Major view
Ab major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = G (leading tone, pulls home)
- 4 = Db (the note that leans on the 3rd)
Key Ab major – F minor Chords Fm, Bbm, Db, Eb, Cm, Ab, Bb Easy key G (capo 1)
Fm Bbm Fm Bbm Cm Bbm Fm
Fm Bbm
Yapayalnız bir yaz olabilirdi
Fm Bbm
Tıpkı bundan öncekiler gibi
Cm Bbm Fm
Ama bu kez sen vardın kumsalda
Fm Bbm
Bebek diyordu herkes sana
Fm Bbm
Gerçek ismini kimse bilmezdi
Cm Bbm Fm
Ama bebek yeterdi anlatmaya
Db Eb Ab Bb
Hey bebek götür beni o Temmuz akşamına
Db Eb Fm
Seninle sevişmek istiyorum
Db Eb Ab Bb Db Eb Fm
Fm Bbm
Sabah yeli gibiydi dudakların
Fm Bbm
Öperken beni ürpertirdin
Db Eb Fm
Ama artık sen yoksun kumsalda
End of song Play again?
Harmony analysis
The song opens on Fm and ends on Fm. Its chords belong to both Ab major and Fm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the F minor side because it both starts and finishes on Fm and Fm is heard 14 times against 2 for Ab. That is an interpretation, not a rule — the same chords are just as valid seen from Ab major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Ab or to Fm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Ab | Tonic — home | Ab · C · Eb | 2× |
| ii | Bbm | Supertonic — prepares the dominant | Bb · Db · F | 11× |
| V/V | Bb | Secondary dominant V/V — leads to Ebsecondary dominant | Bb · D · F | 2× |
| iii | Cm | Mediant — a tonic-family shade | C · Eb · G | 3× |
| V/vi | C | Secondary dominant V/vi — leads to Fmsecondary dominant | C · E · G | — |
| IV | Db | Subdominant — moves away from home | Db · F · Ab | 5× |
| V | Eb | Dominant — strongest pull home | Eb · G · Bb | 5× |
| vi | Fm | Relative minor — the melancholy side | F · Ab · C | 14× |
| vii° | Gdim | Leading-tone chord — tension | G · Bb · Db | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Fm | Tonic — home | F · Ab · C | 14× |
| ii° | Gdim | Supertonic — prepares the dominant | G · Bb · Db | — |
| III | Ab | Relative major — the bright side | Ab · C · Eb | 2× |
| iv | Bbm | Subdominant — moves away from home | Bb · Db · F | 11× |
| IV | Bb | Major IV — Dorian / melodic-minor colourmodal colour | Bb · D · F | 2× |
| v | Cm | Minor dominant — soft pull | C · Eb · G | 3× |
| V | C | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | C · E · G | — |
| VI | Db | Submediant — warm colour | Db · F · Ab | 5× |
| VII | Eb | Subtonic — steps back to the tonic | Eb · G · Bb | 5× |
The key pair is Ab major and its relative F minor (4 flats). 7 different chords appear 42 times in total; 6 of them sit naturally inside the shared scale. Bb acts as a secondary dominant, briefly pointing at another chord of the key.
The move to watch is Bbm → Fm, heard 7 times. From the Fm side it is iv → i (minor plagal: deep and melancholic); from the Ab side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The first chord is Fm; the ear learns where home is within a second. The backbone is Fm, Bbm, Db, Eb — vi–ii–IV–V from the Ab side, i–iv–VI–VII from the Fm side. Bb adds a moment of surprise: secondary dominant V/V — leads to Eb. Keep an ear on Bbm → Fm (ii → vi in Ab, iv → i in Fm): minor plagal — deep and melancholic. The final chord is Fm; the ear comes to rest in Fm.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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