Dedublüman - Bunca Yıl x Can Kazaz - Chord

Key D major – B minor Chords Bm, A, G, Em, Dm, Bb, C, Gm Easy key G (capo 7)

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Capo 0

Bm  G  A  Em  A  G  Bm

Bm                   G
Maviler saçına düşer toprağı kanatır
Em             Bm
Budanır kanatların 
A                      Em            Bm
Anlaşılmaz bunca yıl nasıl rüzgara kapıldığın

Bm                     G
Aşk benim tenimi çalıp korkağı yaratır
Em             Bm
Islanır yanaklarım
A                      Em            Bm
Anlaşılmaz bunca yıl nasıl nehrine kapıldığım

Bunca yıl sen

Bm
Yaprak gibi dökül kadehe
G
Uyku gibi dökül gözümden
A             Em
Su gibi yaşa, kar gibi yağ
A        G      Bm
Dağ gibi kaç benden

Bm  G  A  Em  A  G  A  Bm

Bm
Ağlasam gücüne gider
G                 Em            Bm
Kol geren limanın uzanır halatların
A                      Em
Anlaşılmaz bunca yıl nasıl
           Bm
Diplere batmadığım
 
Bm                  G
Ağrılar şekeri olur kor gibi acının
Em              Bm
Kül olur soğukların
A                      Em
Anlaşılmaz bunca yıl nasıl
         Bm
Güneşe aldandığın, bunca yıl sen

Bm
Yaprak gibi dökül kadehe
G
Uyku gibi dökül gözümden
A             Em
Su gibi yaşa, kar gibi yağ
A        G      Bm
Dağ gibi kaç benden

Bm
Yaşamaksızın dünya halini
A                Bm
Nedir bu yıldızlara merakın
      A               Bm
Adını bilmeden meşhur dip sahafların
  G            Em          A       Bm
Solu tozunu, soluk sayfa dolu rafların

Dm
Yaprak gibi dökül kadehe
Bb
Uyku gibi dökül gözümden
C             Gm
Su gibi yaşa, kar gibi yağ
C        Bb     Dm
Dağ gibi kaç benden

End of song Play again?

Dedublüman - Bunca Yıl x Can Kazaz Tabs

NotesX

Harmony analysis

Dedublüman – Bunca Yıl x Can Kazaz: key and chord analysis

The song opens on Bm and ends on Dm. Its chords belong to both D major and Bm, so every chord below is read both ways.

Major view

D major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C# (leading tone, pulls home)
4 = G (the note that leans on the 3rd)

Minor view

B minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = G (the minor's melancholy)
b7 = A (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the B minor side because it opens on Bm and Bm is heard 24 times while D never appears. That is an interpretation, not a rule — the same chords are just as valid seen from D major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from D major
Degree	Chord	Role	Notes	In song
I	D	Tonic — home	D · F# · A	—
i	Dm	Chromatic colour chordoutside the key	D · F · A	2×
ii	Em	Supertonic — prepares the dominant	E · G · B	13×
iii	F#m	Mediant — a tonic-family shade	F# · A · C#	—
V/vi	F#	Secondary dominant V/vi — leads to Bmsecondary dominant	F# · A# · C#	—
IV	G	Subdominant — moves away from home	G · B · D	13×
iv	Gm	Minor iv — borrowed from the parallel minorborrowed chord	G · Bb · D	1×
V	A	Dominant — strongest pull home	A · C# · E	16×
bVI	Bb	Borrowed from the parallel minorborrowed chord	Bb · D · F	2×
vi	Bm	Relative minor — the melancholy side	B · D · F#	24×
bVII	C	bVII — borrowed (Mixolydian / parallel minor)borrowed chord	C · E · G	2×
vii°	C#dim	Leading-tone chord — tension	C# · E · G	—

Seen from B minor
Degree	Chord	Role	Notes	In song
i	Bm	Tonic — home	B · D · F#	24×
bII	C	Neapolitan bII — a dark, dramatic colour a half step above the tonicborrowed chord	C · E · G	2×
ii°	C#dim	Supertonic — prepares the dominant	C# · E · G	—
III	D	Relative major — the bright side	D · F# · A	—
iii	Dm	Chromatic colour chordoutside the key	D · F · A	2×
iv	Em	Subdominant — moves away from home	E · G · B	13×
v	F#m	Minor dominant — soft pull	F# · A · C#	—
V	F#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F# · A# · C#	—
VI	G	Submediant — warm colour	G · B · D	13×
vi	Gm	Chromatic colour chordoutside the key	G · Bb · D	1×
VII	A	Subtonic — steps back to the tonic	A · C# · E	16×
#VII	Bb	Chromatic colour chordoutside the key	Bb · D · F	2×

Analysis

The key pair is D major and its relative B minor (2 sharps). 8 different chords appear 73 times in total; 4 of them sit naturally inside the shared scale. Bb, C, Gm are borrowed from the parallel minor, adding a darker shade to the major side.

Chord movement

Em Bm Dii → vi Bmiv → iminor plagal ×8
G A DIV → VIV → V BmVI → VIIVI → VII ×5
Em A Dii → Vii → V Bmiv → VII ×5
A Bm DV → videceptive cadence BmVII → iAeolian arrival ×4
G Bm DIV → vi BmVI → iVI → i ×3

The move to watch is Em → Bm, heard 8 times. From the Bm side it is iv → i (minor plagal: deep and melancholic); from the D side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
Over G, land on G, B, D — the chord's own tones always sound right on strong beats.
On Bb, follow the chord's notes (Bb · D · F) rather than the key's scale — it's a borrowed colour.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With D major shapes

No capo — open D shapes
Capo 2 + C shapes
Capo 5 + A shapes

With B minor shapes

Capo 2 + Am shapes
Capo 7 + Em shapes

Easiest keys on guitar

5 semitones up · capo 7 keeps the original pitch

The song's harmonic story

Starting on Bm, the song gives away its key from the very first bar. Bm, A, G, Em carry the song: vi–V–IV–ii relative to D, i–VII–VI–iv relative to Bm. Bb briefly darkens the picture: borrowed from the parallel minor. Keep an ear on Em → Bm (ii → vi in D, iv → i in Bm): minor plagal — deep and melancholic. Ending on Dm, the song seals D as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Dedublüman - Bunca Yıl x Can Kazaz Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Can Kazaz

Music: Can Kazaz

Arrangement: Mustafa Yavuz

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