Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Anıl Durmuş - Senden mi Bileyim - Chord
Key Ab major – F minor Chords Cm, Bbm, Dbmaj7 Easy key C
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Key: Ab | Fm
Capo: 0
Cm Bbm Cm Dbmaj7 Cm Bbm Cm Bbm Cm Bbm Cm Önce yavaş yavaş siliniyor hafızandan Bbm Cm Bbm Cm Kalanlarla yaşıyorsun özledim diyerek Bbm Cm Bbm Cm Mutlu günlerin de bedeli var sen de biliyorsun Bbm Cm Bbm Cm Hiç bir yara vurulduğu yerden iyileşmiyor demek Bbm Cm Bbm Cm Ne geldiyse başıma senden mi bileyim Bbm Cm Bbm Cm Kalmadı naz çekecek kimlerden hesap sorayım Bbm Cm Bbm Cm Mutlu günlerin de bedeli var sen de biliyorsun Bbm Cm Bbm Cm Hiç bir yara vurulduğu yerden iyileşmiyor demek Bbm Cm Bbm Cm Ne geldiyse başıma senden mi bileyim Bbm Cm Bbm Cm Kalmadı naz çekecek kimlerden hesap sorayım Bbm Cm Bbm Cm Her selam vereni düşman mı bileyim Bbm Cm Bbm Cm Gülmekten daha zor ağlamak yemin ederim
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Anıl Durmuş - Senden mi Bileyim Tabs
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Harmony analysis
Anıl Durmuş – Senden mi Bileyim: key and chord analysis
The song opens on Cm and ends on Cm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Minor view
F minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Db (the minor's melancholy)
- b7 = Eb (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between Ab major and F minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | — |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 26× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 28× |
| III | C | Chromatic colour chordoutside the key | C · E · G | — |
| IVmaj7 | Dbmaj7 | Subdominant — moves away from home | Db · F · Ab · C | 1× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | — |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | — |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | — |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | — |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 26× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 28× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VImaj7 | Dbmaj7 | Submediant — warm colour | Db · F · Ab · C | 1× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | — |
Analysis
The key pair is Ab major and its relative F minor (4 flats). 3 different chords appear 55 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
- Over Cm, land on C, Eb, G — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Dbmaj7, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Ab major shapes
- Capo 1 + G shapes
- Capo 4 + E shapes
- Capo 6 + D shapes
With F minor shapes
- Capo 1 + Em shapes
- Capo 3 + Dm shapes
Easiest keys on guitar
- 4 semitones up
- 1 semitone down · capo 1 keeps the original pitch
The song's harmonic story
The first chord is Cm; the ear learns where home is within a second. The backbone is Cm, Bbm, Dbmaj7 — iii–ii–IVmaj7 from the Ab side, v–iv–VImaj7 from the Fm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Ending on Cm, the song seals Ab as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Anıl Durmuş - Senden mi Bileyim Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Azel BertMusic: Azel BertArrangement: Azel Bert
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