Major view
E major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D# (leading tone, pulls home)
- 4 = A (the note that leans on the 3rd)
Sezer Sarıgöz - Sarılsak Mı Artık (Tekir) - Chord
Key E major – C# minor Chords E, F#m7, Amaj7, C#7, G#m7, B Easy key C (capo 4)
No ratings yet
or your user informations
Make it yours
Text size
Key: E | Dbm | C#m
Capo: 0
F#m7 E
Amaj7 G#m7 E C#7
Çok çabaladık, bi o kadar da yorulduk
F#m7 Amaj7 E
Sarılsak mı artıııııııııık
Amaj7
Seni bana bağla (bağla)
G#m7
Yine gideceksen kalma (kalma)
E
Alev içerimi harlar (harlar)
C#7
Yıldı yüreğimiz dardan (dardan)
F#m7 B
Olmaz, ne hayırı olur olmazsam
Beni ele güne sorma (sorma)
E
Beni yüreğine sorsan, ah
C#7
Dokun, ellerim hep orda (orda)
Amaj7 G#m7
O güzel yüzün belirir ansızın
E C#7
Özlemek gibi sana dokunması
F#m7 B
Bir aşık vardı, bir de yaşantı
E
Çaresiz kaldı
Amaj7 G#m7
Gel gitme seni eller üzmesin
E C#7
En zoruna alıştım günlerin
F#m7 B
Bağrına basmadın bir lütfedip
E
Ben kendi toprağımda gurbetim
End of song Play again?
Sezer Sarıgöz - Sarılsak Mı Artık (Tekir) Tabs
NotesX
Harmony analysis
Sezer Sarıgöz – Sarılsak Mı Artık (Tekir): key and chord analysis
The song opens on F#m7 and ends on E. Its chords belong to both E major and C#m, so every chord below is read both ways.
Minor view
C# minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = A (the minor's melancholy)
- b7 = B (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the E major side because it comes to rest on E and E is heard 9 times while C#m never appears. That is an interpretation, not a rule — hearing the same chords from C# minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to E or to C#m; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | E | Tonic — home | E · G# · B | 9× |
| ii7 | F#m7 | Supertonic — prepares the dominant | F# · A · C# · E | 5× |
| iii7 | G#m7 | Mediant — a tonic-family shade | G# · B · D# · F# | 4× |
| V/vi | G# | Secondary dominant V/vi — leads to C#msecondary dominant | G# · B# · D# | — |
| IVmaj7 | Amaj7 | Subdominant — moves away from home | A · C# · E · G# | 5× |
| V | B | Dominant — strongest pull home | B · D# · F# | 3× |
| vi | C#m | Relative minor — the melancholy side | C# · E · G# | — |
| V7/ii | C#7 | Secondary dominant V/ii — leads to F#msecondary dominant | C# · E# · G# · B | 5× |
| vii° | D#dim | Leading-tone chord — tension | D# · F# · A | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | C#m | Tonic — home | C# · E · G# | — |
| V7/iv | C#7 | Secondary dominant V/iv — leads to F#msecondary dominant | C# · E# · G# · B | 5× |
| ii° | D#dim | Supertonic — prepares the dominant | D# · F# · A | — |
| III | E | Relative major — the bright side | E · G# · B | 9× |
| iv7 | F#m7 | Subdominant — moves away from home | F# · A · C# · E | 5× |
| v7 | G#m7 | Minor dominant — soft pull | G# · B · D# · F# | 4× |
| V | G# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G# · B# · D# | — |
| VImaj7 | Amaj7 | Submediant — warm colour | A · C# · E · G# | 5× |
| VII | B | Subtonic — steps back to the tonic | B · D# · F# | 3× |
Analysis
The key pair is E major and its relative C# minor (4 sharps). 6 different chords appear 31 times in total; 5 of them sit naturally inside the shared scale. C#7 acts as a secondary dominant, briefly pointing at another chord of the key.
Chord movement
- C#7 F#m7 EV7/ii → ii7secondary resolution C#mV7/iv → iv7 ×4
- B E EV → Iauthentic cadence C#mVII → III ×3
- F#m7 B Eii7 → Vii → V C#miv7 → VII ×3
- Amaj7 E EIVmaj7 → Iplagal cadence C#mVImaj7 → III ×1
The move to watch is C#7 → F#m7, heard 4 times. From the E side it reads V7/ii → ii7 (secondary resolution: C#7 resolves a fourth up to F#m7); from the C#m side it is V7/iv → iv7. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- E major pentatonic and C# minor pentatonic are the same five notes (E – F# – G# – B – C#): start from E for a brighter phrase, from C# for a bluesier one.
- Over E, land on E, G#, B — the chord's own tones always sound right on strong beats.
- Over F#m7, land on F#, A, C# — the chord's own tones always sound right on strong beats.
- Over Amaj7, land on A, C#, E — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With E major shapes
- No capo — open E shapes
- Capo 2 + D shapes
- Capo 4 + C shapes
With C# minor shapes
- Capo 4 + Am shapes
Easiest keys on guitar
- 4 semitones down · capo 4 keeps the original pitch
- 3 semitones up
The song's harmonic story
The first chord is F#m7; the ear learns where home is within a second. The backbone is E, F#m7, Amaj7, C#7 — I–ii7–IVmaj7–V7/ii from the E side, III–iv7–VImaj7–V7/iv from the C#m side. C#7 adds a moment of surprise: secondary dominant V/ii — leads to F#m. Keep an ear on C#7 → F#m7 (V7/ii → ii7 in E, V7/iv → iv7 in C#m): secondary resolution — C#7 resolves a fourth up to F#m7. Ending on E, the song seals E as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Sezer Sarıgöz - Sarılsak Mı Artık (Tekir) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Sezer Sarıgöz & TekirMusic: Sezer Sarıgöz & TekirArrangement: TKR
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.