Siyam - Mecnun - Chord

Key Ab major – F minor Chords Cm, Db Easy key C

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Capo 0

Cm  Db  Cm  Db

Cm                    Db
Aklıma kalbime girdin ya
                      Cm
Uğruna herşeyi yaptım ya
                        Db
Mecnun olup çöle düştüm ya
                       Cm
Oldun hayatımın anlamı ya

                       Db
Benden uzak bile olsan da
                       Cm
Bir gün azalmadı aşkın da
                       Db
Kor kor alevlere atsan da
                          Cm
Değer senin aşkına yansam da

Cm  Db  Cm  Db
(Aynı akor döngüsü şarkı boyunca devame der)

Kaçıyorum kendimden
Bi başıma kaldım ben
Seni ömrüme yazmışken
Göremedin hala bizi

Zooor dayandım 
Görüyo tanrım
Özlemden bu şehri yaktım
Sensizken yaşar gibi yaptım ben 

Aklıma kalbime girdin ya 
Uğruna herşeyi yaptım ya 
Mecnun olup çöle düştüm ya
Oldun hayatımın anlamı ya

Benden uzak bile olsan da 
Bir gün azalmadı aşkın da
Kor kor alevlere atsan da
Değer senin aşkına yansam da  

Yazıyorum aklıma adını 
Tek gercegim anlımın yazısı 
Birer birer aşarız engeller
Yıkamaz bizi hasretin acısı

Zooor dayandım 
Görüyo tanrım
Özlemden bu şehri yaktım
Sensizken yaşar gibi yaptım ben 

Aklıma kalbime girdin ya 
Uğruna herşeyi yaptım ya 
Mecnun olup çöle düştüm ya
Oldun hayatımın anlamı ya

Benden uzak bile olsan da 
Bir gün azalmadı aşkın da
Kor kor alevlere atsan da
Değer senin aşkına yansam da

End of song Play again?

Siyam - Mecnun Tabs

NotesX

Harmony analysis

Siyam – Mecnun: key and chord analysis

The song opens on Cm and ends on Db. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G (leading tone, pulls home)
4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Db (the minor's melancholy)
b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree	Chord	Role	Notes	In song
I	Ab	Tonic — home	Ab · C · Eb	—
ii	Bbm	Supertonic — prepares the dominant	Bb · Db · F	—
iii	Cm	Mediant — a tonic-family shade	C · Eb · G	9×
III	C	Chromatic colour chordoutside the key	C · E · G	—
IV	Db	Subdominant — moves away from home	Db · F · Ab	8×
V	Eb	Dominant — strongest pull home	Eb · G · Bb	—
vi	Fm	Relative minor — the melancholy side	F · Ab · C	—
vii°	Gdim	Leading-tone chord — tension	G · Bb · Db	—

Seen from F minor
Degree	Chord	Role	Notes	In song
i	Fm	Tonic — home	F · Ab · C	—
ii°	Gdim	Supertonic — prepares the dominant	G · Bb · Db	—
III	Ab	Relative major — the bright side	Ab · C · Eb	—
iv	Bbm	Subdominant — moves away from home	Bb · Db · F	—
v	Cm	Minor dominant — soft pull	C · Eb · G	9×
V	C	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C · E · G	—
VI	Db	Submediant — warm colour	Db · F · Ab	8×
VII	Eb	Subtonic — steps back to the tonic	Eb · G · Bb	—

Analysis

The key pair is Ab major and its relative F minor (4 flats). 2 different chords appear 17 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Ab major shapes

Capo 1 + G shapes
Capo 4 + E shapes
Capo 6 + D shapes

With F minor shapes

Capo 1 + Em shapes
Capo 3 + Dm shapes

Easiest keys on guitar

4 semitones up
1 semitone down · capo 1 keeps the original pitch

The song's harmonic story

The first chord is Cm; the ear learns where home is within a second. Cm, Db carry the song: iii–IV relative to Ab, v–VI relative to Fm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Db; the ear comes to rest in Ab.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.