Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Sabrina Carpenter - Buy Me Presents - Chord
Key D major – B minor Chords A, Em, D, Bm, Gbm, G, Gm Easy key C (capo 2)
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Key: D | Bm
Capo: 0
D Bm Em A
D Bm Em A
D Bm
If you were a wise man, baby, you would
Drop
Em A
Every other ho, ho, ho and put me on
Top
D Bm
Up there on your tree, better treat me
Like a star
Em
Spend your cookie dough, dough, dough
A
Spend it on my heart
G Gm
Fuck the jet, send the sleigh
Gbm
It's a packed holiday, and I got
A
Options, babe
D Bm
If you don't wanna buy me presents
Em A
Drink me like a warm glass of milk
D Bm
If you're not gonna race here from the
Em A
North Pole to Beverly Hills
Gbm Em
Just to keep my stocking filled
A D
Well, I know somebody who will
Bm
(Somebody who will, uh huh, somebody
Em A
Who will, somеbody who will)
D
Hе's a little bit older (Like super
Bm
Old)
Em
Got a bit of a dad bod
A
From a city that's colder
D
But damn' it, he's so hot
He knows when I'm sleepin'
Bm
And he knows when I'm no ot
Em
Haven't like seen him in a while
A
He's probably just busy at his workshop
G
Fuck the jet , send the
Gm
Sleigh
Gbm
It's a packed holiday, and I got
A
Options, babe
D Bm
If you don't wanna buy me presents
Em A
Drink me like a warm glass of milk
D Bm
If you're not gonna race
Em A
Here from the North Pole to Beverly
Hills
Gbm Em
Just to keep my stocking filled
A D
Well, I know somebody who will
Bm Em
(Somebody who will, somebody who will
A
Somebody who will)
D Bm
If you don't wanna buy me presents
Em A
Drink me like a warm glass of milk
D Bm
If you're not gonna race here
Em A
From the North Pole to Beverly Hills
Gbm Em
Just to keep my stocking filled (Ooh
Ooh)
Oh, I know somebody who will
End of song Play again?
Sabrina Carpenter - Buy Me Presents Tabs
NotesX
Harmony analysis
Sabrina Carpenter – Buy Me Presents: key and chord analysis
The song opens on D and ends on Em. Its chords belong to both D major and Bm, so every chord below is read both ways.
Minor view
B minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = G (the minor's melancholy)
- b7 = A (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the D major side because it opens on D. That is an interpretation, not a rule — hearing the same chords from B minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | D | Tonic — home | D · F# · A | 14× |
| ii | Em | Supertonic — prepares the dominant | E · G · B | 17× |
| iii | Gbm | Mediant — a tonic-family shade | Gb · A · Db | 5× |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | 2× |
| iv | Gm | Minor iv — borrowed from the parallel minorborrowed chord | G · Bb · D | 2× |
| V | A | Dominant — strongest pull home | A · C# · E | 18× |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 14× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 14× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| III | D | Relative major — the bright side | D · F# · A | 14× |
| iv | Em | Subdominant — moves away from home | E · G · B | 17× |
| v | Gbm | Minor dominant — soft pull | Gb · A · Db | 5× |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | 2× |
| vi | Gm | Chromatic colour chordoutside the key | G · Bb · D | 2× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | 18× |
Analysis
The key pair is D major and its relative B minor (2 sharps). 7 different chords appear 72 times in total; 6 of them sit naturally inside the shared scale. Gm is borrowed from the parallel minor, adding a darker shade to the major side.
Chord movement
- Em A Dii → Vii → V Bmiv → VII ×16
- A D DV → Iauthentic cadence BmVII → III ×13
The move to watch is Em → A, heard 16 times. From the D side it reads ii → V (ii → V: the classic preparation of the dominant); from the Bm side it is iv → VII. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
- Over A, land on A, C#, E — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- On Gm, follow the chord's notes (G · Bb · D) rather than the key's scale — it's a borrowed colour.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With D major shapes
- No capo — open D shapes
- Capo 2 + C shapes
- Capo 5 + A shapes
With B minor shapes
- Capo 2 + Am shapes
- Capo 7 + Em shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
Starting on D, the song gives away its key from the very first bar. The chords that keep coming back are A, Em, D, Bm; read them as V–ii–I–vi in D or VII–iv–III–i in Bm. Gm briefly darkens the picture: minor iv — borrowed from the parallel minor. Keep an ear on Em → A (ii → V in D, iv → VII in Bm): ii → V — the classic preparation of the dominant. The final chord is Em; the ear comes to rest in D.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sabrina Carpenter - Buy Me Presents Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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