Zeynep Bastık - Eğlen Güzelim (Hazar Ergüçlü) - Chord

Key Db major – Bb minor Chords Bbm7, Ebm7, Ab, F7, Db, Gbmaj7, Fm7, Gb … Easy key C (capo 1)

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Capo 0

Bbm7  Ebm7  Ab  Db  F7

Bbm7               Gbmaj7
Düşün düşün aşamıyorum engelleri
        Fm7     Ebm7   Bbm7
Varamıyorum yanına çarelerin
                    Gbmaj7
Yıkıl duvar göremiyorum enginleri
        Fm7     Ebm7   Bbm7
Gidemiyorum bırakıp uzaklara

Bbm7                Ebm7
Bir ağlarım bir gülerim
      Ab            Gb
Sanma senden vazgeçerim
          Ebm7  Edim       F7
Alışamam inaaaaaaan yokluğuna

Bbm7
Eğlen güzelim gününü gün et
Ebm7
Ben vazgeçmişken eğlen
Ab
Karaları ben bağlarım
Db          F7
Sende vakit çok erken

End of song Play again?

Zeynep Bastık - Eğlen Güzelim (Hazar Ergüçlü) Tabs

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Harmony analysis

Zeynep Bastık – Eğlen Güzelim (Hazar Ergüçlü): key and chord analysis

The song opens on Bbm7 and ends on F7. Its chords belong to both Db major and Bbm, so every chord below is read both ways.

Major view

Db major

Brightness rank 2/7 (bright)

Characteristic notes

7 = C (leading tone, pulls home)
4 = Gb (the note that leans on the 3rd)

Minor view

Bb minor

Brightness rank 5/7 (leaning dark)

Characteristic notes

b6 = Gb (the minor's melancholy)
b7 = Ab (natural-minor colour)
#7 = A (harmonic-minor leading tone from the V chord)

Which side does the ear lean to?

Our reading: to us the song feels closer to the Bb minor side because it opens on Bbm, Bbm is heard 6 times against 2 for Db and the major V chord points straight at Bbm. That is an interpretation, not a rule — the same chords are just as valid seen from Db major, and switching between the two views is exactly where the practice value lies.

Chord degrees: major and relative minor

Show the degrees above the chords — relative to Db or to Bbm; comparing both readings is a practice of its own.

Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.

Seen from Db major
Degree	Chord	Role	Notes	In song
I	Db	Tonic — home	Db · F · Ab	2×
ii7	Ebm7	Supertonic — prepares the dominant	Eb · Gb · Bb · Db	6×
vii°/iii	Edim	Secondary leading-tone chord vii°/iii — leads to Fmsecondary dominant	E · G · Bb	1×
iii7	Fm7	Mediant — a tonic-family shade	F · Ab · C · Eb	2×
V7/vi	F7	Secondary dominant V/vi — leads to Bbmsecondary dominant	F · A · C · Eb	3×
IVmaj7	Gbmaj7	Subdominant — moves away from home	Gb · Bb · Db · F	2×
IV	Gb	Subdominant — moves away from home	Gb · Bb · Db	1×
V	Ab	Dominant — strongest pull home	Ab · C · Eb	3×
vi7	Bbm7	Relative minor — the melancholy side	Bb · Db · F · Ab	6×
vii°	Cdim	Leading-tone chord — tension	C · Eb · Gb	—

Seen from Bb minor
Degree	Chord	Role	Notes	In song
i7	Bbm7	Tonic — home	Bb · Db · F · Ab	6×
ii°	Cdim	Supertonic — prepares the dominant	C · Eb · Gb	—
III	Db	Relative major — the bright side	Db · F · Ab	2×
iv7	Ebm7	Subdominant — moves away from home	Eb · Gb · Bb · Db	6×
vii°/v	Edim	Secondary leading-tone chord vii°/v — leads to Fmsecondary dominant	E · G · Bb	1×
v7	Fm7	Minor dominant — soft pull	F · Ab · C · Eb	2×
V7	F7	Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor	F · A · C · Eb	3×
VImaj7	Gbmaj7	Submediant — warm colour	Gb · Bb · Db · F	2×
VI	Gb	Submediant — warm colour	Gb · Bb · Db	1×
VII	Ab	Subtonic — steps back to the tonic	Ab · C · Eb	3×

Analysis

The key pair is Db major and its relative Bb minor (5 flats). 9 different chords appear 26 times in total; 7 of them sit naturally inside the shared scale. The major V of Bbm brings the harmonic-minor leading tone, giving the minor side a sharper, more dramatic pull; seen from Db, the same F7 is V7/vi, a secondary dominant heading for Bbm. Edim acts as a secondary dominant, briefly pointing at another chord of the key.

Chord movement

Ebm7 Ab Dbii7 → Vii → V Bbmiv7 → VII ×3
Ab Db DbV → Iauthentic cadence BbmVII → III ×2
F7 Bbm7 DbV7/vi → vi7secondary resolution BbmV7 → i7harmonic-minor cadence ×2
Ebm7 Bbm7 Dbii7 → vi7 Bbmiv7 → i7minor plagal ×2

The move to watch is Ebm7 → Ab, heard 3 times. From the Bbm side it is iv7 → VII; from the Db side it reads ii7 → V (ii → V: the classic preparation of the dominant). Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.

Improvisation tips

Db major pentatonic and Bb minor pentatonic are the same five notes (Db – Eb – F – Ab – Bb): start from Db for a brighter phrase, from Bb for a bluesier one.
Over Bbm7, land on Bb, Db, F — the chord's own tones always sound right on strong beats.
Over Ebm7, land on Eb, Gb, Bb — the chord's own tones always sound right on strong beats.
Over Ab, land on Ab, C, Eb — the chord's own tones always sound right on strong beats.
When F7 comes, swap the scale's Ab for A: that single note is the harmonic-minor sound of the chord.

The song on the circle of fifths

Played in the song — chord of the key
Played — the minor's harmonic V or a secondary dominant
Played — borrowed or outside chord
Home region: IV–I–V and ii–vi–iii

Empty slices are chords the song doesn't use.

Capo and easier keys

With Db major shapes

Capo 1 + C shapes
Capo 4 + A shapes
Capo 6 + G shapes

With Bb minor shapes

Capo 1 + Am shapes
Capo 6 + Em shapes

Easiest keys on guitar

1 semitone down · capo 1 keeps the original pitch
6 semitones up · capo 6 keeps the original pitch

The song's harmonic story

The opening Bbm7 lays a solid floor for everything that follows. The backbone is Bbm7, Ebm7, Ab, F7 — vi7–ii7–V–V7/vi from the Db side, i7–iv7–VII–V7 from the Bbm side. F7 is the interesting twist: in Db it is a chromatic chord (V7/vi), while in Bbm it becomes the dominant (V7) that makes the minor side sound so determined. Keep an ear on Ebm7 → Ab (ii7 → V in Db, iv7 → VII in Bbm): ii → V — the classic preparation of the dominant. It closes on F7, letting the Db side have the last word.

This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.

Zeynep Bastık - Eğlen Güzelim (Hazar Ergüçlü) Chords on Guitar, Ukulele and Piano

Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.

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Lyrics: Metin Özülkü

Music: Metin Özülkü

Arrangement: Norayr Demirci

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