Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Melike Şahin - Durma Yürüsene - Chord
Key Ab major – F minor Chords Cm, Fm, C, Eb, Db, Dbmaj7 Easy key C
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Key: Ab | Fm
Capo: 0
Fm Fm Fm Cm
Fm C
Çektim ya sabır arkandan
Db C
Gık bile çıkamadı ki ağzımdan
Fm C
Kimden yardım dilenir bilmem
Db C
Kurdum kendime uçurumda bir kent
Dbmaj7 Cm
Ağla ağla ağla öldüm
Eb Cm
Vuslatımı şeytanımı toprağa gömdüm
Dbmaj7 Cm
Ağla ağla ağla doğdum
Eb Cm
Yandım ama dünyaya turp gibi döndüm
Fm
Durma yürüsene üstüme bir anda
Cm
Gardım sağlam, güllerden tuğla
Fm
Tuğla ördüm hepsini elimle
Cm
Eğilmez bükülmez senin kara büyünle
Fm
Eyvallahı saplıyo boğazıma
Cm
Ahım durmaz vurur seni derinde
Eb Db Cm Eb
Fm C
Kimse bilmez ağrım nerdedir
Db C
Merhem elimde sızısı içerdedir
Fm C
Cümle alem tuzumu kuru sanır
Db C
Döktüğüm her yaş yanıma kar kalır
Dbmaj7 Cm
Ağla ağla ağla öldüm
Eb Cm
Vuslatımı şeytanımı toprağa gömdüm
Dbmaj7 Cm
Ağla ağla ağla doğdum
Eb Cm
Yandım ama dünyaya turp gibi döndüm
Fm
Durma yürüsene üstüme bir anda
Cm
Gardım sağlam, güllerden tuğla
Fm
Tuğla ördüm hepsini elimle
Cm
Eğilmez bükülmez senin kara büyünle
Fm
Eyvallahı saplıyo boğazıma
Cm
Ahım durmaz vurur seni derinde
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Melike Şahin - Durma Yürüsene Tabs
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Harmony analysis
Melike Şahin – Durma Yürüsene: key and chord analysis
The song opens on Fm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
- #7 = E (harmonic-minor leading tone from the V chord)
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it opens on Fm, Fm is heard 13 times while Ab never appears and the major V chord points straight at Fm. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | — |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 16× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | 8× |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 5× |
| IVmaj7 | Dbmaj7 | Subdominant — moves away from home | Db · F · Ab · C | 4× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 6× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 13× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 13× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | — |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 16× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | 8× |
| VI | Db | Submediant — warm colour | Db · F · Ab | 5× |
| VImaj7 | Dbmaj7 | Submediant — warm colour | Db · F · Ab · C | 4× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 6× |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 6 different chords appear 52 times in total; 5 of them sit naturally inside the shared scale. The major V of Fm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Ab, the same C is V/vi, a secondary dominant heading for Fm.
Chord movement
- Cm Fm Abiii → vi Fmv → inatural-minor cadence ×7
- C Fm AbV/vi → vi FmV → iharmonic-minor cadence ×2
- Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×1
The move to watch is Cm → Fm, heard 7 times. From the Fm side it is v → i (natural-minor cadence: gentle, modal arrival); from the Ab side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- When C comes, swap the scale's Eb for E: that single note is the harmonic-minor sound of the chord.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 3 semitones down · capo 3 keeps the original pitch
The song's harmonic story
Starting on Fm, the song gives away its key from the very first bar. The chords that keep coming back are Cm, Fm, C, Eb; read them as iii–vi–V/vi–V in Ab or v–i–V–VII in Fm. C is the interesting twist: in Ab it is a chromatic chord (V/vi), while in Fm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on Cm → Fm (iii → vi in Ab, v → i in Fm): natural-minor cadence — gentle, modal arrival. It closes on Cm, letting the Ab side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Melike Şahin - Durma Yürüsene Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Melike ŞahinMusic: Melike Şahin
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