gözünden
Ab       Fm       Gm
Billa bittim yalansız

Gm
Hayran oldum sana, ben sana, ben, gülüm
Ab                   Fm      Gm  
Sen dökülsen, aksana kaynağından

Boynuma sürmeli dudağının tuzunu
Ab                  Fm       Gm   Fm       Gm
Fikrim olmuş firar, gel bir umut, sen beni tut

Gm
Ara sıra gel bize, gel de bi' kal
Fm                Ab      Gm
Aralı bu pencere, gökte şimal

Ne gecesi var bunun, ah, ne sabahı
Fm          Ab       Gm
Deliriyorum sensiz, inan

Gm
Ara sıra gel bize, gel de bi' kal
Fm                Ab      Gm
Aralı bu pencere, gökte şimal

Ne gecesi var bunun, ah, ne sabahı
Fm          Ab       Gm
Deliriyorum sensiz, inan

Fm             Ab     Gm
Deliriyorum sessizce inan

End of song Play again?

Mabel Matiz - Dağılıyorum Olaysız Tabs

NotesX

Harmony analysis

Mabel Matiz – Dağılıyorum Olaysız: key and chord analysis

The song opens on Gm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	—
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	24×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	40×
III	G	Chromatic colour chordoutside the key	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	25×
V	Bb	Dominant — strongest pull home	Bb · D · F	—
vi	Cm	Relative minor — the melancholy side	C · Eb · G	—
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	—
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
III	Eb	Relative major — the bright side	Eb · G · Bb	—
iv	Fm	Subdominant — moves away from home	F · Ab · C	24×
v	Gm	Minor dominant — soft pull	G · Bb · D	40×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	25×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	—

Analysis

The key pair is Eb major and its relative C minor (3 flats). 3 different chords appear 89 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

The first chord is Gm; the ear learns where home is within a second. The chords that keep coming back are Gm, Ab, Fm; read them as iii–IV–ii in Eb or v–VI–iv in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Gm, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.