Gülşen - Ne Düşünürsen O Olur - Chord

Key Db major – Bb minor Chords Fm, Ebm, Gbmaj7, Bbm Easy key C (capo 1)

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Capo 0

Fm                               Ebm
Hep bu güne baktım ben, katmadım dünü
Bbm          Gbmaj7          Fm    Ebm  Fm
Tek kalbime inandım, temizdi çünkü
                                           Ebm
Neler gördüm, ne savaşlar, bilsen, kaç kez öldüm
     Bbm                    Gbmaj7
Oysa büyük bir ödülmüş bu hayattan
               Fm        Ebm  Fm
Yoksa ben nasıl büyürdüm?

Fm                             Ebm
Her şeyde bir hayır var dedim, sustum
Gbmaj7                                 Fm     Ebm  Fm
Bazen de kocaman bir hayır vardı, yine sustum
                                         Ebm
İnandığın ne varsa vazgeçme ve sakın isyan etme
     Gbmaj7                          Fm    Ebm  Fm
Karanlık bi gün döner güneşe, o günü bekle

Fm        Ebm  Fm                           Ebm  Bbm
Ah da yerini bulur er ya da geç, hak da yerini bulur
Gbmaj7         Fm             Ebm             Fm
Sen iyi şeyler düşün içinden, ne düşünürsen o olur
x2

Fm  Ebm  Fm  Ebm  Bbm  Gbmaj7  Fm  Ebm  Fm

Fm                             Ebm
Her şeyde bir hayır var dedim, sustum
Gbmaj7                                 Fm     Ebm  Fm
Bazen de kocaman bir hayır vardı, yine sustum
                                         Ebm
İnandığın ne varsa vazgeçme ve sakın isyan etme
     Gbmaj7                          Fm    Ebm  Fm
Karanlık bi gün döner güneşe, o günü bekle

Fm        Ebm  Fm                           Ebm  Bbm
Ah da yerini bulur er ya da geç, hak da yerini bulur
Gbmaj7         Fm             Ebm             Fm
Sen iyi şeyler düşün içinden, ne düşünürsen o olur
x2

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Gülşen - Ne Düşünürsen O Olur Tabs

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Harmony analysis

Gülşen – Ne Düşünürsen O Olur: key and chord analysis

The song opens on Fm and ends on Fm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C (leading tone, pulls home)
4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Gb (the minor's melancholy)
b7 = Ab (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb minor side because Bbm is heard 5 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree	Chord	Role	Notes	In song
I	Db	Tonic — home	Db · F · Ab	—
ii	Ebm	Supertonic — prepares the dominant	Eb · Gb · Bb	21×
iii	Fm	Mediant — a tonic-family shade	F · Ab · C	27×
V/vi	F	Secondary dominant V/vi — leads to Bbmsecondary dominant	F · A · C	—
IVmaj7	Gbmaj7	Subdominant — moves away from home	Gb · Bb · Db · F	9×
V	Ab	Dominant — strongest pull home	Ab · C · Eb	—
vi	Bbm	Relative minor — the melancholy side	Bb · Db · F	5×
vii°	Cdim	Leading-tone chord — tension	C · Eb · Gb	—

Seen from Bb minor
Degree	Chord	Role	Notes	In song
i	Bbm	Tonic — home	Bb · Db · F	5×
ii°	Cdim	Supertonic — prepares the dominant	C · Eb · Gb	—
III	Db	Relative major — the bright side	Db · F · Ab	—
iv	Ebm	Subdominant — moves away from home	Eb · Gb · Bb	21×
v	Fm	Minor dominant — soft pull	F · Ab · C	27×
V	F	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F · A · C	—
VImaj7	Gbmaj7	Submediant — warm colour	Gb · Bb · Db · F	9×
VII	Ab	Subtonic — steps back to the tonic	Ab · C · Eb	—

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 4 different chords appear 62 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Ebm Bbm Dbii → vi Bbmiv → iminor plagal ×5

The move to watch is Ebm → Bbm, heard 5 times. From the Bbm side it is iv → i (minor plagal: deep and melancholic); from the Db side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
Over Gbmaj7, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Db major shapes

Capo 1 + C shapes
Capo 4 + A shapes
Capo 6 + G shapes

With Bb minor shapes

Capo 1 + Am shapes
Capo 6 + Em shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The first chord is Fm; the ear learns where home is within a second. The chords that keep coming back are Fm, Ebm, Gbmaj7, Bbm; read them as iii–ii–IVmaj7–vi in Db or v–iv–VImaj7–i in Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ebm → Bbm (ii → vi in Db, iv → i in Bbm): minor plagal — deep and melancholic. The final chord is Fm; the ear comes to rest in Db.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.