ATE - Diğer Yarım - Chord

Key A major – F# minor Chords C#m, D, Bm, F#m Easy key C

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Capo 0

D  Bm  C#m  C#m
 
           D
İnce bi yağmur caddem anlık
         Bm
En az gözlerim kadar ıslak
            F#m
Geceleri yağdım huzurdan ırak
            C#m
Bu kez dert değil mutluluktan

        D
İnan korkum yolumdan uzak
         Bm
Bi yol bulur da kaybolursan
         F#m
Yerim yurdum yok olursan
          C#m
Bu yağmur biraz bastırırsa

         D
Tüm bulutlardan intikamım
        Bm
Geeçmez artık dinmez ağrım
          C#m
Bilirim annem bilirim olmaz

Bilirim yanlış ihtiyatım

             D
Tüm iplerimi bile sana doladım
              Bm
Tüm siyahları renklerine boyadım
                      C#m
Korkmuyorum karanlığa gözlerimi kapadım

Çünkü biliyorum yakın bana adımın

            D                Bm
Tam gecenin köründe, koca gökyüzünde
          F#m              C#m
Ellerin ellerimde, tamamlandım diğer yarım

            D                     Bm
Birbirimize yörünge, gözlerimizin önünde
           C#m              F#m
Tüm devran dönünce, tamamlandım diğer yarım

       D
Sen ve ben karanlıkta
        Bm
Onca yıldızın için de
         C#m
Herkes görür kimse bilmez 

Sarmaş dolaş gökyüzünde

        D
Sorma asla ne zaman bu son bulur
  Bm                              C#m
Kıyamet kopsa cihan durur da bize yok

Öylece savrulur gözlerinde kaybolup

                D
Gökyüzünde yine çok başka samanyolu
   Bm                                 C#m
Bu galaksi dar bize gel yorulma bebek of

Bu nasıl bi yolculuk nasıl sihirli gibi mucize

    D
İlk dördüm olduk dolunay
  Bm
Bitirdik kaçtık korkulardan
C#m
Alçak bak tüm bulutlar

Çok yüksekte ve güzel hem

            D                Bm
Tam gecenin köründe, koca gökyüzünde
          F#m              C#m
Ellerin ellerimde, tamamlandım diğer yarım

            D                     Bm
Birbirimize yörünge, gözlerimizin önünde
           C#m              F#m
Tüm devran dönünce, tamamlandım diğer yarım

End of song Play again?

ATE - Diğer Yarım Tabs

NotesX

Harmony analysis

ATE – Diğer Yarım: key and chord analysis

The song opens on D and ends on F#m. Its chords belong to both A major and F#m, so every chord below is read both ways.

Major view

A major

Brightness rank 2/7 (bright)

Characteristic notes

7 = G# (leading tone, pulls home)
4 = D (the note that leans on the 3rd)

Minor view

F# minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = D (the minor's melancholy)
b7 = E (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F# minor side because it comes to rest on F#m and F#m is heard 6 times while A never appears. That is an interpretation, not a rule — the same chords are just as valid seen from A major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to A or to F#m; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from A major
Degree	Chord	Role	Notes	In song
I	A	Tonic — home	A · C# · E	—
ii	Bm	Supertonic — prepares the dominant	B · D · F#	13×
iii	C#m	Mediant — a tonic-family shade	C# · E · G#	14×
V/vi	C#	Secondary dominant V/vi — leads to F#msecondary dominant	C# · E# · G#	—
IV	D	Subdominant — moves away from home	D · F# · A	13×
V	E	Dominant — strongest pull home	E · G# · B	—
vi	F#m	Relative minor — the melancholy side	F# · A · C#	6×
vii°	G#dim	Leading-tone chord — tension	G# · B · D	—

Seen from F# minor
Degree	Chord	Role	Notes	In song
i	F#m	Tonic — home	F# · A · C#	6×
ii°	G#dim	Supertonic — prepares the dominant	G# · B · D	—
III	A	Relative major — the bright side	A · C# · E	—
iv	Bm	Subdominant — moves away from home	B · D · F#	13×
v	C#m	Minor dominant — soft pull	C# · E · G#	14×
V	C#	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	C# · E# · G#	—
VI	D	Submediant — warm colour	D · F# · A	13×
VII	E	Subtonic — steps back to the tonic	E · G# · B	—

Analysis

The key pair is A major and its relative F# minor (3 sharps). 4 different chords appear 46 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

Bm F#m Aii → vi F#miv → iminor plagal ×4
C#m F#m Aiii → vi F#mv → inatural-minor cadence ×2

The move to watch is Bm → F#m, heard 4 times. From the F#m side it is iv → i (minor plagal: deep and melancholic); from the A side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

A major pentatonic and F# minor pentatonic are the same five notes (A – B – C# – E – F#): start from A for a brighter phrase, from F# for a bluesier one.
Over C#m, land on C#, E, G# — the chord's own tones always sound right on strong beats.
Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With A major shapes

No capo — open A shapes
Capo 2 + G shapes
Capo 5 + E shapes

With F# minor shapes

Capo 2 + Em shapes
Capo 4 + Dm shapes

Easiest keys on guitar

3 semitones up
2 semitones down · capo 2 keeps the original pitch

The song's harmonic story

Starting on D, the song gives away its key from the very first bar. The chords that keep coming back are C#m, D, Bm, F#m; read them as iii–IV–ii–vi in A or v–VI–iv–i in F#m. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Bm → F#m (ii → vi in A, iv → i in F#m): minor plagal — deep and melancholic. The final chord is F#m; the ear comes to rest in F#m.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

ATE - Diğer Yarım Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: ATE

Music: Auxibeatz

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