Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Burak Bulut - Leylam x Kurtuluş Kuş x Eypio - Chord
Key Ab major – F minor Chords Db, C, Bbm Easy key C
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Key: Ab | Fm
Capo: 0
C Db Db Bbm
C Db Bbm
Efkar bastı gece gece bana yaşattıklarını hece hece yazarım
C Db Bbm
Leylaaa bitti buraya kadar
C Db Bbm
Her gece ağlıyormuş ölürüm çok mu sevdin sen
C Db Bbm
Gözü kimseyi görmüyormuş sence yer miyim ben
C Db Bbm
Bir de sitem ediyor çok taviz verdiğimden
C Db Bbm
O da bunu biliyor bu yüzden korkuyor düşmekten
C Db
Ağdayım diyor bir balık gibi
Bbm
Bende dedim ona sular bulanık gibi
C Db
Bir mahkemedeyim bende sanık gibi
Bbm
Hayat dediğin bir kazık gibi leyla
C Db
Kafalar leyla durumlar eyvah
Bbm
Çöllerde düşe kalka olduk bizde seyyah
C Db
Bak kızım develere verme diye ayva
Bbm
Mecnun gelip çekti kapına bir maybach
C Db Bbm
Sudan çıkmış balık gibiyim şimdi tertemizim mis gibi oldum leyla
C Db Bbm
Kafesteki kuş gibiyim kanatlarım kırıldı uçamıyorum leyla
C Db Bbm
Bir de sitem ediyor çok taviz verdiğimden
C Db Bbm
O da bunu biliyor bu yüzden korkuyor düşmekten
C Db Bbm
Sudan çıkmış balık gibiyim şimdi tertemizim mis gibi oldum leyla
C Db Bbm
Kafesteki kuş gibiyim kanatlarım kırıldı uçamıyorum leyla
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Burak Bulut - Leylam x Kurtuluş Kuş x Eypio Tabs
NotesX
Harmony analysis
Burak Bulut – Leylam x Kurtuluş Kuş x Eypio: key and chord analysis
The song opens on C and ends on Bbm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
- #7 = E (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 17× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | — |
| III | C | Chromatic colour chordoutside the key | C · E · G | 17× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 18× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | — |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | — |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | — |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 17× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | — |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | 17× |
| VI | Db | Submediant — warm colour | Db · F · Ab | 18× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | — |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 3 different chords appear 52 times in total; 2 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull.
Chord movement
- Bbm C Abii → III Fmiv → Viv → V ×16
The move to watch is Bbm → C, heard 16 times. From the Fm side it is iv → V (iv → V: the minor side's tension builder); from the Ab side it reads ii → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- When C comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The first chord is C; the ear learns where home is within a second. The backbone is Db, C, Bbm — IV–III–ii from the Ab side, VI–V–iv from the Fm side. C is the interesting twist: in Ab it is a chromatic chord (III), while in Fm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Bbm → C (ii → III in Ab, iv → V in Fm): iv → V — the minor side's tension builder. Ending on Bbm, the song seals Ab as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Burak Bulut - Leylam x Kurtuluş Kuş x Eypio Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Burak Bulut, EypioMusic: Burak BulutArrangement: Özkan Meydan & Alican Özbuğutu
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