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Acil Servis - Bebek - Chord

Key Ab major – F minor Chords Fm, Bbm, Db, Eb, Cm, Ab, Bb Easy key G (capo 1)

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Capo 0
Fm  Bbm  Fm  Bbm  Cm  Bbm  Fm

Fm                    Bbm
Yapayalnız bir yaz olabilirdi
Fm                 Bbm
Tıpkı bundan öncekiler gibi
    Cm            Bbm       Fm
Ama bu kez sen vardın kumsalda 

Fm               Bbm
Bebek diyordu herkes sana 
Fm                  Bbm
Gerçek ismini kimse bilmezdi
    Cm         Bbm     Fm
Ama bebek yeterdi anlatmaya 

      Db          Eb      Ab        Bb
Hey bebek götür beni o Temmuz akşamına 
     Db      Eb        Fm
Seninle sevişmek istiyorum

Db  Eb  Ab  Bb  Db  Eb  Fm

Fm                   Bbm
Sabah yeli gibiydi dudakların 
Fm             Bbm
Öperken beni ürpertirdin 
    Db        Eb           Fm
Ama artık sen yoksun kumsalda

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Acil Servis - Bebek Tabs

NotesX

Harmony analysis

Acil Servis – Bebek: key and chord analysis

The song opens on Fm and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.

Major view

Ab major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = G (leading tone, pulls home)
  • 4 = Db (the note that leans on the 3rd)

Minor view

F minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = Db (the minor's melancholy)
  • b7 = Eb (natural-minor colour)

Which side does the ear lean to?

Our reading: to us the song feels closer to the F minor side because it both starts and finishes on Fm and Fm is heard 14 times against 2 for Ab. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Ab major
Degree Chord Role Notes In song
I Ab Tonic — home Ab · C · Eb 2×
ii Bbm Supertonic — prepares the dominant Bb · Db · F 11×
V/V Bb Secondary dominant V/V — leads to Ebsecondary dominant Bb · D · F 2×
iii Cm Mediant — a tonic-family shade C · Eb · G 3×
V/vi C Secondary dominant V/vi — leads to Fmsecondary dominant C · E · G —
IV Db Subdominant — moves away from home Db · F · Ab 5×
V Eb Dominant — strongest pull home Eb · G · Bb 5×
vi Fm Relative minor — the melancholy side F · Ab · C 14×
vii° Gdim Leading-tone chord — tension G · Bb · Db —
Seen from F minor
Degree Chord Role Notes In song
i Fm Tonic — home F · Ab · C 14×
ii° Gdim Supertonic — prepares the dominant G · Bb · Db —
III Ab Relative major — the bright side Ab · C · Eb 2×
iv Bbm Subdominant — moves away from home Bb · Db · F 11×
IV Bb Major IV — Dorian / melodic-minor colourmodal colour Bb · D · F 2×
v Cm Minor dominant — soft pull C · Eb · G 3×
V C Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor C · E · G —
VI Db Submediant — warm colour Db · F · Ab 5×
VII Eb Subtonic — steps back to the tonic Eb · G · Bb 5×

Analysis

The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 42 times in total; 6 of them sit naturally inside the shared scale. Bb acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

  1. Bbm Fm Abii → vi Fmiv → iminor plagal ×7
  2. Db Eb AbIV → VIV → V FmVI → VIIVI → VII ×5
  3. Eb Fm AbV → videceptive cadence FmVII → iAeolian arrival ×3
  4. Eb Ab AbV → Iauthentic cadence FmVII → III ×2

The move to watch is Bbm → Fm, heard 7 times. From the Fm side it is iv → i (minor plagal: deep and melancholic); from the Ab side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • Ab major pentatonic and F minor pentatonic are the same five notes (Ab – Bb – C – Eb – F): start from Ab for a brighter phrase, from F for a bluesier one.
  • Over Fm, land on F, Ab, C — the chord's own tones always sound right on strong beats.
  • Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
  • Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With Ab major shapes

    • Capo 1 + G shapes
    • Capo 4 + E shapes
    • Capo 6 + D shapes

    With F minor shapes

    • Capo 1 + Em shapes
    • Capo 3 + Dm shapes

    Easiest keys on guitar

    • 1 semitone down · capo 1 keeps the original pitch
    • 4 semitones up

    The song's harmonic story

    The first chord is Fm; the ear learns where home is within a second. The backbone is Fm, Bbm, Db, Eb — vi–ii–IV–V from the Ab side, i–iv–VI–VII from the Fm side. Bb adds a moment of surprise: secondary dominant V/V — leads to Eb. Keep an ear on Bbm → Fm (ii → vi in Ab, iv → i in Fm): minor plagal — deep and melancholic. The final chord is Fm; the ear comes to rest in Fm.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Acil Servis - Bebek Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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    Lyrics: Orhan Yolsal, Ertan Kızıltan
    Music: Orhan Yolsal, Ertan Kızıltan

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