Major view
F major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = E (leading tone, pulls home)
- 4 = Bb (the note that leans on the 3rd)
Mert Demir - Kafayı Yaktım - Chord
Key F major – D minor Chords Am, Bb, Bm Easy key Bb (capo 7)
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Key: F | Dm
Capo: 0
Am Seni düşünmekten kafayı yaktım Ben bu dünyanın çilesine battım Bb Çektim yetmişliği masama kattım Dertleri kafamdan bir bir attım Am Am Bb Bb Am "Değişmez" deme, değişir her şey Ben hâlâ aynıyım senin yalan dünyanda Bb Gözlerim kör olmuş, hislerimse kayıp Güvendiğim dağlara kar yağdı sonunda Bb Gitmek istiyorum bazen Am Farzen ya da mecazen Bm Uzaklaşmam lazım Am Senden değil, kendimden Am Seni düşünmekten kafayı yaktım Ben bu dünyanın çilesine battım Bb Çektim yetmişliği masama kattım Dertleri kafamdan bir bir attım Bb Gitmek istiyorum bazen Am Farzen ya da mecazen Bm Uzaklaşmam lazım Am Senden değil, kendimden Am Seni düşünmekten kafayı yaktım Ben bu dünyanın çilesine battım Bb Çektim yetmişliği masama kattım Dertleri kafamdan bir bir attım
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Mert Demir - Kafayı Yaktım Tabs
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Harmony analysis
Mert Demir – Kafayı Yaktım: key and chord analysis
The song opens on Am and ends on Bb. Its chords belong to both F major and Dm, so every chord below is read both ways.
Minor view
D minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Bb (the minor's melancholy)
- b7 = C (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | F | Tonic — home | F · A · C | — |
| ii | Gm | Supertonic — prepares the dominant | G · Bb · D | — |
| iii | Am | Mediant — a tonic-family shade | A · C · E | 10× |
| III | A | Chromatic colour chordoutside the key | A · C# · E | — |
| IV | Bb | Subdominant — moves away from home | Bb · D · F | 8× |
| #iv | Bm | Chromatic colour chordoutside the key | B · D · F# | 2× |
| V | C | Dominant — strongest pull home | C · E · G | — |
| vi | Dm | Relative minor — the melancholy side | D · F · A | — |
| vii° | Edim | Leading-tone chord — tension | E · G · Bb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Dm | Tonic — home | D · F · A | — |
| ii° | Edim | Supertonic — prepares the dominant | E · G · Bb | — |
| III | F | Relative major — the bright side | F · A · C | — |
| iv | Gm | Subdominant — moves away from home | G · Bb · D | — |
| v | Am | Minor dominant — soft pull | A · C · E | 10× |
| V | A | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | A · C# · E | — |
| VI | Bb | Submediant — warm colour | Bb · D · F | 8× |
| #vi | Bm | Chromatic colour chordoutside the key | B · D · F# | 2× |
| VII | C | Subtonic — steps back to the tonic | C · E · G | — |
Analysis
The key pair is F major and its relative D minor (1 flat). 3 different chords appear 20 times in total; 2 of them sit naturally inside the shared scale. Bm step outside the scale as colour chords.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Bb, land on Bb, D, F — the chord's own tones always sound right on strong beats.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With F major shapes
- Capo 1 + E shapes
- Capo 3 + D shapes
- Capo 5 + C shapes
With D minor shapes
- No capo — open Dm shapes
- Capo 5 + Am shapes
Easiest keys on guitar
- 5 semitones up · capo 7 keeps the original pitch
- 5 semitones down · capo 5 keeps the original pitch
The song's harmonic story
The first chord is Am; the ear learns where home is within a second. The backbone is Am, Bb, Bm — iii–IV–#iv from the F side, v–VI–#vi from the Dm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Bb; the ear comes to rest in F.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Mert Demir - Kafayı Yaktım Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Mert Demir, Anıl DurmuşMusic: Mert Demir
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