Can Bonomo - Rüyamda Buluttum (Demet Evgar) - Chord

Key Db major – Bb minor Chords Bbm, Ebm, Gb, F, Ab, Db Easy key C (capo 1)

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Capo 0

Bbm              Ebm
Nerde başladı bu hikayede
F              Bbm
Ben böyle delirdim
               Ebm
Nasıl oldu da sevdim çok canımdan
F              Bbm
Ben böyle değildim

Bbm        Ebm
Yağdı durmuyor karlar
Ab       Db        Bbm
Eriyor yazım, kışım
                 Ebm
Sen benim uğurlu yorganımdın
Gb            F
 En masum bakışım

          Bbm
Rüyamda buluttum
               Ebm
Sensizliği unuttum
             Gb
Yağmur oldum ağladım seni
               Bbm
Dizlerimde uyuttum

          Bbm  
Uyandım gecenin bi vakti
                Ebm
Ne havadan ne sudan
             Gb
Yağmur oldum ağladım seni
                  Bbm
Bir nehrin yatağından

Bbm              Ebm
Nerde başladı bu hikayede
F              Bbm
Ben böyle delirdim
               Ebm
Nasıl oldu da sevdim çok canımdan
F              Bbm
Ben böyle değildim

Bbm          Ebm
Aktı dereler derelere bak
Ab        Bbm
Geçiyor günüm gecem
                  Ebm
Sen benim sigaram, suyum, çayım
Gb                F
 En karmaşık bilmecem

          Bbm
Rüyamda buluttum
               Ebm
Sensizliği unuttum
             Gb
Yağmur oldum ağladım seni
               Bbm
Dizlerimde uyuttum

          Bbm  
Uyandım gecenin bi vakti
                Ebm
Ne havadan ne sudan
             Gb
Yağmur oldum ağladım seni
                  Bbm
Bir nehrin yatağından

Bbm              Ebm
Yalnız uyursan rüyalara sor beni
F                Bbm
Gel gör nerelerdeyim
                 Ebm
Korkusuz göğün altında bir deli
Gb            F
 Ölmedim avareyim

           Bbm
Rüyamda buluttum
               Ebm
Sensizliği unuttum
             Gb
Yağmur oldum ağladım seni
               Bbm
Dizlerimde uyuttum

          Bbm  
Uyandım gecenin bi vakti
                Ebm
Ne havadan ne sudan
             Gb
Yağmur oldum ağladım seni
                  Bbm
Bir nehrin yatağından

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Can Bonomo - Rüyamda Buluttum (Demet Evgar) Tabs

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Harmony analysis

Can Bonomo – Rüyamda Buluttum (Demet Evgar): key and chord analysis

The song opens on Bbm and ends on Bbm. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C (leading tone, pulls home)
4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Gb (the minor's melancholy)
b7 = Ab (natural-minor colour)
#7 = A (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb minor side because it both starts and finishes on Bbm, Bbm is heard 24 times against 1 for Db and the major V chord points straight at Bbm. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree	Chord	Role	Notes	In song
I	Db	Tonic — home	Db · F · Ab	1×
ii	Ebm	Supertonic — prepares the dominant	Eb · Gb · Bb	16×
iii	Fm	Mediant — a tonic-family shade	F · Ab · C	—
V/vi	F	Secondary dominant V/vi — leads to Bbmsecondary dominant	F · A · C	8×
IV	Gb	Subdominant — moves away from home	Gb · Bb · Db	9×
V	Ab	Dominant — strongest pull home	Ab · C · Eb	2×
vi	Bbm	Relative minor — the melancholy side	Bb · Db · F	24×
vii°	Cdim	Leading-tone chord — tension	C · Eb · Gb	—

Seen from Bb minor
Degree	Chord	Role	Notes	In song
i	Bbm	Tonic — home	Bb · Db · F	24×
ii°	Cdim	Supertonic — prepares the dominant	C · Eb · Gb	—
III	Db	Relative major — the bright side	Db · F · Ab	1×
iv	Ebm	Subdominant — moves away from home	Eb · Gb · Bb	16×
v	Fm	Minor dominant — soft pull	F · Ab · C	—
V	F	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F · A · C	8×
VI	Gb	Submediant — warm colour	Gb · Bb · Db	9×
VII	Ab	Subtonic — steps back to the tonic	Ab · C · Eb	2×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 6 different chords appear 60 times in total; 5 of them sit naturally inside the shared scale. The major V of Bbm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Db, the same F is V/vi, a secondary dominant heading for Bbm.

Chord movement

F Bbm DbV/vi → vi BbmV → iharmonic-minor cadence ×8
Gb Bbm DbIV → vi BbmVI → iVI → i ×6
Ebm F Dbii → V/vi Bbmiv → Viv → V ×5
Ebm Ab Dbii → Vii → V Bbmiv → VII ×2
Ab Db DbV → Iauthentic cadence BbmVII → III ×1
Ab Bbm DbV → videceptive cadence BbmVII → iAeolian arrival ×1

The move to watch is F → Bbm, heard 8 times. From the Bbm side it is V → i (harmonic-minor cadence: the major V resolves dramatically); from the Db side it reads V/vi → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
Over Bbm, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
Over Ebm, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
Over Gb, land on Gb, Bb, Db — the chord's own tones always sound right on strong beats.
When F comes, swap the scale's Ab for A: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Db major shapes

Capo 1 + C shapes
Capo 4 + A shapes
Capo 6 + G shapes

With Bb minor shapes

Capo 1 + Am shapes
Capo 6 + Em shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

Starting on Bbm, the song gives away its key from the very first bar. The backbone is Bbm, Ebm, Gb, F — vi–ii–IV–V/vi from the Db side, i–iv–VI–V from the Bbm side. F is the interesting twist: in Db it is a chromatic chord (V/vi), while in Bbm it becomes the dominant (V) that makes the minor side sound so determined. Keep an ear on F → Bbm (V/vi → vi in Db, V → i in Bbm): harmonic-minor cadence — the major V resolves dramatically. Ending on Bbm, the song seals Bbm as home.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.