Major view
Eb major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = D (leading tone, pulls home)
- 4 = Ab (the note that leans on the 3rd)
Key Eb major – C minor Chords Gm, Ab, Bb, Cm, Fm Easy key C (capo 3)
Gm Gm Bb Bb Gm Gm
Gm
Çok çileler çektim, eşi bulunmaz
Cm
Hep içime attım, sesim duyulmaaz
Ab Bb
Bana acıyana kalbim doğrulmaz
Gm Ab Gm Cm
Allah'ın yarattığı bir kulum işteeee
Cm Ab Bb
Bana acıyana kalbim doğrulmaz
Gm Ab Gm
Allah'ın yarattığı bir kulum işte
Bb Ab Gm Bb Ab Gm
Gm
Hep yoksul perişan olabilirim
Cm Ab Bb
Acılar içinde kalabilirim
Cm Ab Bb
Sürüne sürüne ölebilirim
Gm Ab Gm Cm
Allah'ın yarattığı bir kulum işteeee
Cm Ab Bb
Sürüne sürüne ölebilirim
Gm Ab Gm
Allah'ın yarattığı bir kulum işte
Cm Gm Ab Bb Gm Ab Bb Fm Ab Fm Ab Fm Gm Ab Fm Gm
Gm
Ben ne divaneyim, ne de deliyim
Cm
Ben ne bir berduşum, ne serseriyiim
Ab Bb
Yüce tanrımızın bir eseriyim
Gm Ab Gm Cm
Allah'ın yarattığı bir kulum işteeee
Cm Ab Bb
Yüce tanrımızın bir eseriyim
Gm Ab Gm
Allah'ın yarattığı bir kulum işte
End of song Play again?
Harmony analysis
The song opens on Gm and ends on Gm. Its chords belong to both Eb major and Cm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the C minor side because Cm is heard 11 times while Eb never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Eb major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Eb or to Cm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Eb | Tonic — home | Eb · G · Bb | — |
| ii | Fm | Supertonic — prepares the dominant | F · Ab · C | 4× |
| iii | Gm | Mediant — a tonic-family shade | G · Bb · D | 25× |
| V/vi | G | Secondary dominant V/vi — leads to Cmsecondary dominant | G · B · D | — |
| IV | Ab | Subdominant — moves away from home | Ab · C · Eb | 20× |
| V | Bb | Dominant — strongest pull home | Bb · D · F | 13× |
| vi | Cm | Relative minor — the melancholy side | C · Eb · G | 11× |
| vii° | Ddim | Leading-tone chord — tension | D · F · Ab | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Cm | Tonic — home | C · Eb · G | 11× |
| ii° | Ddim | Supertonic — prepares the dominant | D · F · Ab | — |
| III | Eb | Relative major — the bright side | Eb · G · Bb | — |
| iv | Fm | Subdominant — moves away from home | F · Ab · C | 4× |
| v | Gm | Minor dominant — soft pull | G · Bb · D | 25× |
| V | G | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | G · B · D | — |
| VI | Ab | Submediant — warm colour | Ab · C · Eb | 20× |
| VII | Bb | Subtonic — steps back to the tonic | Bb · D · F | 13× |
The key pair is Eb major and its relative C minor (3 flats). 5 different chords appear 73 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Ab → Bb, heard 9 times. From the Cm side it is VI → VII (VI → VII: the rising step that heads for the tonic); from the Eb side it reads IV → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The first chord is Gm; the ear learns where home is within a second. The chords that keep coming back are Gm, Ab, Bb, Cm; read them as iii–IV–V–vi in Eb or v–VI–VII–i in Cm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Ab → Bb (IV → V in Eb, VI → VII in Cm): VI → VII — the rising step that heads for the tonic. Ending on Gm, the song seals Eb as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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