Siyam - İmdat - Chord

Key Gb major – Eb minor Chords Bbm, Bmaj7 Easy key C (capo 6)

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Capo 0

Bbm  Bbm  Bmaj7  Bmaj7

Bbm
Yar senin adını şehirlere yazarım
Bmaj7
Yar deli yüreğimle denizleri yakarım
Bbm
Ben seni bulamaz sokak sokak ararım
Bmaj7
Bir yere varamaz deli gibi yaşarım

Bbm  Bbm  Bmaj7  Bmaj7

Bbm
Dinle beni bu derdin, dermanı sensin yarim
Bmaj7
Gönül peşinden, geliyorum harbiden

Bbm
Sor bak bizi gör bak
                             Bmaj7
Yine halim duman imdat imdat imdat, yine anlat

Bi sen anlarsın ya halimden

Bbm
Yar senin adını şehirlere yazarım
Bmaj7
Yar deli yüreğimle denizleri yakarım
Bbm
Ben seni bulamaz sokak sokak ararım
Bmaj7
Bir yere varamaz deli gibi yaşarım

Bbm
Kalınca arada derede

Koşarım yanın delice
Bmaj7
Düşelim daha da derine 

Buluşup aynı bi gecede

End of song Play again?

Siyam - İmdat Tabs

NotesX

Harmony analysis

Siyam – İmdat: key and chord analysis

The song opens on Bbm and ends on Bmaj7. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.

Major view

Gb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F (leading tone, pulls home)
4 = Cb (the note that leans on the 3rd)

Minor view

Eb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Cb (the minor's melancholy)
b7 = Db (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Gb major and Eb minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Gb major
Degree	Chord	Role	Notes	In song
I	Gb	Tonic — home	Gb · Bb · Db	—
ii	Abm	Supertonic — prepares the dominant	Ab · Cb · Eb	—
iii	Bbm	Mediant — a tonic-family shade	Bb · Db · F	11×
III	Bb	Chromatic colour chordoutside the key	Bb · D · F	—
IVmaj7	Bmaj7	Subdominant — moves away from home	B · D# · F# · A#	11×
V	Db	Dominant — strongest pull home	Db · F · Ab	—
vi	Ebm	Relative minor — the melancholy side	Eb · Gb · Bb	—
vii°	Fdim	Leading-tone chord — tension	F · Ab · Cb	—

Seen from Eb minor
Degree	Chord	Role	Notes	In song
i	Ebm	Tonic — home	Eb · Gb · Bb	—
ii°	Fdim	Supertonic — prepares the dominant	F · Ab · Cb	—
III	Gb	Relative major — the bright side	Gb · Bb · Db	—
iv	Abm	Subdominant — moves away from home	Ab · Cb · Eb	—
v	Bbm	Minor dominant — soft pull	Bb · Db · F	11×
V	Bb	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	Bb · D · F	—
VImaj7	Bmaj7	Submediant — warm colour	B · D# · F# · A#	11×
VII	Db	Subtonic — steps back to the tonic	Db · F · Ab	—

Analysis

The key pair is Gb major and its relative Eb minor (6 flats). 2 different chords appear 22 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

Gb major pentatonic and Eb minor pentatonic are the same five notes (Gb – Ab – Bb – Db – Eb): start from Gb for a brighter phrase, from Eb for a bluesier one.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
Over Bmaj7, land on B, D#, F# — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Gb major shapes

Capo 2 + E shapes
Capo 4 + D shapes
Capo 6 + C shapes

With Eb minor shapes

Capo 1 + Dm shapes
Capo 6 + Am shapes

Easiest keys on guitar

6 semitones up · capo 6 keeps the original pitch
1 semitone up

The song's harmonic story

Starting on Bbm, the song gives away its key from the very first bar. The backbone is Bbm, Bmaj7 — iii–IVmaj7 from the Gb side, v–VImaj7 from the Ebm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Bmaj7, letting the Gb side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.