Zen-G - Hakkında (Buse Ayla) - Chord

Key F major – D minor Chords Bbmaj7, Gm7, Am7, Am Easy key C (capo 5)

Add to Repertoire

No ratings yet

or your user informations

Capo 0

Am7                        Bbmaj7
Hakkında bu şarkı ikimizin hakkında
Gm7                     Am7
Sen gelirmişsin bir tek hakkımdan
                      Bbmaj7
Lütfen bi çıkar mısın aklımdan
   Gm7
Ne hakkın var, söyle


Am7
Sönmesin hiç bu ateş yandı ciğerim kül oldu
Bbmaj7                 Gm7
Günler geçer hep bense senden geçemem
Am
Gel seyredelim yukardan bir yer seçelim
        Bbmaj7                    Gm7
Konuşma üst perdeden hiç yakışmaz ses tellerine

Am7
Diyardan diyara gittik kalplerde demir erittik
Bbmaj7                 Gm7
Kordan geceler yanarız yorgan çekemem
Am7
Üstüme örtüp tenini isterim olsun ebedi
         Bbmaj7                  Gm7
Kanatsız bir yer meleği gelip girmiş hayallerime

Am7
Anlat anlat kelime yetmez

Kaşına gözüne mermi bitmez
            Bbmaj7
Kanımın sonuna kadar helal
         Gm7
Damla damla akar son kez

         Am7
Sesim çıkmaz nefes yetmez

Yazdırır söz kömür gözler
         Bbmaj7
Gönül dursa da ömür bitmez
          Gm7
Başkasına da elim gitmez

Am7                        Bbmaj7
Hakkında bu şarkı ikimizin hakkında
Gm7                     Am7
Sen gelirmişsin bir tek hakkımdan
                      Bbmaj7
Lütfen bi çıkar mısın aklımdan
   Gm7
Ne hakkın var, söyle

Am7
Ayna ayna söyle ona yok ki ondan güzeli burda
      Bbmaj7                Gm7
Baktıkça olurum hayran olmazsa kalırım harman
          Am7
Haylaz hayta kalbim amma anlatsan laf anlamaz
         Bbmaj7                  Gm7
Kafam leyla aylak aylak her gece dans ettim Ayla

     Am7
Bi tuzak gibisin bile bile düştüm nefesim kesilircesine
     Bbmaj7            Gm7
Seni her seferinde yeniden severim

    Am7
Bir ben bilirim bi de Allah ne demek sensiz kalmak
  Bbmaj7           Gm7
İsyan ederim şehri terk ederim

End of song Play again?

Zen-G - Hakkında (Buse Ayla) Tabs

NotesX

Harmony analysis

Zen-G – Hakkında (Buse Ayla): key and chord analysis

The song opens on Am7 and ends on Gm7. Its chords belong to both F major and Dm, so every chord below is read both ways.

Major view

F major

Brightness rank 2/7 (bright)

Characteristic notes

7 = E (leading tone, pulls home)
4 = Bb (the note that leans on the 3rd)

Minor view

D minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Bb (the minor's melancholy)
b7 = C (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between F major and D minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to F or to Dm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from F major
Degree	Chord	Role	Notes	In song
I	F	Tonic — home	F · A · C	—
ii7	Gm7	Supertonic — prepares the dominant	G · Bb · D · F	14×
iii7	Am7	Mediant — a tonic-family shade	A · C · E · G	13×
iii	Am	Mediant — a tonic-family shade	A · C · E	1×
III	A	Chromatic colour chordoutside the key	A · C# · E	—
IVmaj7	Bbmaj7	Subdominant — moves away from home	Bb · D · F · A	14×
V	C	Dominant — strongest pull home	C · E · G	—
vi	Dm	Relative minor — the melancholy side	D · F · A	—
vii°	Edim	Leading-tone chord — tension	E · G · Bb	—

Seen from D minor
Degree	Chord	Role	Notes	In song
i	Dm	Tonic — home	D · F · A	—
ii°	Edim	Supertonic — prepares the dominant	E · G · Bb	—
III	F	Relative major — the bright side	F · A · C	—
iv7	Gm7	Subdominant — moves away from home	G · Bb · D · F	14×
v7	Am7	Minor dominant — soft pull	A · C · E · G	13×
v	Am	Minor dominant — soft pull	A · C · E	1×
V	A	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	A · C# · E	—
VImaj7	Bbmaj7	Submediant — warm colour	Bb · D · F · A	14×
VII	C	Subtonic — steps back to the tonic	C · E · G	—

Analysis

The key pair is F major and its relative D minor (1 flat). 4 different chords appear 42 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

There's no textbook cadence here; the chords circle around each other in a loop, so the song feels more like a groove than a series of arrivals.

Improvisation tips

F major pentatonic and D minor pentatonic are the same five notes (F – G – A – C – D): start from F for a brighter phrase, from D for a bluesier one.
Over Bbmaj7, land on Bb, D, F — the chord's own tones always sound right on strong beats.
Over Gm7, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With F major shapes

Capo 1 + E shapes
Capo 3 + D shapes
Capo 5 + C shapes

With D minor shapes

No capo — open Dm shapes
Capo 5 + Am shapes

Easiest keys on guitar

5 semitones down · capo 5 keeps the original pitch
2 semitones up

The song's harmonic story

Starting on Am7, the song gives away its key from the very first bar. The chords that keep coming back are Bbmaj7, Gm7, Am7, Am; read them as IVmaj7–ii7–iii7–iii in F or VImaj7–iv7–v7–v in Dm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. The final chord is Gm7; the ear comes to rest in F.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.