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Dolu Kadehi Ters Tut - Sevdin Diye Mi - Chord

Key G major – E minor Chords D, Am7, C, Am Difficulty already in its easiest key

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Capo 0
Am7              D
 Sen sevdin diye mi sevdim kendimi acaba?
Am7            D
 Sen sevmeyince ben de sevmez oldum
Am7                 D
 Sen gösterdin diye mi gördüm kendimi acaba?
Am7          D
 Sen olmayınca

Am7  D  C

Am7                 D  C
 Anılar, anılar, anılar canımı yakıyorlar
Am7                    D        C
 Giderek, giderek, giderek daha da derine batıyorlar
Am7                D
 Sorun acaba bende mi?
     C
 İstemez miyim gelmeni
Am                 D    C
 Bana yeniden gülmeni? Oof
Am
 Ne yapsam da boş mu?
              D
 Hiçbir çarem yok mu?
        C
 Sağlayamaz mıyım dönmeni
Am7                D   C
 Beni yeniden sevmeni?

Am7              D
 Sen sevdin diye mi sevdim kendimi acaba?
Am7            D
 Sen sevmeyince ben de sevmez oldum
Am7                 D
 Sen gösterdin diye mi gördüm kendimi acaba?
Am7          D
Sen olmayınca görmez oldum

Am7  D
      Gözüm görmez oldu
Am7  D
      Yüzüm gülmez oldu
Am7  D                 Am7  D
      Kalbim atmaz olduuuuuuuu

Am7                    D
 Dışarı çıkmadım günlerce
         C
 Arandım durdum hep kendimce
Am7                      D   C
 Ruh halimi çözmeye çalıştım
Am7                         D
 Yanlışlıkla yalnızlığa alıştım
              C
 E, haliyle kafam da biraz karıştı
Am7                         D    C
 Mutlu olmak istemiştim sadece, oof

Am7      D           C
 Anlamı yok, sen olmayınca
Am7      D            C
 İmkanı yok, sen sevmeyince
 
Am7              D
 Sen sevdin diye mi sevdim kendimi acaba?
Am7            D
 Sen sevmeyince ben de sevmez oldum
Am7                 D
 Sen gösterdin diye mi gördüm kendimi acaba?
Am7          D
Sen olmayınca görmez oldum

End of song Play again?

Dolu Kadehi Ters Tut - Sevdin Diye Mi Tabs

NotesX

Harmony analysis

Dolu Kadehi Ters Tut – Sevdin Diye Mi: key and chord analysis

The song opens on Am7 and ends on D. Its chords belong to both G major and Em, so every chord below is read both ways.

Major view

G major

Brightness rank 2/7 (bright)

Characteristic notes

  • 7 = F# (leading tone, pulls home)
  • 4 = C (the note that leans on the 3rd)

Minor view

E minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

  • b6 = C (the minor's melancholy)
  • b7 = D (natural-minor colour)

Which side does the ear lean to?

Our reading: we can't honestly pick a side here — the song moves freely between G major and E minor. Try reading the chords both ways and see which feels more like home to you.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to G or to Em; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from G major
Degree Chord Role Notes In song
I G Tonic — home G · B · D —
ii7 Am7 Supertonic — prepares the dominant A · C · E · G 27×
ii Am Supertonic — prepares the dominant A · C · E 2×
iii Bm Mediant — a tonic-family shade B · D · F# —
III B Chromatic colour chordoutside the key B · D# · F# —
IV C Subdominant — moves away from home C · E · G 13×
V D Dominant — strongest pull home D · F# · A 29×
vi Em Relative minor — the melancholy side E · G · B —
vii° F#dim Leading-tone chord — tension F# · A · C —
Seen from E minor
Degree Chord Role Notes In song
i Em Tonic — home E · G · B —
ii° F#dim Supertonic — prepares the dominant F# · A · C —
III G Relative major — the bright side G · B · D —
iv7 Am7 Subdominant — moves away from home A · C · E · G 27×
iv Am Subdominant — moves away from home A · C · E 2×
v Bm Minor dominant — soft pull B · D · F# —
V B Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor B · D# · F# —
VI C Submediant — warm colour C · E · G 13×
VII D Subtonic — steps back to the tonic D · F# · A 29×

Analysis

The key pair is G major and its relative E minor (1 sharp). 4 different chords appear 71 times in total; 4 of them sit naturally inside the shared scale. Everything stays inside one scale, which is why the song is easy to follow by ear.

Chord movement

  1. Am7 D Gii7 → Vii → V Emiv7 → VII ×27
  2. Am D Gii → Vii → V Emiv → VII ×2

The move to watch is Am7 → D, heard 27 times. From the G side it reads ii7 → V (ii → V: the classic preparation of the dominant); from the Em side it is iv7 → VII. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

  • G major pentatonic and E minor pentatonic are the same five notes (G – A – B – D – E): start from G for a brighter phrase, from E for a bluesier one.
  • Over D, land on D, F#, A — the chord's own tones always sound right on strong beats.
  • Over Am7, land on A, C, E — the chord's own tones always sound right on strong beats.
  • Over C, land on C, E, G — the chord's own tones always sound right on strong beats.

The song on the circle of fifths

  • Played in the song — chord of the key
  • Played — the minor's harmonic V or a secondary dominant
  • Played — borrowed or outside chord
  • Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

    Capo and easier keys

    With G major shapes

    • No capo — open G shapes
    • Capo 3 + E shapes
    • Capo 5 + D shapes

    With E minor shapes

    • No capo — open Em shapes
    • Capo 2 + Dm shapes
    • Capo 7 + Am shapes

    Easiest keys on guitar

    The song is already written in its easiest key for guitar.

    The song's harmonic story

    The opening Am7 lays a solid floor for everything that follows. The backbone is D, Am7, C, Am — V–ii7–IV–ii from the G side, VII–iv7–VI–iv from the Em side. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on Am7 → D (ii7 → V in G, iv7 → VII in Em): ii → V — the classic preparation of the dominant. It closes on D, letting the G side have the last word.

    This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

    Dolu Kadehi Ters Tut - Sevdin Diye Mi Chords on Guitar, Ukulele and Piano

    Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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    Lyrics: Dolu Kadehi Ters Tut
    Music: Dolu Kadehi Ters Tut

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