Major view
C major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = B (leading tone, pulls home)
- 4 = F (the note that leans on the 3rd)
Feride Hilal Akın - Deprem Gibi (Doğuş Çabakçor) - Chord
Key C major – A minor Chords Am, C, Dm Difficulty already in its easiest key
No ratings yet
or your user informations
Make it yours
Text size
Key: C | Am
Capo: 0
Am C Dm Am
Sorunlar çok ama sonuçta nedeni ben değilim ve çözmüyor da konuşmak
C Dm Am
Bu rüya bittiğinde uyanan kalbim afalladı ve sorguladı bir anda
C Dm Am
İnanma hiç inanma diyor da etraf başka ne anlamı var hayatın
C Dm Am
Sen anla bari sen anla inancım katledildi ellerinde hayatım
Am C Dm
Anla beni bak gözlerime
Am
Kafanda kurduğundan daha basit nedenlerim
C Dm
Anlamı yok sende cümlelerin
Am
Sessizce gitsen de her adımın deprem gibi
Am C Dm Am C Dm
Am C Dm
Her hatıranın tebessümü her adının geçtiğinde yankılanır
Am
Her adımın ezer beni
C Dm
Anladım sonunda, bu hayatta tekim anlam yüklediğim kadarı var
Am
Ve tane de kedim
Am C Dm Am
Sormadan, cümleleri yormadan sevgimize hakaretti diyememen hoşçakal
C
Hoşçakal hatırla hep dostça kal
Dm Am
Benim için bir son yok sevgi eskimez ki sonradan
Am C Dm
Anla beni bak gözlerime
Am
Kafanda kurduğundan daha basit nedenlerim
C Dm
Anlamı yok sende cümlelerin
Am
Sessizce gitsen de her adımın deprem gibi
End of song Play again?
Feride Hilal Akın - Deprem Gibi (Doğuş Çabakçor) Tabs
NotesX
Harmony analysis
Feride Hilal Akın – Deprem Gibi (Doğuş Çabakçor): key and chord analysis
The song opens on Am and ends on Am. Its chords belong to both C major and Am, so every chord below is read both ways.
Minor view
A minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = F (the minor's melancholy)
- b7 = G (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the A minor side because it both starts and finishes on Am and Am is heard 19 times against 14 for C. That is an interpretation, not a rule — the same chords are just as valid seen from C major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to C or to Am; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| I | C | Tonic — home | C · E · G | 14× |
| ii | Dm | Supertonic — prepares the dominant | D · F · A | 14× |
| iii | Em | Mediant — a tonic-family shade | E · G · B | — |
| V/vi | E | Secondary dominant V/vi — leads to Amsecondary dominant | E · G# · B | — |
| IV | F | Subdominant — moves away from home | F · A · C | — |
| V | G | Dominant — strongest pull home | G · B · D | — |
| vi | Am | Relative minor — the melancholy side | A · C · E | 19× |
| vii° | Bdim | Leading-tone chord — tension | B · D · F | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Am | Tonic — home | A · C · E | 19× |
| ii° | Bdim | Supertonic — prepares the dominant | B · D · F | — |
| III | C | Relative major — the bright side | C · E · G | 14× |
| iv | Dm | Subdominant — moves away from home | D · F · A | 14× |
| v | Em | Minor dominant — soft pull | E · G · B | — |
| V | E | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | E · G# · B | — |
| VI | F | Submediant — warm colour | F · A · C | — |
| VII | G | Subtonic — steps back to the tonic | G · B · D | — |
Analysis
The key pair is C major and its relative A minor (no sharps or flats). 3 different chords appear 47 times in total; 3 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.
Chord movement
- Dm Am Cii → vi Amiv → iminor plagal ×14
The move to watch is Dm → Am, heard 14 times. From the Am side it is iv → i (minor plagal: deep and melancholic); from the C side it reads ii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- C major pentatonic and A minor pentatonic are the same five notes (C – D – E – G – A): start from C for a brighter phrase, from A for a bluesier one.
- Over Am, land on A, C, E — the chord's own tones always sound right on strong beats.
- Over C, land on C, E, G — the chord's own tones always sound right on strong beats.
- Over Dm, land on D, F, A — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With C major shapes
- No capo — open C shapes
- Capo 3 + A shapes
- Capo 5 + G shapes
With A minor shapes
- No capo — open Am shapes
- Capo 5 + Em shapes
- Capo 7 + Dm shapes
Easiest keys on guitar
The song is already written in its easiest key for guitar.
The song's harmonic story
The opening Am lays a solid floor for everything that follows. The backbone is Am, C, Dm — vi–I–ii from the C side, i–III–iv from the Am side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Dm → Am (ii → vi in C, iv → i in Am): minor plagal — deep and melancholic. It closes on Am, letting the Am side have the last word.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Feride Hilal Akın - Deprem Gibi (Doğuş Çabakçor) Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
Find something to play next
Ready-made lists by difficulty and mood.
Lyrics: Lütfü ÜlkenMusic: Lütfü ÜlkenArrangement: Doğuş Çabakçor
Report error for this content report.
All copyrights belong to their respective owners. If you think this content contains copyright infringement, please contact us.