Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Emir Can İğrek - Bir Gün Ölürsem - Chord
Key C major – A minor Chords G, Am, Dm, Fmaj7, Em Difficulty already in its easiest key
No ratings yet
or your user informations
Make it yours
Text size
Key: C | Am
Capo: 0
Am
Sen şimdi bulmuşsundur
Dm G Am
Az üzülmenin, az üzülmenin yolunu
Am
Acıdan kaçarsın da
Dm G Am
Yakalar bir gün, yakalar bir gün kolunu
Fmaj7
Dostların anlatsın sana nerede kalbin
Anlarsın beni bir gün belki
G Dm Em
İç sesimi bile susturdum ben laf söyletmedim
Fmaj7
Kızmıyorum sana, hakkını teslim ettim
Çok daha sivri bıçaklar gördüm
G Dm Em
Sadece senden beklemiyordum, ondan bozuldum
Fmaj7 G Dm G Am
Bir gün ölürseeeem ağlamayaaa, ağlamayaaa hakkın bile kalmadı
Fmaj7 G Dm G Am
Bir gün ölürseeeem ağlamayaaa, ağlamayaaa hakkın bile kalmadı
Fmaj7 G Am
Seni geçmişimden de siliyorum, siliyorum bu gece
Fmaj7 G Am
Öyle biri yaşamadı, biliyorum, biliyorum delice
Fmaj7 G Dm G Am
Bir gün ölürseeeem ağlamayaaa, ağlamayaaa hakkın bile kalmadı
Fmaj7 G Dm G Am
Bir gün ölürseeeem ağlamayaaa, ağlamayaaa hakkın bile kalmadı
End of song Play again?
Emir Can İğrek - Bir Gün Ölürsem Tabs
NotesX
Harmony analysis
Emir Can İğrek – Bir Gün Ölürsem: key and chord analysis
The song opens on Am and ends on Am. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it both starts and finishes on Am and Am is heard 10 times while C never appears. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | — |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 8× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | 2× |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IVmaj7 | Fmaj7 | Subdominant — moves away from home | F · A · C · E | 8× |
| V | G | Dominant — strongest pull home | G · B · D | 14× |
| vi | Am | Relative minor — the melancholy side | A · C · E | 10× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 10× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | — |
| iv | Dm | Subdominant — moves away from home | D · F · A | 8× |
| v | Em | Minor dominant — soft pull | E · G · B | 2× |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VImaj7 | Fmaj7 | Submediant — warm colour | F · A · C · E | 8× |
| VII | G | Subtonic — steps back to the tonic | G · B · D | 14× |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 5 different chords appear 42 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- G Am CV → videceptive cadence AmVII → iAeolian arrival ×8
- Fmaj7 G CIVmaj7 → VIV → V AmVImaj7 → VIIVI → VII ×8
- Dm G Cii → Vii → V Amiv → VII ×6
The move to watch is G → Am, heard 8 times. From the Am side it is VII → i (Aeolian arrival: rises a whole tone into home); from the C side it reads V → vi (deceptive cadence: expected C, lands on Am). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening Am lays a solid floor for everything that follows. The backbone is G, Am, Dm, Fmaj7 — V–vi–ii–IVmaj7 from the C side, VII–i–iv–VImaj7 from the Am side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on G → Am (V → vi in C, VII → i in Am): Aeolian arrival — rises a whole tone into home. The final chord is Am; the ear comes to rest in Am.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Emir Can İğrek - Bir Gün Ölürsem Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Emir Can İğrekMusic: Emir Can İğrekArrangement: Yiğit Avcı
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.