Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Rıza Tamer - Benden Sonra - Chord
Key Db major – Bb minor Chords Bbm, Gb, Ab, Fm, Ebm Easy key G (capo 6)
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Key: Db | A#m | Bbm
Capo: 0
Zeynep Bastık Versiyon - C | Am
Bbm Gb Bbm Gb
Bbm
Sonunda kalp naklide yaptılar, sana
Ebm
Ne oldu beni gözü gibi seven o kadına
Fm
Eline bir şey geçti mi bari?
Gb
Düşmanımla saf tutunca
Ab Gb Bbm
Yazdın çizdin, oynadın, bastın damarıma
Bbm
Kuklan değilim, oyuncak değilim
Fm
Bir ben değilim
Gb Bbm
Seni tanıyan herkes haklı
Bbm
Ölünüm, delinim, çağırsan, gelirim
Fm
Anla be, seninim
Bbm
Sevme özürlü, kalp yasaklı
Bbm
Yıldız yatağımdan kalkar, bu aşkı duysa
Ab
Ne canlar verdim, yine yetmiyorsa
Gb Ab
Gün gelip de kader hesabını sorsa
Bbm Ab Gb Bbm
Çek cezanı, senin aşktan anladığın buysa
Bbm
Benden sonra kimse değerini biçemez
Ab
Sağlam dursa da bir kadehten fazla içemez
Gb
O tozlu yolları tek başına geçemez
Bbm Ab Gb
Bir yanı "git" diyor, bir yanı "kalk"
Bbm
Bir nefes al, içimde kal
Ab Bbm Gb Ab
Yakaladım seni, seni
Gb
Şimdi biraz sen, biraz ben
Ab Gb Ab Gb Fm
Deştik mi yaraları? Özür...
Bbm
Benden sonra kimse değerini biçemez
Ab
Sağlam dursa da bir kadehten fazla içemez
Gb
O tozlu yolları tek başına geçemez
Bbm Ab Gb
Bir yanı "git" diyor, bir yanı "kalk"
Bbm
Bir nefes al, içimde kal
End of song Play again?
Rıza Tamer - Benden Sonra Tabs
NotesX
Harmony analysis
Rıza Tamer – Benden Sonra: key and chord analysis
The song opens on Bbm and ends on Bbm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it both starts and finishes on Bbm and Bbm is heard 18 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 1× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 4× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 15× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 12× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 18× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 18× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 1× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 4× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 15× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 12× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 50 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gb Bbm DbIV → vi BbmVI → iVI → i ×9
- Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×5
- Ab Bbm DbV → videceptive cadence BbmVII → iAeolian arrival ×2
- Fm Bbm Dbiii → vi Bbmv → inatural-minor cadence ×2
The move to watch is Gb → Bbm, heard 9 times. From the Bbm side it is VI → i (VI → i: falls a half step into home); from the Db side it reads IV → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 6 semitones up · capo 6 keeps the original pitch
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The opening Bbm lays a solid floor for everything that follows. The backbone is Bbm, Gb, Ab, Fm — vi–IV–V–iii from the Db side, i–VI–VII–v from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gb → Bbm (IV → vi in Db, VI → i in Bbm): VI → i — falls a half step into home. It closes on Bbm, letting the Bbm side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Rıza Tamer - Benden Sonra Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Rıza TamerMusic: Rıza Tamer
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