Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Begüm Yiğit - Yalan Dünya - Chord
Key F major – D minor Chords Dm7, Gm7, C, Bbmaj7, Am7, C7 Easy key C (capo 5)
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Key: F | Dm
Capo: 0
Dm7 Gm7
Tutma, içinde öfke de varsa bırak gelsin
C Dm7 C7
Susma, ağzından zehir çıksa da akıt, yıkanayım
Dm7 Gm7
Sanma, sen de bensiz hayatta kalabilirsin
C Dm7 Gm7
Anla sen yoksan umrumda değil yalan dünya
Dm7 Gm7
Atma, içine yük olur özlem ağır biliyorum
C Dm7
Aşkım, sen yoksan yakayım yansın yalan dünya
Dm7
Kıramazsın kalbimi, paramparça zaten
Gm7
Beni seviyorsan haykır en derinden
C
Bu defa ya sonsuz ya da yalan oluruz
Bbmaj7 Am7 Dm7
Ya küllere karışır ya da deniz oluruz
x2
Dm7 Gm7 C Dm7
Dm7 Gm7
Uçma kuş olup yanıbaşımdan uzaklaşma
C Dm7
Şaşma, kalbinin sözünden dinle bırak konuşsun
Gm7
Yapma, görüyorsun halimi, olmuşum leyla
C Dm7
Yoksan, dönmüyor zaten dursun kavanoz dipli dünya
Dm7
Kıramazsın kalbimi, paramparça zaten
Gm7
Beni seviyorsan haykır en derinden
C
Bu defa ya sonsuz ya da yalan oluruz
Bbmaj7 Am7 Dm7
Ya küllere karışır ya da deniz oluruz
x2
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Begüm Yiğit - Yalan Dünya Tabs
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Harmony analysis
Begüm Yiğit – Yalan Dünya: key and chord analysis
The song opens on Dm7 and ends on Dm7. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D minor side because it both starts and finishes on Dm and Dm is heard 15 times while F never appears. That is an interpretation, not a rule — the same chords are just as valid seen from F major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii7 | Gm7 | Supertonic — prepares the dominant | G · Bb · D · F | 9× |
| iii7 | Am7 | Mediant — a tonic-family shade | A · C · E · G | 2× |
| V/vi | A | Secondary dominant V/vi — leads to Dmsecondary dominant | A · C# · E | — |
| IVmaj7 | Bbmaj7 | Subdominant — moves away from home | Bb · D · F · A | 2× |
| V | C | Dominant — strongest pull home | C · E · G | 8× |
| V7 | C7 | Dominant — strongest pull home | C · E · G · Bb | 1× |
| vi7 | Dm7 | Relative minor — the melancholy side | D · F · A · C | 15× |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i7 | Dm7 | Tonic — home | D · F · A · C | 15× |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv7 | Gm7 | Subdominant — moves away from home | G · Bb · D · F | 9× |
| v7 | Am7 | Minor dominant — soft pull | A · C · E · G | 2× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VImaj7 | Bbmaj7 | Submediant — warm colour | Bb · D · F · A | 2× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | 8× |
| VII7 | C7 | Subtonic — steps back to the tonic | C · E · G · Bb | 1× |
Analysis
The key pair is F major and its relative D minor (1 flat). 6 different chords appear 37 times in total; 6 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gm7 C Fii7 → Vii → V Dmiv7 → VII ×8
- C Dm7 FV → vi7deceptive cadence DmVII → i7Aeolian arrival ×6
- Am7 Dm7 Fiii7 → vi7 Dmv7 → i7natural-minor cadence ×2
- C7 Dm7 FV7 → vi7deceptive cadence DmVII7 → i7Aeolian arrival ×1
- Gm7 Dm7 Fii7 → vi7 Dmiv7 → i7minor plagal ×1
The move to watch is Gm7 → C, heard 8 times. From the Dm side it is iv7 → VII; from the F side it reads ii7 → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Dm7, land on D, F, A — the chord's own tones always sound right on strong beats.
- Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones down · capo 5 keeps the original pitch
- 2 semitones up
The song's harmonic story
Starting on Dm7, the song gives away its key from the very first bar. The chords that keep coming back are Dm7, Gm7, C, Bbmaj7; read them as vi7–ii7–V–IVmaj7 in F or i7–iv7–VII–VImaj7 in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gm7 → C (ii7 → V in F, iv7 → VII in Dm): ii → V — the classic preparation of the dominant. It closes on Dm7, letting the Dm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Begüm Yiğit - Yalan Dünya Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Begüm YiğitMusic: Begüm YiğitArrangement: Faruk Çeliker
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