Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Canbay - Wolker - Rüsva - Chord
Key F major – D minor Chords Am, Bb Easy key G
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Key: F | Dm
Capo: 0
Am Am Bb Bb
Am
Bu ne düşman mıyız ya? Bari giderken haber ver
Bb
Bi' gün pişman olursan, âleme rüsva eyleme
x2
Am
O-o-okunurdu ezan, girmeliydik eve
Ayağımıza gelmezdi, salınırdı sepet
Bb
Tövbekâr hep abiler, öyle değildi edep
Üstümdeki benim değil, abimindi ceket
Am
Siz beni getirdiniz vallah bu hâlе
Selam götür, benden ilеt, o sevdiğim yâre
Bb
Ne güzeldi yıllar, ne güzeldi mahalle
Oğlun iyi, sakın ola ağlama annem
Am
Ne dersen de bana, bildiğimi okurum
Bb
Sen benim sevme sebebimdin gittiğim okulun
Am
Semtin her köşesinde beklerdim hep yolunu
Bb
N'oldu da kaybettin kız? Bulamadın yolunu
Am
Bu ne düşman mıyız ya? Bari giderken haber ver
Bb
Bi' gün pişman olursan, âleme rüsva eyleme
x2
Am
Sabahları taso, öğlenleri misket
Sıkışıktı peder, almadı bisiklet
Bb
Aksaray'da yoktu dayım, girmedik isimle
Annemin duasıyla yaşıyorum işte
Am
Şeklim yok, cane, tersoyum bu ara
İşler kesat, kalbimde yara
Bb
Sevdik biz de Allah'ına kadar
Güvendim, taşıdım koynumda yılan (Pa-pa)
Am
Uğurlar olsun sana
Bir dilek tuttum yıldızlardan
Bb
Sebebim oldun binbir defa
Güldük, eğlendik, müsaade bana
Am
Sabretmedi, işlerim düzelsin
Ne acelen var? Otur bi' çay iç de gidersin
Bb
Bi' gün başını alıp gidersen
Bi' gün başını alıp dönersin
Am
Bu ne düşman mıyız ya? Bari giderken haber ver
Bb
Bi' gün pişman olursan, âleme rüsva eyleme
x2
End of song Play again?
Canbay - Wolker - Rüsva Tabs
NotesX
Harmony analysis
Canbay - Wolker – Rüsva: key and chord analysis
The song opens on Am and ends on Bb. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | — |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 13× |
| III | A | Chromatic colour chordoutside the key | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 13× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | — |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | — |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | — |
| v | Am | Minor dominant — soft pull | A · C · E | 13× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 13× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 2 different chords appear 26 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 2 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
The opening Am lays a solid floor for everything that follows. The chords that keep coming back are Am, Bb; read them as iii–IV in F or v–VI in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Bb, the song seals F as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Canbay - Wolker - Rüsva Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Canbay, WolkerMusic: Canbay, WolkerArrangement: Rapnos
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