Major view
D major
Brightness rank 2/7 (bright)
Characteristic notes
- 7 = C# (leading tone, pulls home)
- 4 = G (the note that leans on the 3rd)
Asim Eliyev - Ölmez Bu Muhabbet - Chord
Key D major – B minor Chords F#m, Em, Bm, G, Dmaj7, B#m Easy key C (capo 2)
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Key: D | Bm
Capo: 0
Bm F#m Em F#m
Bm F#m Em F#m
İllerle yasatdın deli sevda üreyimde
Bm F#m Em F#m
Bir sevgi coşub cağladı derya üreyimde
Bm F#m Em F#m
Qebr evine gedincen yaşıyar ta üreyimde
Bm F#m Em Bm
Ölmez bu mehebbet ölebilmez ölebilmez
F#m Em F#m
Ölmez bu mehebbet ölebilmez ölebilmez
F#m G
Dillendirer ahım dağı sensiz daşı sensiz
Em Dmaj7
Qemnen yanaram goyner üreymin basi sensiz
F#m Bm G
Sen gelmeyeneycen tokerem goz yasi sensiz
Em F#m
Sensiz uzum ey gul gule bilmez gule bilmez
Bm F#m Em Bm
Sensiz uzum ey gul gule bilmez gule bilmez
F#m Em F#m
Ölmez bu mehebbet ölebilmez ölebilmez
Bm F#m Em F#m
F#m G
Hicran ezabin sen ne bilirsen axi canan
Em Dmaj7
Şam tek meni yandirmadadir ateşi hicran
F#m Bm G
Her kim ki eyer olmasa derd ehli o insan
Em B#m
Derd ehlinin halin bile bilmez bile bilmez
F#m Em F#m
Ölmez bu mehebbet ölebilmez ölebilmez
F#m G
Bir yarin edib esqi meni serseri xeste
Em Dmaj7
Qaslari qelem zulfu siyah lebleri puste
F#m Bm G
Yazdim adini qanla konul lovhesi üste
Em Bm
Hec kim onu ordan sile bilmez sile bilmez
Bm F#m Em Bm
Hec kim onu ordan sile bilmez sile bilmez
F#m Em Bm
Ölmez bu mehebbet ölebilmez ölebilmez
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Asim Eliyev - Ölmez Bu Muhabbet Tabs
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Harmony analysis
Asim Eliyev – Ölmez Bu Muhabbet: key and chord analysis
The song opens on Bm and ends on Bm. Its chords belong to both D major and Bm, so every chord below is read both ways.
Minor view
B minor
Brightness rank 5/7 (leaning dark)
Characteristic notes
- b6 = G (the minor's melancholy)
- b7 = A (natural-minor colour)
Which side does the ear lean to?
Our reading: to us the song feels closer to the B minor side because it both starts and finishes on Bm and Bm is heard 16 times against 3 for D. That is an interpretation, not a rule — the same chords are just as valid seen from D major, and switching between the two views is exactly where the practice value lies.
Chord degrees: major and relative minor
Show the degrees above the chords — relative to D or to Bm; comparing both readings is a practice of its own.
Every chord of the key, listed 1 to 7 separately for each key. Chords played in the song show how often they appear; chords from outside the scale sit next to their own degree.
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| Imaj7 | Dmaj7 | Tonic — home | D · F# · A · C# | 3× |
| ii | Em | Supertonic — prepares the dominant | E · G · B | 18× |
| iii | F#m | Mediant — a tonic-family shade | F# · A · C# | 27× |
| V/vi | F# | Secondary dominant V/vi — leads to Bmsecondary dominant | F# · A# · C# | — |
| IV | G | Subdominant — moves away from home | G · B · D | 6× |
| V | A | Dominant — strongest pull home | A · C# · E | — |
| vi | Bm | Relative minor — the melancholy side | B · D · F# | 16× |
| bvii | B#m | Chromatic colour chordoutside the key | B# · D# · G | 1× |
| vii° | C#dim | Leading-tone chord — tension | C# · E · G | — |
| Degree | Chord | Role | Notes | In song |
|---|---|---|---|---|
| i | Bm | Tonic — home | B · D · F# | 16× |
| bii | B#m | Chromatic colour chordoutside the key | B# · D# · G | 1× |
| ii° | C#dim | Supertonic — prepares the dominant | C# · E · G | — |
| IIImaj7 | Dmaj7 | Relative major — the bright side | D · F# · A · C# | 3× |
| iv | Em | Subdominant — moves away from home | E · G · B | 18× |
| v | F#m | Minor dominant — soft pull | F# · A · C# | 27× |
| V | F# | Dominant — borrowed from harmonic minor, pulls hard to the tonicharmonic minor | F# · A# · C# | — |
| VI | G | Submediant — warm colour | G · B · D | 6× |
| VII | A | Subtonic — steps back to the tonic | A · C# · E | — |
Analysis
The key pair is D major and its relative B minor (2 sharps). 6 different chords appear 71 times in total; 5 of them sit naturally inside the shared scale. B#m step outside the scale as colour chords.
Chord movement
- F#m Bm Diii → vi Bmv → inatural-minor cadence ×9
- Em Bm Dii → vi Bmiv → iminor plagal ×5
The move to watch is F#m → Bm, heard 9 times. From the Bm side it is v → i (natural-minor cadence: gentle, modal arrival); from the D side it reads iii → vi. Knowing where these arrivals fall helps you feel the phrasing and anticipate the next chord.
Improvisation tips
- D major pentatonic and B minor pentatonic are the same five notes (D – E – F# – A – B): start from D for a brighter phrase, from B for a bluesier one.
- Over F#m, land on F#, A, C# — the chord's own tones always sound right on strong beats.
- Over Em, land on E, G, B — the chord's own tones always sound right on strong beats.
- Over Bm, land on B, D, F# — the chord's own tones always sound right on strong beats.
The song on the circle of fifths
- Played in the song — chord of the key
- Played — the minor's harmonic V or a secondary dominant
- Played — borrowed or outside chord
- Home region: IV–I–V and ii–vi–iii
Empty slices are chords the song doesn't use.
Capo and easier keys
With D major shapes
- No capo — open D shapes
- Capo 2 + C shapes
- Capo 5 + A shapes
With B minor shapes
- Capo 2 + Am shapes
- Capo 7 + Em shapes
Easiest keys on guitar
- 2 semitones down · capo 2 keeps the original pitch
- 5 semitones up · capo 7 keeps the original pitch
The song's harmonic story
The first chord is Bm; the ear learns where home is within a second. The chords that keep coming back are F#m, Em, Bm, G; read them as iii–ii–vi–IV in D or v–iv–i–VI in Bm. No chord leaves the shared scale, so a single pentatonic shape works over the whole song. Keep an ear on F#m → Bm (iii → vi in D, v → i in Bm): natural-minor cadence — gentle, modal arrival. Ending on Bm, the song seals Bm as home.
This analysis is generated from the song's chords by akorculuk's harmony engine using consistent rules. When you change key, the degrees stay the same; only the chord names change.
Asim Eliyev - Ölmez Bu Muhabbet Chords on Guitar, Ukulele and Piano
Hover over or tap a chord in the lyrics for its shapes, its degree in both keys and a listen button. Here you have every chord of the song side by side.
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Lyrics: Vüqar BiləcəriMusic: Vüqar Biləcəri
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