Mert Çodur - Pişmanım - Chord

Key Ab major – F minor Chords Cm7, Dbmaj7, Bbm7 Easy key C

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Capo 0

Cm7  Dbmaj7  Cm7  Dbmaj7

Cm7      Dbmaj7        Cm7
  Yalvarışın, aval bakışın
         Bbm7             Cm7
Geçmiyo' kalbime safa yatışın
        Dbmaj7         Cm7
Yok barışı, bu son savaşın
       Bbm7            Cm7  Dbmaj7
Anlamı yok o güzel gülüşüüüüüün
             Cm7  Dbmaj7
Neden, bi' düşün

   Cm7                Dbmaj7
Pişmanım, birden seni tam merkezime koydum
   Cm7                  Bbm7
Yalvardım, Tanrım'dan diledim mutluluk bize
  Cm7                Dbmaj7
Şımardın, tüm lütufları sorumluluk saydın
     Cm7     Bbm7
Aptaldım, katlandım

Cm7             Dbmaj7             Cm7
  Konuştuğun sözler, geçmişinden ezber
          Bbm7           Cm7
E gerçeği bilmiyo' eller
            Dbmaj7           Cm7
Senin için ölür, dirilirdim ama
        Bbm7            Cm7  Dbmaj7
Kıymeti yok o güzel gülüşüüüüüün
             Cm7  Dbmaj7
Neden, bi' düşün
 
   Cm7                Dbmaj7
Pişmanım, birden seni tam merkezime koydum
   Cm7                  Bbm7
Yalvardım, Tanrım'dan diledim mutluluk bize
  Cm7                Dbmaj7
Şımardın, tüm lütufları sorumluluk saydın
     Cm7     Bbm7
Aptaldım, katlandım
x2

Cm7  Dbmaj7  Cm7  Bbm7
x2

Je regrette tes regards, je regrettes tes paroles, tu étais mon miroir
J'ai été con
J'voulais juste qu'on soit heureux
J'ai été con
Pişmanım

               Cm7  Dbmaj7
Hepsini alttan aldııııım
         Cm7
Kitabını yazdım

End of song Play again?

Mert Çodur - Pişmanım Tabs

NotesX

Harmony analysis

Mert Çodur – Pişmanım: key and chord analysis

The song opens on Cm7 and ends on Cm7. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	—
ii7	Bbm7	Supertonic — prepares the dominant	Bb · Db · F · Ab	9×
iii7	Cm7	Mediant — a tonic-family shade	C · Eb · G · Bb	26×
III	C	Chromatic colour chordoutside the key	C · E · G	—
IVmaj7	Dbmaj7	Subdominant — moves away from home	Db · F · Ab · C	16×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	—
vi	Fm	Relative minor — the melancholy side	F · Ab · C	—
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	—
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	—
iv7	Bbm7	Subdominant — moves away from home	Bb · Db · F · Ab	9×
v7	Cm7	Minor dominant — soft pull	C · Eb · G · Bb	26×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VImaj7	Dbmaj7	Submediant — warm colour	Db · F · Ab · C	16×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	—

Analysis

The key pair is Ab major and its relative F minor (4 flats). 3 different chords appear 51 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Cm7, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Dbmaj7, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
Over Bbm7, land on Bb, Db, F — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

4 semitones up
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

The opening Cm7 lays a solid floor for everything that follows. The backbone is Cm7, Dbmaj7, Bbm7 — iii7–IVmaj7–ii7 from the Ab side, v7–VImaj7–iv7 from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Cm7, the song seals Ab as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Mert Çodur - Pişmanım Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Mert Çodur

Music: Mert Çodur

Arrangement: Kerem Akdağ

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