Emre Altuğ - Yanabilir Her Şey - Chord

Key G major – E minor Chords Bm7, Am7, Cmaj7 Easy key C (capo 7)

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Capo 0

Bm7  Am7  Bm7  Bm7  Am7  Cmaj7  Bm7  Am7  Bm7

Bm7             Am7
Yine yanar gibi burda ateşler 
Bm7             Am7
Beni sarar gibi kabuslar düşler 
Cmaj7         Bm7
Ah dedim sana yapma 
     Am7            Bm7
Bana bakma inanırım ben

Am7            Bm7
Vah dedim yine kaçma
     Am7               Bm7
Bana dert olur bu gidişler

Bm7                Am7     Bm7
Yanabilir her şey eğer geliyorsan
                  Am7         Cmaj7
Kanabilirim yalan da söylüyorsan
               Bm7
Ki ben ağladım her gece
         Am7            Bm7   Emu7
Ver hadi teselli veriyorsaaaaaan
              Bm7
Yine bağladın yok yere kalbimi
Am7              Bm7
Sev yeter seviyorsan

End of song Play again?

Emre Altuğ - Yanabilir Her Şey Tabs

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Harmony analysis

Emre Altuğ – Yanabilir Her Şey: key and chord analysis

The song opens on Bm7 and ends on Bm7. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

7 = F# (leading tone, pulls home)
4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = C (the minor's melancholy)
b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between G major and E minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree	Chord	Role	Notes	In song
I	G	Tonic — home	G · B · D	—
ii7	Am7	Supertonic — prepares the dominant	A · C · E · G	11×
iii7	Bm7	Mediant — a tonic-family shade	B · D · F# · A	16×
III	B	Chromatic colour chordoutside the key	B · D# · F#	—
IVmaj7	Cmaj7	Subdominant — moves away from home	C · E · G · B	3×
V	D	Dominant — strongest pull home	D · F# · A	—
vi	Em	Relative minor — the melancholy side	E · G · B	—
vii°	F#dim	Leading-tone chord — tension	F# · A · C	—

Seen from E minor
Degree	Chord	Role	Notes	In song
i	Em	Tonic — home	E · G · B	—
ii°	F#dim	Supertonic — prepares the dominant	F# · A · C	—
III	G	Relative major — the bright side	G · B · D	—
iv7	Am7	Subdominant — moves away from home	A · C · E · G	11×
v7	Bm7	Minor dominant — soft pull	B · D · F# · A	16×
V	B	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	B · D# · F#	—
VImaj7	Cmaj7	Submediant — warm colour	C · E · G · B	3×
VII	D	Subtonic — steps back to the tonic	D · F# · A	—

Analysis

The key pair is G major and its relative E minor (1 sharp). 3 different chords appear 30 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
Over Bm7, land on B, D, F# — the chord's own tones always sound right on strong beats.
Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
Over Cmaj7, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With G major shapes

No capo — open G shapes
Capo 3 + E shapes
Capo 5 + D shapes

With E minor shapes

No capo — open Em shapes
Capo 2 + Dm shapes
Capo 7 + Am shapes

Easiest keys on guitar

5 semitones up · capo 7 keeps the original pitch

The song's harmonic story

Starting on Bm7, the song gives away its key from the very first bar. The chords that keep coming back are Bm7, Am7, Cmaj7; read them as iii7–ii7–IVmaj7 in G or v7–iv7–VImaj7 in Em. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. It closes on Bm7, letting the G side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.