Gülden Mutlu - Güzelleşelim - Chord

Key Eb major – C minor Chords Gm, Ab, D, Fm, Eb, Cm Easy key C (capo 3)

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Capo 0

Gm        Ab
İki dirhem bi çekirdek
Gm       Ab
Giyinmiş sanki afet
Gm         Ab
Dedi "biraz konuşalım"
Gm
Hay hay güzelim sen emret

Gm       Ab
Nasıl kurduysa içinde
Gm         Ab
Kalmadı bitti nezaket
Gm          Ab
"İyisin hoşsun" dedi ama
Fm         Ab   Gm
Gerisi bir felaaket

Gm        Ab
Doldur be doldur saki
Gm       Ab
Bu akşam çok beterim
Eb       D
Yar bizi beğenmiyor
Cm        D
Doldur da güzelleşelim

Gm       Ab
Sanırdım narin biri
Gm         Ab
Topa tuttu zalim beni
Eb       D
Kırdı döktü canımı
Cm         D
Ezelden düşmanmış gibi

Gm        Ab
Hatırı yokmuş özrümün
Gm         Ab
Ne haddimeymiş söz etmek
Gm          Ab
Yutkundum boğazda düğüm
Gm
Sorma halim rezalet

Gm         Ab
Ne desen kabul dedim de
Gm        Ab
Dinlemedi be mübarek
Gm         Ab
O nasıl bi terkedişti
Fm           Ab   Gm
Koptu sandım kıyamaet

End of song Play again?

Gülden Mutlu - Güzelleşelim Tabs

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Harmony analysis

Gülden Mutlu – Güzelleşelim: key and chord analysis

The song opens on Gm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.

Major view

Eb major

Brightness rank 2/7 (bright)

Characteristic notes

7 = D (leading tone, pulls home)
4 = Ab (the note that leans on the 3rd)

Minor view

C minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Ab (the minor's melancholy)
b7 = Bb (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between Eb major and C minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Eb major
Degree	Chord	Role	Notes	In song
I	Eb	Tonic — home	Eb · G · Bb	2×
ii	Fm	Supertonic — prepares the dominant	F · Ab · C	2×
iii	Gm	Mediant — a tonic-family shade	G · Bb · D	20×
V/vi	G	Secondary dominant V/vi — leads to Cmsecondary dominant	G · B · D	—
IV	Ab	Subdominant — moves away from home	Ab · C · Eb	18×
V	Bb	Dominant — strongest pull home	Bb · D · F	—
vi	Cm	Relative minor — the melancholy side	C · Eb · G	2×
vii°	Ddim	Leading-tone chord — tension	D · F · Ab	—
V/iii	D	Secondary dominant V/iii — leads to Gmsecondary dominant	D · F# · A	4×

Seen from C minor
Degree	Chord	Role	Notes	In song
i	Cm	Tonic — home	C · Eb · G	2×
ii°	Ddim	Supertonic — prepares the dominant	D · F · Ab	—
V/v	D	Secondary dominant V/v — leads to Gmsecondary dominant	D · F# · A	4×
III	Eb	Relative major — the bright side	Eb · G · Bb	2×
iv	Fm	Subdominant — moves away from home	F · Ab · C	2×
v	Gm	Minor dominant — soft pull	G · Bb · D	20×
V	G	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	G · B · D	—
VI	Ab	Submediant — warm colour	Ab · C · Eb	18×
VII	Bb	Subtonic — steps back to the tonic	Bb · D · F	—

Analysis

The key pair is Eb major and its relative C minor (3 flats). 6 different chords appear 48 times in total; 5 of them sit naturally inside the shared scale. D acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

Ab Eb EbIV → Iplagal cadence CmVI → III ×2

The move to watch is Ab → Eb, heard 2 times. From the Eb side it reads IV → I (plagal cadence: the soft 'amen' ending); from the Cm side it is VI → III. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Eb major pentatonic and C minor pentatonic are the same five notes (Eb – F – G – Bb – C): start from Eb for a brighter phrase, from C for a bluesier one.
Over Gm, land on G, Bb, D — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Eb major shapes

Capo 1 + D shapes
Capo 3 + C shapes
Capo 6 + A shapes

With C minor shapes

Capo 3 + Am shapes

Easiest keys on guitar

3 semitones down · capo 3 keeps the original pitch
4 semitones up

The song's harmonic story

The opening Gm lays a solid floor for everything that follows. Gm, Ab, D, Fm carry the song: iii–IV–V/iii–ii relative to Eb, v–VI–V/v–iv relative to Cm. D adds a moment of surprise: secondary dominant V/iii — leads to Gm. Keep an ear on Ab → Eb (IV → I in Eb, VI → III in Cm): plagal cadence — the soft 'amen' ending. Ending on Gm, the song seals Eb as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.