Major view
B major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = A# (leading tone, pulls home)
- 4 = E (the note that leans on the 3rd)
Lady Gaga - Born This Way - Chord
Key B major – G# minor Chords Gb, E, B Easy key A (capo 2)
No ratings yet
or your user informations
Make it yours
Text size
Key: B | Abm | G#m
Capo: 0
Intro: F# E B F#
Gb E
My mama told me when I was young
B Gb
We are all born superstars
Gb E
She rolled my hair and put my lipstick on
B Gb
In the glass of her boudoir
Gb E
"There's nothing wrong with lovin' who you are"
B Gb
She said, "'Cause he made you perfect, babe"
Gb E
"So hold your head up girl and you'll go far,
B Gb
Listen to me when I say"
Gb
I'm beautiful in my way
E
'Cause God makes no mistakes
B
I'm on the right track baby
Gb
I was born this way
Gb
Don't hide yourself in regret
E
Just love yourself and you're set
B
I'm on the right track baby
Gb
I was born this way
Gb
Ooo there ain't no other way
E
Baby I was born this way
B Gb
Baby I was born this way
Gb
Ooo there ain’t no other way
E
Baby I was born this way
B
I'm on the right track baby
Gb
I was born this way
Gb
Don't be a drag just be a queen
Gb
Don't be a drag just be a queen
Gb
Don't be a drag just be a queen
Gb
Don't be
Gb
Give yourself prudence
E
And love your friends
B Gb
Subway kid, rejoice your truth
Gb E
In the religion of the insecure
B Gb
I must be myself, respect my youth
Gb E
A different lover is not a sin
B Gb
Believe capital H I M
Gb E
I love my life I love this record and
B Gb
Mi amore vole fe yah
Gb
I'm beautiful in my way
E
'Cause God makes no mistakes
B
I'm on the right track baby
Gb
I was born this way
Gb
Don't hide yourself in regret
E
Just love yourself and you're set
B
I'm on the right track baby
Gb
I was born this way
Gb
Ooo there ain't no other way
E
Baby I was born this way
B Gb
Baby I was born this way
Gb
Ooo there ain’t no other way
E
Baby I was born this way
B
I'm on the right track baby
Gb
I was born this way
Gb
Don't be a drag, just be a queen
E
Whether you're broke or evergreen
B
You're black, white, beige, chola descent
Gb
You're lebanese, you're orient
Gb
Whether life's disabilities
E
Left you outcast, bullied, or teased
B
Rejoice and love yourself today
Gb
'Cause baby you were born this way
Gb
No matter gay, straight, or bi
E
Lesbian, transgendered life
B
I'm on the right track baby
Gb
I was born to survive
Gb
No matter black, white or beige
E
Chola or orient made
B
I'm on the right track baby
Gb
I was born to be brave
Gb
I'm beautiful in my way
E
'Cause God makes no mistakes
B
I'm on the right track baby
Gb
I was born this way
Gb
Don't hide yourself in regret
E
Just love yourself and you're set
B
I'm on the right track baby
Gb
I was born this way
Gb
Ooo there ain't no other way
E
Baby I was born this way
B Gb
Baby I was born this way
Gb
Ooo there ain’t no other way
E
Baby I was born this way
B
I'm on the right track baby
Gb
I was born this way
Gb
I was born this way hey
E
I was born this way hey
B
I'm on the right track baby
Gb
I was born this way hey
Gb
I was born this way hey
E
I was born this way hey
B
I'm on the right track baby
Gb
I was born this way hey
End of song Play again?
Lady Gaga - Born This Way Tabs
NotesX
Harmony analysis
Lady Gaga – Born This Way: key and chord analysis
The song opens on Gb and ends on Gb. Its chords belong to both B major and G#m, so every chord below is read both ways.
Minor view
G# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = E (the minor's melancholy)
- b7 = F# (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the B major side because B is heard 26 times while G#m never appears. That is an interpretation, not a rule — hearing the same chords from G# minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to B or to G#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | B | Tonic — home | B · D# · F# | 26× |
| ii | C#m | Supertonic — prepares the dominant | C# · E · G# | — |
| iii | D#m | Mediant — a tonic-family shade | D# · F# · A# | — |
| III | D# | Chromatic colour chordoutside the key | D# · G · A# | — |
| IV | E | Subdominant — moves away from home | E · G# · B | 26× |
| V | Gb | Dominant — strongest pull home | Gb · Bb · Db | 56× |
| vi | G#m | Relative minor — the melancholy side | G# · B · D# | — |
| vii° | A#dim | Leading-tone chord — tension | A# · C# · E | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | G#m | Tonic — home | G# · B · D# | — |
| ii° | A#dim | Supertonic — prepares the dominant | A# · C# · E | — |
| III | B | Relative major — the bright side | B · D# · F# | 26× |
| iv | C#m | Subdominant — moves away from home | C# · E · G# | — |
| v | D#m | Minor dominant — soft pull | D# · F# · A# | — |
| V | D# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | D# · G · A# | — |
| VI | E | Submediant — warm colour | E · G# · B | 26× |
| VII | Gb | Subtonic — steps back to the tonic | Gb · Bb · Db | 56× |
Analysis
The key pair is B major and its relative G# minor (5 sharps). 3 different chords appear 108 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- E B BIV → Iplagal cadence G#mVI → III ×26
The move to watch is E → B, heard 26 times. From the B side it reads IV → I (plagal cadence: the soft 'amen' ending); from the G#m side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- B major pentatonic and G# minor pentatonic are the same five notes (B – C# – D# – F# – G#): start from B for a brighter phrase, from G# for a bluesier one.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
- Over B, land on B, D#, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With B major shapes
- Capo 2 + A shapes
- Capo 4 + G shapes
- Capo 7 + E shapes
With G# minor shapes
- Capo 4 + Em shapes
- Capo 6 + Dm shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 3 semitones up
The song's harmonic story
Starting on Gb, the song gives away its key from the very first bar. The backbone is Gb, E, B — V–IV–I from the B side, VII–VI–III from the G#m side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on E → B (IV → I in B, VI → III in G#m): plagal cadence — the soft 'amen' ending. Ending on Gb, the song seals B as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Lady Gaga - Born This Way Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.