Major view
A major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G# (leading tone, pulls home)
- 4 = D (the note that leans on the 3rd)
Key A major – F# minor Chords A, Bm, Gbm, D Easy key G (capo 2)
A Bm Gbm D
A Bm
Remember those walls I built
Gbm
Well Baby they are tumbling down
D
And they didn't even put up a fight
A
They didn't even make a sound
Bm
I found a way to let you in
Gbm
But I never really had a doubt
D
Standing in the light of your halo
A
I got my angel now
Bm
It's like I've been awaken
Gbm
Every rule I had to break
D
It's the risk that I'm taking
A
I ain't never gonna shut you out
Bm
Everywhere I'm looking now
Gbm
I'm surrounded by your embrace
D
Baby I can see your halo
A
You know you're my saving grace
Bm
You're everything I need and more
Gbm
It's written all over your face
D
Baby I can feel your halo
A
Pray it won't fade away
I can feel your halo
Bm
I can see your halo
Gbm
I can feel your halo
D
I can see your halo
A Bm
Hit me like a ray of sun
Gbm
Burning through my darkness night
D
You're the only one that I want
A
I got addicted to your lie
Bm
I swore I'd never fall again
Gbm
But this don't even feel like falling
D
Gravity can't forget
A
To pull me back to the ground again
Bm
It's like I've been awaken
Gbm
Every rule I had to break
D
It's the risk that I'm taking
A
I'm never gonna shut you out
Bm
Everywhere I'm looking now
Gbm
I'm surrounded by your embrace
D
Baby I can see your halo
A
You know you're my saving grace
Bm
You're everything I need and more
Gbm
It's written all over your face
D
Baby I can feel your halo
A
Pray it won't fade away
I can feel your halo
Bm
I can see your halo
Gbm
I can feel your halo
D
I can see your halo
A
Bm Gbm D
Halo
A Bm Gbm D
Halo
A Bm
Everywhere I'm looking now
Gbm
I'm surrounded by your embrace
D
Baby I can see your halo
A
You know you're my saving grace
Bm
You're everything I need and more
Gbm
It's written all over your face
D
Baby I can feel your halo
A
Pray won't fade away
I can feel your halo
Bm
I can see your halo
Gbm
I can feel your halo
D A
I can see your halo
End of song Play again?
Harmony analysis
The song opens on A and ends on A. Its chords belong to both A major and F#m, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the A major side because it both starts and finishes on A and A is heard 19 times against 18 for F#m. That is an interpretation, not a rule — hearing the same chords from F# minor is just as valid and teaches you something different.
Show the degrees above the chords — relative to A or to F#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | A | Tonic — home | A · C# · E | 19× |
| ii | Bm | Supertonic — prepares the dominant | B · D · F# | 18× |
| iii | C#m | Mediant — a tonic-family shade | C# · E · G# | — |
| V/vi | C# | Secondary dominant V/vi — leads to Gbmsecondary dominant | C# · E# · G# | — |
| IV | D | Subdominant — moves away from home | D · F# · A | 18× |
| V | E | Dominant — strongest pull home | E · G# · B | — |
| vi | Gbm | Relative minor — the melancholy side | Gb · A · Db | 18× |
| vii° | G#dim | Leading-tone chord — tension | G# · B · D | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Gbm | Tonic — home | Gb · A · Db | 18× |
| ii° | G#dim | Supertonic — prepares the dominant | G# · B · D | — |
| III | A | Relative major — the bright side | A · C# · E | 19× |
| iv | Bm | Subdominant — moves away from home | B · D · F# | 18× |
| v | C#m | Minor dominant — soft pull | C# · E · G# | — |
| V | C# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C# · E# · G# | — |
| VI | D | Submediant — warm colour | D · F# · A | 18× |
| VII | E | Subtonic — steps back to the tonic | E · G# · B | — |
The key pair is A major and its relative F# minor (3 sharps). 4 different chords appear 73 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Bm → Gbm, heard 18 times. From the A side it reads ii → vi; from the F#m side it is iv → i (minor plagal: deep and melancholic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The opening A lays a solid floor for everything that follows. The chords that keep coming back are A, Bm, Gbm, D; read them as I–ii–vi–IV in A or III–iv–i–VI in F#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bm → Gbm (ii → vi in A, iv → i in F#m): minor plagal — deep and melancholic. It closes on A, letting the A side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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