Major view
G major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = F# (leading tone, pulls home)
- 4 = C (the note that leans on the 3rd)
Güncel Gürsel Artıktay - Yanarsın - Chord
Key G major – E minor Chords Em, D, Am, Bm, C, A Easy key C (capo 7)
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Key: G | Em
Capo: 0
Em D C Em D A
Em
Bir sabah aynaya baktığında
Bm
Çizgilerden bir resim sunulacak
Am
Gidip de dönecek
D Em
Söz vermişti, bir gün mutlaka
Ve güneş elini bıraktığında
Bm
Mevsimlerden bir bahar solunacak
Am
Solup da gidecek
D Em
Hep gitmiştir, bir gün mutlaka
Em Am D
Beni bilmez orada, bekledim yanında
Am D Em
Yürüyünce yanarsın, yanarsın bi daha
Am D
Beni bilmez orada, içine attıklarında
Am D Em
Büyüyünce yanarsın, yanarsın bi daha
Em
Bir sabah dilimin ucunda
Bm
Eskilerden bir huzur bulunacak
Am D
Şehirler boyunca aklımdaydın
Em
Bir gün mutlaka
Em Am D
Beni bilmez orada, bekledim yanında
Am D Em
Yürüyünce yanarsın, yanarsın bi daha
Am D
Beni bilmez orada, içine attıklarında
Am D Em
Büyüyünce yanarsın, yanarsın bi daha
"Büyüdük sanıp boş yere kırdılar oyuncaklarımızı, bir bahar umuduyla ne varsa yıkıp yok yere gittiler. Oysa gerçeğin merhametsiz duvarlarına çarpınca ne bahar geldi bir daha topraklarına ne de ellerinde bir damla umut kaldı. Yine de ben, mevsimler boyu yaşayacak ve şehirler boyunca elbet bir gün aklına mutlaka düşeceğim."
Beyazlar yanıyor sabaha kadar,
Günahım bilmem nedir?
Geri dönülen eksik baharların tamamı bilirim sendedir.
End of song Play again?
Güncel Gürsel Artıktay - Yanarsın Tabs
NotesX
Harmony analysis
Güncel Gürsel Artıktay – Yanarsın: key and chord analysis
The song opens on Em and ends on Em. Its chords belong to both G major and Em, so every chord below is read both ways.
Minor view
E minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = C (the minor's melancholy)
- b7 = D (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E minor side because it both starts and finishes on Em and Em is heard 13 times while G never appears. That is an interpretation, not a rule — the same chords are just as valid seen from G major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | G | Tonic — home | G · B · D | — |
| ii | Am | Supertonic — prepares the dominant | A · C · E | 11× |
| V/V | A | Secondary dominant V/V — leads to Dsecondary dominant | A · C# · E | 1× |
| iii | Bm | Mediant — a tonic-family shade | B · D · F# | 3× |
| V/vi | B | Secondary dominant V/vi — leads to Emsecondary dominant | B · D# · F# | — |
| IV | C | Subdominant — moves away from home | C · E · G | 1× |
| V | D | Dominant — strongest pull home | D · F# · A | 13× |
| vi | Em | Relative minor — the melancholy side | E · G · B | 13× |
| vii° | F#dim | Leading-tone chord — tension | F# · A · C | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Em | Tonic — home | E · G · B | 13× |
| ii° | F#dim | Supertonic — prepares the dominant | F# · A · C | — |
| III | G | Relative major — the bright side | G · B · D | — |
| iv | Am | Subdominant — moves away from home | A · C · E | 11× |
| IV | A | Major IV — Dorian / melodic-minor colourmodal colour | A · C# · E | 1× |
| v | Bm | Minor dominant — soft pull | B · D · F# | 3× |
| V | B | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | B · D# · F# | — |
| VI | C | Submediant — warm colour | C · E · G | 1× |
| VII | D | Subtonic — steps back to the tonic | D · F# · A | 13× |
Analysis
The key pair is G major and its relative E minor (1 sharp). 6 different chords appear 42 times in total; 5 of them sit naturally inside the shared scale. A acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- Am D Gii → Vii → V Emiv → VII ×11
- D Em GV → videceptive cadence EmVII → iAeolian arrival ×7
- C Em GIV → vi EmVI → iVI → i ×1
The move to watch is Am → D, heard 11 times. From the Em side it is iv → VII; from the G side it reads ii → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With G major shapes
- No capo — open G shapes
- Capo 3 + E shapes
- Capo 5 + D shapes
With E minor shapes
- No capo — open Em shapes
- Capo 2 + Dm shapes
- Capo 7 + Am shapes
Easiest keys on guitar
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The first chord is Em; the ear learns where home is within a second. The backbone is Em, D, Am, Bm — vi–V–ii–iii from the G side, i–VII–iv–v from the Em side. A adds a moment of surprise: secondary dominant V/V — leads to D. Keep an ear on Am → D (ii → V in G, iv → VII in Em): ii → V — the classic preparation of the dominant. The final chord is Em; the ear comes to rest in Em.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Güncel Gürsel Artıktay - Yanarsın Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Güncel Gürsel ArtıktayMusic: Güncel Gürsel ArtıktayArrangement: Güncel Gürsel Artıktay
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