Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Palmiyeler - Senden Haber Yok - Chord
Key Db major – Bb minor Chords Eb, Bbm, Db Easy key C (capo 1)
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Key: Db | A#m | Bbm
Capo: 0
Db Eb Bbm
Tv'ye baktım durdum
Db Eb Bbm
Senden haber yok survivor'dan yoruldum
Db Eb Bbm
Üst üste yaktım sigarayı çektim derinden bir nefes
Db Eb Bbm
Senden haber yok buralardan kurtuldun
Db Eb Bbm
Senden haber yok geçmişinden kurtuldun
Eb Bbm Eb Bbm
Db Eb Bbm
Senden haber yok geçmişinden kurtuldun
Db Eb Bbm
Senden haber yok ellerimden kurtuldun
Db Eb Bbm
Üst üste yaktım sigarayı çektim derinden bir nefes
Db Eb Bbm
Senden haber yok buralardan kurtuldun
Db Eb Bbm
Senden haber yok buralardan kurtuldun
Db Eb Bbm
Üst üste yaktım sigarayı çektim derinden bir nefes
Db Eb Bbm
Senden haber yok ellerimden kurtuldun
Db Eb Bbm
Üst üste yaktım sigarayı çektim derinden bir nefes
Db Eb Bbm
Senden haber yok buralardan kurtuldun
Db Eb Bbm
Senden haber yok geçmişinden kurtuldun
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Palmiyeler - Senden Haber Yok Tabs
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Harmony analysis
Palmiyeler – Senden Haber Yok: key and chord analysis
The song opens on Db and ends on Bbm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it comes to rest on Bbm, it opens on Db and Bbm is heard 17 times against 15 for Db. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 15× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | — |
| II | Eb | Chromatic colour chordoutside the key | Eb · G · Bb | 17× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | — |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | — |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | — |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 17× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 17× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | 15× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | — |
| IV | Eb | Major IV — Dorian / melodic-minor colourmodal colour | Eb · G · Bb | 17× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | — |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | — |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | — |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 3 different chords appear 49 times in total; 2 of them sit naturally inside the shared scale. Eb step outside the scale as colour chords.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Eb, land on Eb, G, Bb — the chord's own tones always sound right on strong beats.
- Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone down · capo 1 keeps the original pitch
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The opening Db lays a solid floor for everything that follows. The chords that keep coming back are Eb, Bbm, Db; read them as II–vi–I in Db or IV–i–III in Bbm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Bbm; the ear comes to rest in Bbm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Palmiyeler - Senden Haber Yok Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Mertcan MertbilekMusic: Mertcan Mertbilek, Rana Uludağ, Tarık Töre
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