Major view
Gb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F (leading tone, pulls home)
- 4 = Cb (the note that leans on the 3rd)
Key Gb major – Eb minor Chords Db, B, Gb, Ebm, Abm7, Bbm, Ebm7, Ab … Easy key G
Gb Ebm B Gb
Db
Clock strikes upon the hour
Ebm7 Abm7
And the sun begins to fade
Db
Still enough time to figure out
Ebm7
How to chase my blues away
Abm7 Db
I've done alright up to now
Gb Bbm Gb B
It's the light of day that shows me how
Abm7
And when the night falls
Ebm B Db
Loneliness calls
Gb
Oh I wanna dance with somebody
I wanna feel the heat with somebody
Ebm
Yeah wanna dance with somebody
B
With somebody who loves me
Ab
Oh I wanna dance with somebody
I wanna feel the heat with somebody
Ebm
Yeah wanna dance with somebody
B Abm B Gb
With somebody who loves me
Db
I've been in love and lost my senses
Ebm7 Abm7
Spinning through the town
Db
Sooner or later the fever ends
Ebm
And I wind up feeling down
Abm7 Db
I need a man who'll take a chance
Gb Bbm Gb B
On a love that burns hot enough to last
Abm7 Ebm
So when the night falls
B Db
My lonely heart calls
Gb
Oh I wanna dance with somebody
I wanna feel the heat with somebody
Ebm
Yeah wanna dance with somebody
B
With somebody who loves me
Ab
Oh I wanna dance with somebody
I wanna feel the heat with somebody
Ebm
Yeah wanna dance with somebody
B Abm B
With somebody who loves me
Ebm Db
Somebody oo somebody oo
Abm7
Ebm Db
Somebody oo somebody oo
Abm7 Db
I need a man who'll take a chance
Gb Bbm Gb B
On a love that burns hot enough to last
Abm7 Ebm
So when the night falls
B Db
My lonely heart calls
Ab
Oh I wanna dance with somebody
I wanna feel the heat with somebody
Fm
Yeah wanna dance with somebody
Db
With somebody who loves me
Bb
Oh I wanna dance with somebody
I wanna feel the heat with somebody
Fm
Yeah wanna dance with somebody
Db Bbm Eb
With somebody who loves me
Db Bbm Eb
With somebody who loves me
Db
With somebody who loves me
End of song Play again?
Harmony analysis
The song opens on Gb and ends on Db. Its chords belong to both Gb major and Ebm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the Eb minor side because it opens on Gb, Ebm is heard 14 times against 11 for Gb and the major V chord points straight at Ebm. That is an interpretation, not a rule — the same chords are just as valid seen from Gb major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Gb or to Ebm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Gb | Tonic — home | Gb · Bb · Db | 11× |
| ii7 | Abm7 | Supertonic — prepares the dominant | Ab · Cb · Eb · Gb | 9× |
| ii | Abm | Supertonic — prepares the dominant | Ab · Cb · Eb | 2× |
| V/V | Ab | Secondary dominant V/V — leads to Dbsecondary dominant | Ab · C · Eb | 3× |
| iii | Bbm | Mediant — a tonic-family shade | Bb · Db · F | 5× |
| V/vi | Bb | Secondary dominant V/vi — leads to Ebmsecondary dominant | Bb · D · F | 1× |
| IV | B | Subdominant — moves away from home | B · D# · F# | 13× |
| V | Db | Dominant — strongest pull home | Db · F · Ab | 16× |
| vi | Ebm | Relative minor — the melancholy side | Eb · Gb · Bb | 11× |
| vi7 | Ebm7 | Relative minor — the melancholy side | Eb · Gb · Bb · Db | 3× |
| V/ii | Eb | Secondary dominant V/ii — leads to Abmsecondary dominant | Eb · G · Bb | 2× |
| vii° | Fdim | Leading-tone chord — tension | F · Ab · Cb | — |
| vii | Fm | Chromatic colour chordoutside the key | F · Ab · C | 2× |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Ebm | Tonic — home | Eb · Gb · Bb | 11× |
| i7 | Ebm7 | Tonic — home | Eb · Gb · Bb · Db | 3× |
| V/iv | Eb | Secondary dominant V/iv — leads to Abmsecondary dominant | Eb · G · Bb | 2× |
| ii° | Fdim | Supertonic — prepares the dominant | F · Ab · Cb | — |
| ii | Fm | Chromatic colour chordoutside the key | F · Ab · C | 2× |
| III | Gb | Relative major — the bright side | Gb · Bb · Db | 11× |
| iv7 | Abm7 | Subdominant — moves away from home | Ab · Cb · Eb · Gb | 9× |
| iv | Abm | Subdominant — moves away from home | Ab · Cb · Eb | 2× |
| IV | Ab | Major IV — Dorian / melodic-minor colourmodal colour | Ab · C · Eb | 3× |
| v | Bbm | Minor dominant — soft pull | Bb · Db · F | 5× |
| V | Bb | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | Bb · D · F | 1× |
| VI | B | Submediant — warm colour | B · D# · F# | 13× |
| VII | Db | Subtonic — steps back to the tonic | Db · F · Ab | 16× |
The key pair is Gb major and its relative Eb minor (6 flats). 12 different chords appear 78 times in total; 8 of them sit naturally inside the shared scale. The major V of Ebm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Gb, the same Bb is V/vi, a secondary dominant heading for Ebm. Ab, Eb act as secondary dominants, briefly pointing at another chord of the key.
The move to watch is Db → Gb, heard 5 times. From the Ebm side it is VII → III; from the Gb side it reads V → I (authentic cadence: the strongest arrival home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The first chord is Gb; the ear learns where home is within a second. The chords that keep coming back are Db, B, Gb, Ebm; read them as V–IV–I–vi in Gb or VII–VI–III–i in Ebm. Eb is the interesting twist: in Gb it is a chromatic chord (V/ii), while in Ebm it becomes the dominant (V/iv) that makes the minor side sound so determined. Keep an ear on Db → Gb (V → I in Gb, VII → III in Ebm): authentic cadence — the strongest arrival home. Ending on Db, the song seals Gb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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