Major view
E major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D# (leading tone, pulls home)
- 4 = A (the note that leans on the 3rd)
Zen-G - Baby Birtanem - Chord
Key E major – C# minor Chords G#m, Amaj7 Easy key C (capo 4)
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Key: E | Dbm | C#m
Capo: 0
G#m Amaj7
G#m
Kaç defa koştum sana
Vermedin ki hiç pas bana
Amaj7
Bırak artık gel bu yana
Ya da söyle bırakırım rahat
G#m
Duymadım bundan büyük yalan
Amaj7
Asıl aklımda tek kalan da, ya ya ya
G#m
O gülüşün aklımdaaa
Yanağın da ki gamzeye ah muahhh
Amaj7
Numaradan biraz da ha naz yap
Ya da köşe bucak kaç ye ye ye
G#m Amaj7
Tüm şarkı boyunca aynı döngü devam eder
Gelmedin, istedim yetki vermedin
Kafana göre hep ilerledin
Kapına dayanırım
Serseri, bir serseri gibi
Nerdeyim
İnan ki bilmiyorum nerdeyim
Bekle iki dakka sendeyim
Gözüme indirdin perdeyi
Toz pembeyi ya
Abra kadabra
Sanki büyülendim onaa halim yamaaaan
Bu masalda burda bitmesin böyle amaaa
La la la laaaaaa
Baby birtanem
Bebeğim beni hadi iptal et
Ya da sınavına al imtahan et
Çalışıp kazanırım
Bir tane değil bin tane
Bence var aramızda bir ahenk
Olalım diller de efsane
Kalbimi boyuyosun rengarenk
Baby birtanem
Dönüp dönüp durdum hep ekseninde
Bedavadan yapıyorsun kafamı güzel
Yanıp yanıp söndüm bebek seninle
Hissetmemiştim hiç böylesi özel
Demek seni boğdum sevgi seline
Çünkü işledin derimin en derin yerine
Beni görse halime güler deliler kara kediler
Sakın bana mızmızlanma
Buluşalım yıldızlarda
İstersen bir ıssız ada da
Sonsuz dilek hakkın var daha
Baby birtanem
Bebeğim beni hadi iptal et
Ya da sınavına al imtahan et
Çalışıp kazanırım
Bir tane değil bin tane
Birtanem
Bence var aramızda bir ahenk
Olalım diller de efsane
Kalbimi boyuyosun rengarenk
Baby birtanem
End of song Play again?
Zen-G - Baby Birtanem Tabs
NotesX
Harmony analysis
Zen-G – Baby Birtanem: key and chord analysis
The song opens on G#m and ends on Amaj7. Its chords belong to both E major and C#m, so every chord below is read both ways.
Minor view
C# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = A (the minor's melancholy)
- b7 = B (natural-minor colour)
Which side does the ear lean to?
Our reading: we can't honestly pick a side here — the song moves freely between E major and C# minor. Try reading the chords both ways and see which feels more like home to you.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | E | Tonic — home | E · G# · B | — |
| ii | F#m | Supertonic — prepares the dominant | F# · A · C# | — |
| iii | G#m | Mediant — a tonic-family shade | G# · B · D# | 5× |
| III | G# | Chromatic colour chordoutside the key | G# · B# · D# | — |
| IVmaj7 | Amaj7 | Subdominant — moves away from home | A · C# · E · G# | 5× |
| V | B | Dominant — strongest pull home | B · D# · F# | — |
| vi | C#m | Relative minor — the melancholy side | C# · E · G# | — |
| vii° | D#dim | Leading-tone chord — tension | D# · F# · A | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | C#m | Tonic — home | C# · E · G# | — |
| ii° | D#dim | Supertonic — prepares the dominant | D# · F# · A | — |
| III | E | Relative major — the bright side | E · G# · B | — |
| iv | F#m | Subdominant — moves away from home | F# · A · C# | — |
| v | G#m | Minor dominant — soft pull | G# · B · D# | 5× |
| V | G# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G# · B# · D# | — |
| VImaj7 | Amaj7 | Submediant — warm colour | A · C# · E · G# | 5× |
| VII | B | Subtonic — steps back to the tonic | B · D# · F# | — |
Analysis
The key pair is E major and its relative C# minor (4 sharps). 2 different chords appear 10 times in total; 2 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.
Improvisation tips
- E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
- Over G#m, land on G#, B, D# — the chord's own tones always sound right on strong beats.
- Over Amaj7, land on A, C#, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With E major shapes
- No capo — open E shapes
- Capo 2 + D shapes
- Capo 4 + C shapes
With C# minor shapes
- Capo 4 + Am shapes
Easiest keys on guitar
- 4 semitones down · capo 4 keeps the original pitch
- 3 semitones up
The song's harmonic story
The opening G#m lays a solid floor for everything that follows. The backbone is G#m, Amaj7 — iii–IVmaj7 from the E side, v–VImaj7 from the C#m side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Amaj7; the ear comes to rest in E.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Zen-G - Baby Birtanem Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Zen-GMusic: Zen-G, BIOJECTArrangement: Can VS, Zen-G
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