Duman - Anılar O Geceler - Chord

Key C major – A minor Chords Fmaj7, Em7, Am7, Dm7, Am Difficulty already in its easiest key

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Capo 0

Am7  Fmaj7  Em7  Dm7

   Em7     Fmaj7
Anılar yüreğimi yaralar
      Em7         Fmaj7
Benim aklımdan çıkmaz o geceler
    Em7     Fmaj7
Seneler seneleri kovalar
        Em7         Fmaj7
Yine de aklımdan çıkmaz o geceler
   Em7  Fmaj7       Em7  Fmaj7
Anılar,       o geceler

    Em7     Fmaj7
Aslında geceleri severim
      Em7         Fmaj7
Yerin altından gizlice kaçarım
    Em7     Fmaj7
Kaçarak kaderimi çizerim
        Em7         Fmaj7
Yine de aklımdan çıkmaz o geceler
   Em7  Fmaj7       Em7  Fmaj7
Anılar,       o geceler

Am7              Fmaj7
Her yanımda sancılar
           Em7
Sırtımda gitar
           Dm7         Am7
Çekmişim yine etrafa duvar
              Fmaj7
Bu şarkılar sana
         Em7           Dm7
Efkârı bana kalmıştı yine

   Em7     Fmaj7
Uçarak tepeleri aşarım
      Em7         Fmaj7
Göğün üstünden gizlice geçerim
   Em7    Fmaj7
İçerek anılara dalarım
        Em7         Fmaj7
Yine de aklımdan çıkmaz o geceler
   Em7  Fmaj7       Em7  Fmaj7
Anılar,       o geceler

    Em7     Fmaj7
Aşkımla gitarımı çalarım
      Em7         Fmaj7
Senin ardından şarkımı yazarım
    Em7  Fmaj7
Yazarak içimi dökerim
        Em7         Fmaj7
Yine de aklımdan çıkmaz o geceler
   Em7  Fmaj7       Em7  Fmaj7
Anılar,       o geceler

Am7              Fmaj7
Her yanımda sancılar
           Em7
Sırtımda gitar
           Dm7         Am7
Çekmişim yine etrafa duvar
              Fmaj7
Bu şarkılar sana
         Em7           Dm7
Efkârı bana kalmıştı yine

Em7  Fmaj7  Em7  Fmaj7  Em7  Fmaj7  Em7  Fmaj7  Em7  Fmaj7  Em7  Fmaj7

   Em7     Fmaj7
Anılar yüreğimi yaralar
      Em7         Fmaj7
Benim aklımdan çıkmaz o geceler
    Em7     Fmaj7
Seneler seneleri kovalar
        Em7         Fmaj7
Yine de aklımdan çıkmaz o geceler
   Em7  Fmaj7       Em7  Fmaj7
Anılar,       o geceler

Am7              Fmaj7
Her yanımda sancılar
           Em7
Sırtımda gitar
           Dm7         Am7
Çekmişim yine etrafa duvar
              Fmaj7
Bu şarkılar sana
         Em7           Dm7
Efkârı bana kalmıştı yine

   Am
Anılar, anılar, geceler, o geceler

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Duman - Anılar O Geceler Tabs

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Harmony analysis

Duman – Anılar O Geceler: key and chord analysis

The song opens on Am7 and ends on Am. Its chords belong to both C major and Am, so every chord below is read both ways.

Major view

C major

Brightness rank 2/7 (bright)

Characteristic notes

7 = B (leading tone, pulls home)
4 = F (the note that leans on the 3rd)

Minor view

A minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = F (the minor's melancholy)
b7 = G (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the A minor side because it both starts and finishes on Am and Am is heard 8 times while C never appears. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from C major
Degree	Chord	Role	Notes	In song
I	C	Tonic — home	C · E · G	—
ii7	Dm7	Supertonic — prepares the dominant	D · F · A · C	7×
iii7	Em7	Mediant — a tonic-family shade	E · G · B · D	43×
V/vi	E	Secondary dominant V/vi — leads to Amsecondary dominant	E · G# · B	—
IVmaj7	Fmaj7	Subdominant — moves away from home	F · A · C · E	43×
V	G	Dominant — strongest pull home	G · B · D	—
vi7	Am7	Relative minor — the melancholy side	A · C · E · G	7×
vi	Am	Relative minor — the melancholy side	A · C · E	1×
vii°	Bdim	Leading-tone chord — tension	B · D · F	—

Seen from A minor
Degree	Chord	Role	Notes	In song
i7	Am7	Tonic — home	A · C · E · G	7×
i	Am	Tonic — home	A · C · E	1×
ii°	Bdim	Supertonic — prepares the dominant	B · D · F	—
III	C	Relative major — the bright side	C · E · G	—
iv7	Dm7	Subdominant — moves away from home	D · F · A · C	7×
v7	Em7	Minor dominant — soft pull	E · G · B · D	43×
V	E	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	E · G# · B	—
VImaj7	Fmaj7	Submediant — warm colour	F · A · C · E	43×
VII	G	Subtonic — steps back to the tonic	G · B · D	—

Analysis

The key pair is C major and its relative A minor (no sharps or flats). 5 different chords appear 101 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Dm7 Am7 Cii7 → vi7 Amiv7 → i7minor plagal ×3
Fmaj7 Am7 CIVmaj7 → vi7 AmVImaj7 → i7VI → i ×3
Dm7 Am Cii7 → vi Amiv7 → iminor plagal ×1

The move to watch is Dm7 → Am7, heard 3 times. From the Am side it is iv7 → i7 (minor plagal: deep and melancholic); from the C side it reads ii7 → vi7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
Over Fmaj7, land on F, A, C — the chord's own tones always sound right on strong beats.
Over Em7, land on E, G, B — the chord's own tones always sound right on strong beats.
Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With C major shapes

No capo — open C shapes
Capo 3 + A shapes
Capo 5 + G shapes

With A minor shapes

No capo — open Am shapes
Capo 5 + Em shapes
Capo 7 + Dm shapes

Easiest keys on guitar

The song is already written in its easiest key for guitar.

The song's harmonic story

The first chord is Am7; the ear learns where home is within a second. The backbone is Fmaj7, Em7, Am7, Dm7 — IVmaj7–iii7–vi7–ii7 from the C side, VImaj7–v7–i7–iv7 from the Am side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Dm7 → Am7 (ii7 → vi7 in C, iv7 → i7 in Am): minor plagal — deep and melancholic. It closes on Am, letting the Am side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.