Major view
Bb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A (leading tone, pulls home)
- 4 = Eb (the note that leans on the 3rd)
Hamiyet - Bir Ateşe Attın Beni - Chord
Key Bb major – G minor Chords Gm, Fm, Ab, Cm, Abmaj7, Bb Easy key G (capo 3)
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Key: Bb | Gm
Capo: 0
Cm Gm Ab Fm Gm
Diyorlar ki sen delisin, hiç bu kadar sevilir mi
Abmaj7 Gm Fm Gm
Değmeyecek biri için, gurur yere serilir mi
Cm Ab Fm Gm
Bir ateşe attın beni, alev alev yaktın beni
Bb Ab Fm Gm
Değersiz mi benim aşkım, yalanlara kattın beni
Cm Gm Ab Fm Gm
Dost üzülür, düşman güler, böyle derde gülünür mü
Abmaj7 Gm Fm Gm
Bilseydim hiç sever miydim aşkın sonu bilinir mi
Cm Gm Ab Fm Gm Abmaj7 Gm Fm Gm
Cm Gm Ab Fm Gm
Umudumdun, dileğimdin, sen benim göz bebeğimdin
Abmaj7 Gm Fm Gm
Seni kimler değiştirdi, yüreğinden attın beni
Abmaj7 Gm Fm Gm
Seni kimler değiştirdi, yüreğinden attın beni
Cm Ab Fm Gm
Bir ateşe attın beni, alev alev yaktın beni
Bb Ab Fm Gm
Değersiz mi benim aşkım, yalanlara kattın beni
Cm Gm Ab Fm Gm
Dost üzülür, düşman güler, böyle derde gülünür mü
Abmaj7 Gm Fm Gm
Bilseydim hiç sever miydim aşkın sonu bilinir mi
End of song Play again?
Hamiyet - Bir Ateşe Attın Beni Tabs
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Harmony analysis
Hamiyet – Bir Ateşe Attın Beni: key and chord analysis
The song opens on Cm and ends on Gm. Its chords belong to both Bb major and Gm, so every chord below is read both ways.
Minor view
G minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Eb (the minor's melancholy)
- b7 = F (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the G minor side because it comes to rest on Gm and Gm is heard 26 times against 2 for Bb. That is an interpretation, not a rule — the same chords are just as valid seen from Bb major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Bb or to Gm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Bb | Tonic — home | Bb · D · F | 2× |
| ii | Cm | Supertonic — prepares the dominant | C · Eb · G | 7× |
| iii | Dm | Mediant — a tonic-family shade | D · F · A | — |
| V/vi | D | Secondary dominant V/vi — leads to Gmsecondary dominant | D · F# · A | — |
| IV | Eb | Subdominant — moves away from home | Eb · G · Bb | — |
| V | F | Dominant — strongest pull home | F · A · C | — |
| v | Fm | Chromatic colour chordoutside the key | F · Ab · C | 15× |
| vi | Gm | Relative minor — the melancholy side | G · Bb · D | 26× |
| bVII | Ab | bVII — borrowed (Mixolydian / parallel minor)borrowed chord | Ab · C · Eb | 9× |
| bVIImaj7 | Abmaj7 | bVII — borrowed (Mixolydian / parallel minor)borrowed chord | Ab · C · Eb · G | 6× |
| vii° | Adim | Leading-tone chord — tension | A · C · Eb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gm | Tonic — home | G · Bb · D | 26× |
| bII | Ab | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | Ab · C · Eb | 9× |
| bIImaj7 | Abmaj7 | Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord | Ab · C · Eb · G | 6× |
| ii° | Adim | Supertonic — prepares the dominant | A · C · Eb | — |
| III | Bb | Relative major — the bright side | Bb · D · F | 2× |
| iv | Cm | Subdominant — moves away from home | C · Eb · G | 7× |
| v | Dm | Minor dominant — soft pull | D · F · A | — |
| V | D | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D · F# · A | — |
| VI | Eb | Submediant — warm colour | Eb · G · Bb | — |
| VII | F | Subtonic — steps back to the tonic | F · A · C | — |
| vii | Fm | Chromatic colour chordoutside the key | F · Ab · C | 15× |
Analysis
The key pair is Bb major and its relative G minor (2 flats). 6 different chords appear 65 times in total; 3 of them sit naturally inside the shared scale. Ab, Abmaj7 are borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- Cm Gm Bbii → vi Gmiv → iminor plagal ×5
The move to watch is Cm → Gm, heard 5 times. From the Gm side it is iv → i (minor plagal: deep and melancholic); from the Bb side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Bb major pentatonic and G minor pentatonic are the same five notes (Bb – C – D – F – G): start from Bb for a brighter phrase, from G for a bluesier one.
- Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
- On Ab, follow the chord's notes (Ab · C · Eb) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Bb major shapes
- Capo 1 + A shapes
- Capo 3 + G shapes
- Capo 6 + E shapes
With G minor shapes
- Capo 3 + Em shapes
- Capo 5 + Dm shapes
Easiest keys on guitar
- 3 semitones down · capo 3 keeps the original pitch
- 4 semitones up
The song's harmonic story
The first chord is Cm; the ear learns where home is within a second. The chords that keep coming back are Gm, Fm, Ab, Cm; read them as vi–v–bVII–ii in Bb or i–vii–bII–iv in Gm. Ab briefly darkens the picture: bvii — borrowed (mixolydian / parallel minor). Keep an ear on Cm → Gm (ii → vi in Bb, iv → i in Gm): minor plagal — deep and melancholic. Ending on Gm, the song seals Gm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hamiyet - Bir Ateşe Attın Beni Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Ali Tekin TüreMusic: Özcan ErtokArrangement: Coşkun Kıvılcım
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