Major view
Db major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C (leading tone, pulls home)
- 4 = Gb (the note that leans on the 3rd)
Key Db major – Bb minor Chords Ab, Bbm, Gbmaj7, Fm, Ebm Easy key C (capo 1)
Bbm
Belli etmez hisleri
Ab
Haberi bile olmaz kimsenin
Gbmaj7
Kıyısına varsa deliliğin
Ab
Onu kim durdurabilir
Bbm
Düşüyor bi göktaşı gibi
Ab
Anlatırlar hikayeyi
Gbmaj7
Geceyi birden gündüze çevirdi
Ab
Ondan sonra yerle birdi
Bbm
Tüm kainat
Ab
(Ritmini yükselt bugün seni bekler hayat)
,Gbmaj7
Tüm kainat
Ab
(Ruhunu bırak özgür)
Bbm Ab
Sakın beni yola gelir biri sanma
Gbmaj7
Bakın bu bi mazeret değil
Ab
Hiç istemediğim bi aferin gibi
Bbm
Vazgeçemem de mümkün değil ki
Ab
Tüm yükünü bana verip atsa dünya
Gbmaj7
Yanında kalabilir miyim?
Ab
Omzunda bir mola verip
Bbm
Daha çok yolum var gibi
Bbm Ab
Yok hepsi kalsın arsız bi sürgündeyim
Gbmaj7
Gezegenim esir bana bakın mühim değil
Ab
Kеlepçeli eksеnime güneşim gibi
Bbm
Tüm kainat
Ab
(Ritmini yükselt bugün seni bekler hayat)
Gbmaj7
Tüm kainat
Ab
(Ruhunu bırak özgür)
Bbm
Tüm kainat
Ab
Yazarım olmuşum bir şair ah
Gbmaj7
Pozitif enerjimiz daima
Ab
Şu denizin suyu bir harika
Bbm
Dalıp çıkarım dibe her gün
Ab
Bozamaz ruh halimi merkür
Gbmaj7
Gücümü toplamışım Herkül misali
Ab
Yazı bekliyoruz bak her güz
Bbm
Sıcacık kumlara bak attım kendimi
Ab
Sormayın bana sakın aklım nerededir
Gbmaj7
Kalbime duyguları açtım gel dedim
Ab
Yaşarım hayatımı şarkılar gibi
Bbm
Tüm kainat
Ab
(Ritmini yükselt bugün seni bekler hayat)
Gbmaj7
Tüm kainat
Ab
(Ruhunu bırak özgür)
Bbm
Gidiyor çok hoşuma
Bakışları delip geçiyor
Gbmaj7
Ve ruhuma veriyor cesaret
Gönüllü esaret gibi
Fm
İçim yanıp söner
Bbm
Gökteki yıldızlar gibi kor ateşim
Ab
Arsız bir dansın ritmindeyim
Gbmaj7
Gezegenim yörüngenin içinde bir yeri
Ab
Dolanıyor yapmak için kendi evi
Ebm Fm
Bebeğim senin için dolaştım tüm galaksileri
Gbmaj7 Ab
Eşsizi evrenin dedi
Bbm
Tüm kainat
Ab
(Ritmini yükselt bugün seni bekler hayat)
Gbmaj7
Tüm kainat
Ab
(Ruhunu bırak özgür)
End of song Play again?
Harmony analysis
The song opens on Bbm and ends on Ab. Its chords belong to both Db major and Bbm, so every chord below is read both ways.
Major view
Brightness rank 2/7 (bright)
Characteristic notes
Minor view
Brightness rank 5/7 (leaning dark)
Characteristic notes
Which side does the ear lean to?
Our reading: to us the song feels closer to the Bb minor side because it opens on Bbm and Bbm is heard 15 times while Db never appears. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.
Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | Db | Tonic — home | Db · F · Ab | — |
| ii | Ebm | Supertonic — prepares the dominant | Eb · Gb · Bb | 1× |
| iii | Fm | Mediant — a tonic-family shade | F · Ab · C | 2× |
| V/vi | F | Secondary dominant V/vi — leads to Bbmsecondary dominant | F · A · C | — |
| IVmaj7 | Gbmaj7 | Subdominant — moves away from home | Gb · Bb · Db · F | 14× |
| V | Ab | Dominant — strongest pull home | Ab · C · Eb | 27× |
| vi | Bbm | Relative minor — the melancholy side | Bb · Db · F | 15× |
| vii° | Cdim | Leading-tone chord — tension | C · Eb · Gb | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bbm | Tonic — home | Bb · Db · F | 15× |
| ii° | Cdim | Supertonic — prepares the dominant | C · Eb · Gb | — |
| III | Db | Relative major — the bright side | Db · F · Ab | — |
| iv | Ebm | Subdominant — moves away from home | Eb · Gb · Bb | 1× |
| v | Fm | Minor dominant — soft pull | F · Ab · C | 2× |
| V | F | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F · A · C | — |
| VImaj7 | Gbmaj7 | Submediant — warm colour | Gb · Bb · Db · F | 14× |
| VII | Ab | Subtonic — steps back to the tonic | Ab · C · Eb | 27× |
The key pair is Db major and its relative Bb minor (5 flats). 5 different chords appear 59 times in total; 5 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
The move to watch is Gbmaj7 → Ab, heard 13 times. From the Bbm side it is VImaj7 → VII (VI → VII: the rising step that heads for the tonic); from the Db side it reads IVmaj7 → V (IV → V: the lift that builds tension before home). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Empty slices are chords the song doesn't use.
The opening Bbm lays a solid floor for everything that follows. The backbone is Ab, Bbm, Gbmaj7, Fm — V–vi–IVmaj7–iii from the Db side, VII–i–VImaj7–v from the Bbm side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Gbmaj7 → Ab (IVmaj7 → V in Db, VImaj7 → VII in Bbm): VI → VII — the rising step that heads for the tonic. Ending on Ab, the song seals Db as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Ready-made lists by difficulty and mood.
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