Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Emre Fel - Vura Vura - Chord
Key Db major – Bb minor Chords Db, Gb, Ab, Fm, Ebm Easy key D
No ratings yet
or your user informations
Make it yours
Text size
Key: Db | A#m | Bbm
Capo: 0
Db Vura vura sırtım aman Fm Dar topuklu kundurayı Ebm Gb Ardım tozdur önüm duman Ab Vardım dağın yamacına Db Vara vara vardım aman Fm Naz gelinin can dağına Ebm Gb Gerdanına dizdim aman Ab Db Üç beş halka, bindallıyı Gb Ab Db Ahu bu bakışlara can feda Db Fm Ebm Gb Ab Db Kara haber aldım aman Fm Yokladı feryad bağrımı Ebm Gb Ne hal bu derde dayanam Ab Dar'a yazmışlar bahtımı Db Doya doya gezdim aman Fm Naz gelinle yayla, bağı Ebm Gb Şimdi halım müşkül aman Ab Düşünmedim ayrılığı Gb Ab Db Ahu bu bakışlara can feda
End of song Play again?
Emre Fel - Vura Vura Tabs
NotesX
Harmony analysis
Emre Fel – Vura Vura: key and chord analysis
The song opens on Db and ends on Db. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Minor view
Bb minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = Gb (the minor's melancholy)
- b7 = Ab (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the Db major side because it both starts and finishes on Db and Db is heard 8 times while Bbm never appears. That is an interpretation, not a rule — hearing the same chords from Bb minor is just as valid and teaches you something different.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | 8× |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 5× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 5× |
| III | F | Chromatic colour chordoutside the key | F · A · C | — |
| IV | Gb | Subdominant — moves away from home | Gb · Bb · Db | 7× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 7× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | — |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | — |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | 8× |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 5× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 5× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VI | Gb | Submediant — warm colour | Gb · Bb · Db | 7× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 7× |
Analysis
The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 32 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Gb Ab DbIV → VIV → V BbmVI → VIIVI → VII ×7
- Ab Db DbV → Iauthentic cadence BbmVII → III ×6
The move to watch is Gb → Ab, heard 7 times. From the Db side it reads IV → V (IV → V: the lift that builds tension before home); from the Bbm side it is VI → VII (VI → VII: the rising step that heads for the tonic). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
- Over Db, land on Db, F, Ab — the chord's own tones always sound right on strong beats.
- Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
- Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With Db major shapes
- Capo 1 + C shapes
- Capo 4 + A shapes
- Capo 6 + G shapes
With Bb minor shapes
- Capo 1 + Am shapes
- Capo 6 + Em shapes
Easiest keys on guitar
- 1 semitone up
- 6 semitones up · capo 6 keeps the original pitch
The song's harmonic story
The opening Db lays a solid floor for everything that follows. The backbone is Db, Gb, Ab, Fm — I–IV–V–iii from the Db side, III–VI–VII–v from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gb → Ab (IV → V in Db, VI → VII in Bbm): IV → V — the lift that builds tension before home. It closes on Db, letting the Db side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Emre Fel - Vura Vura Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Emre FelMusic: Emre Fel
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.